The Imperial Draftee

Children often hear, “This is going to hurt me more than it will hurt you,” before getting punished and of course they never believe it.  One day, they find out that it takes a lot of energy to come up with a punishment and enforce it.  In a similar vein, no one who wins the lottery believes that they will fall victim to the “curse” of great financial windfall actually making people more unhappy.

So too imperial states do not realize that extra conquests often presage a time of troubles,* and soon begin to work against them.  We usually think of the geo-political or financial burden of conquest, but it takes a psychological toll as well.

Here is a picture of a draftee into Japan’s army, with his family at a farewell gathering.

The Imperial Draftee

The picture should be blown up beyond screen size to get the full impact, and you can do that here.

We might guess that this picture was taken late in World War II, when all that seemed left for Japan was either surrender or “honorable” death.  But in fact, the picture is from 1939, when Japan’s fortunes seemed very much on the rise.  But this “rise” in fortunes may not have been all it seemed.  In 1939 Japan had reached a stalemate of sorts in China after quick and early victories.  To break the stalemate they began wanton and indiscriminate bombing of Chinese cities.  As David Derrick notes, Japanese tended to look somber in photographs, but here they appear beyond somber.  They are troubled , suffering from what Toynbee called a “schism of the soul.”

Whether your religion be Christianity, or in Japan’s case, Shintoism, people were not made to kill on such a scale.  Such actions take their toll.  It may hurt the conqueror more than the conquered.

*Readers of the linked post may note that while Japan technically was ruled by the Emperor, in fact they were controlled by a military oligarchy.

Things in a Museum

Some time ago I accompanied some students to a museum on a field trip when I encountered a harried-looking adult wearing a “Chaperone” sticker for another school.  Evidently he had gotten separated from his pack, but he didn’t seem to mind too terribly.  He had the thousand-yard stare of a man utterly defeated.  When I asked if he was supervising another group he chuckled, “You think so?  I have no idea what we’re doing or why we brought them here.”

I am proud of my students.  I have had 8th graders show far more interest on trips to museums than seniors from other high-schools I have witnessed, and yet even they have well-set limits.  The Walters Gallery in Baltimore is a wonderful museum.  Alas, at some point the students inevitably conk out and don’t care how old or rare a particular painting or artifact may be.  Any pleading or begging I might have attempted would only be met with the same thousand-yard stare I saw from the hapless chaperone.

And yet, these same students had endless energy on the bus ride for variously animated discussions on the merits of Panera or the next Avengers movie.

Now, this is not to say that I blame them at all.  I stand firmly by my appreciation for them.  But this experience of mine surely has a universality to it, experienced not just by every teacher that takes students to a museum, but anyone who has visited museums like this.  Why does “museum fatigue” set in so quickly not just for students, but for all of us?

The most obvious answer that comes to mind is that no one argues that museums are the ideal setting for such things.  To take a small thing and remove it from its context, putting it in a hushed room with lots of other things removed from their original context, surely limits their power.

I doubt that even museum curators would disagree with this, but I’m convinced this only begins to answer the question.

What makes the Walters a great place is that it packs a great deal into a small space.  Even if you wanted to linger, in about 3 hours you could go from ancient Egypt through the 1800’s in Europe and see the sweep of human culture.  And this led me to some thoughts as to why we have such a hard time engaging with the past. When you move through the Walters you can see a dramatic shift in the art and culture of different periods.  Almost everything from ancient Egypt has a direct religious purpose and is crafted with direct religious symbolism. Babylon is similar, though Assyria less so. You don’t always see the same direct ‘religiosity’ in Greece and Rome but it’s still there more often than we might think.  In the medieval world nearly everything had a distinct religious meaning, and a rich symbolic world lay behind most of what we saw with our eyes. The art from Egypt through the medieval world generally had this same quality–layers within layers of meaning that would have been intuitively obvious to those who lived in those times.  Of course the forms that they expressed this richness of symbolic meaning changed, but they all shared (more or less) in having this tapestry.

But beginning in the Renaissance (with more realistic depictions?, more overt interest in the natural world?) and sharply accelerating in the 17th century, we begin to see a dramatic shift. We could argue about why this happened (the Reformation was often iconoclastic, the Scientific Revolution happened, etc.) but that it happened is perfectly obvious.  In the 17th century and beyond we see a focus on the natural world. The ‘layers’ of meaning so obvious in centuries prior seem absent. The tree is just a tree, the man is just a man. If the layers are there they are no longer part of a general cultural understanding, but have to be supplied via individual interpretation.  

If one thinks students incapable of finding layers of meaning within images, simply observe the world of memes.  Here one witnesses students discovering whole worlds within stock cultural images.  Alas that these meanings and references remain almost entirely self-referential within a shallow cultural context.  Still, the staying power of memes surely has something to do with the joy and satisfaction they take in discovering and creating these endless loops of meaning.  So, while in my snooty and grumpy way I generally look down upon meme culture, I suppose I should see glimmers of hope that students not only can see such layers, but also enjoy finding them.

This led to some other thoughts and possible realizations.

Many have noted and lamented the decline of the influence of the text in our society, and we can point to a variety of causes for this.  No one questions that this will create a different kind of culture and eventually a new way of understanding.  The shift may be painful, but will we end up worse off?  In the “Phaedrus” Socrates recalls the Egyptian myth of Thamus and Theuth, in which the merits of writing are contested by Thamus.

At the Egyptian city of Naucratis, there was a famous old god, whose name was Theuth; the bird which is called the Ibis is sacred to him, and he was the inventor of many arts, such as arithmetic and calculation and geometry and astronomy and draughts and dice, but his great discovery was the use of letters. Now in those days the god Thamus was the king of the whole country of Egypt; and he dwelt in that great city of Upper Egypt which the Hellenes call Egyptian Thebes, and the god himself is called by them Ammon. To him came Theuth and showed his inventions, desiring that the other Egyptians might be allowed to have the benefit of them; he enumerated them, and Thamus enquired about their several uses, and praised some of them and censured others, as he approved or disapproved of them. It would take a long time to repeat all that Thamus said to Theuth in praise or blame of the various arts. But when they came to letters, “This,” said Theuth, “will make the Egyptians wiser and give them better memories; it is a specific both for the memory and for the wit. “

Thamus replied: “O most ingenious Theuth, the parent or inventor of an art is not always the best judge of the utility or inutility of his own inventions to the users of them. And in this instance, you who are the father of letters, from a paternal love of your own children have been led to attribute to them a quality which they cannot have; for this discovery of yours will create forgetfulness in the learners’ souls, because they will not use their memories; they will trust to the external written characters and not remember of themselves. The specific which you have discovered is an aid not to memory, but to reminiscence, and you give your disciples not truth, but only the semblance of truth; they will be hearers of many things and will have learned nothing; they will appear to be omniscient and will generally know nothing; they will be tiresome company, having the show of wisdom without the reality.”

Of course Egypt had writing, but even that writing was highly symbolic.  They had an overwhelmingly visual culture but achieved a very high level of civilization for millennia.  The Gothic age also had writing, but one suspects that this writing was not fashioned primarily to be read:

Though it may not be quite as obvious to some, their highly visual and religiously oriented society achieved quite a high-level of civilization.*  Their perception was more immediate.

As an example of our poverty of perception surrounding images and meaning, I refer to the famous “ichthus” symbol for Christianity.  One sees this symbol many places, and who can miss the scintillating war of fish magnets/Darwin fish magnets/anti-Darwin fish magnets on the bumpers of cars?  Though the symbol has been around in modern perception since the 1970’s, I never heard anything about the symbol except that the Greek letters for “fish” resemble the letters for “Christ.”  Of course one might also think of the direct reference to the miracle of the feeding of the 5000, or the fact that some of the apostles were fisherman before they met Jesus.

But the indirect symbolic meaning has much greater depth and wholeness.  To quote Leonid Ouspensky,

The first and most essential meaning of the fish is therefore Jesus Christ Himself.  Some ancient writers occasionally call our Lord, “the Heavenly fish.  We find the image of a boat, symbol of the Church, carried by a fish: the Church rests on Christ its founder.  To represent Christ in the midst of Christians united in baptism, little fishes surrounded by a large fish were often portrayed [in early Christian art].  “We are little fish,” Tertullian writes [ca. A.D. 200], “we are born in water like our fish Jesus Christ, and can only be saved by staying in the water.”**  Thus, the symbolism of fish leads back to that of water, that is, to baptism.”

Here we see a whole history, a whole theological understanding, a whole world to explore.  We must recover this sense of the “things” we see if we wish to re-enchant ourselves.

Dave

 

*The great Kenneth Clark ranks 12th century Europe as one of the great ages of the history of civilization.  John Anthony West, a devoted reinterpreter of Egyptian civilization, makes an interesting comparison between Gothic cathedrals and Egyptian temples.  While he is not a Christian, and seems perhaps slightly tilted against it in general, he admitted that the Gothic cathedrals communicate something directly to the soul.

**Hence the practice of annointing oneself with holy water as one enters and leaves some churches, not so much as a reminder of this, but as a way of connecting to these truths.

 

 

 

 

Immigration and American Identity

The machinery of modern states sometimes makes things harder, not easier.

Coming to a proper solution for the immigration question is one example of this.  A variety of sources and polls indicate that most Americans favor allowing more legal immigration and have for years.  Back in simpler times one could enter a land, ask the king to stay, usually he said “yes,” with not much fuss. Perhaps one took an oath of fealty to his person.  Now, we have a whole mess of courts, paperwork, etc., etc. that make coming legally quite difficult.  The good intentions of most Americans gets lost in the morass of modern civilization.

Incremental reform of the system seems unlikely to lead to dramatically different results, so I have great sympathy for the argument made by Prof. Bryan Caplan.  As a libertarian Caplan believes in limiting government as much as possible, but his stance on immigration comes from a strongly moral place.  He would like to essentially eliminate the morass but eliminating almost every test that could prevent someone from working and living in the U.S.  He argues that

  • No one chooses to be born in a particular place, and almost always the best way to get out of poverty in a poor country is to move to a rich country, where your labor has a much greater value.
  • Those in the rich country benefit from their birthplace, which they also did not choose.  They have no moral right to deny someone something they did not earn or choose themselves.
  • As long as 1) An employer consents to have someone work for them, and 2) A worker consents to work for that same person, then no good moral reason exists for denying both people the right to hire/work.

Caplan breaks his argument down into even simpler terms:

  • Someone wants to come in my house, but I do not want them to.  Ok, then, they cannot come in.
  • Someone invites someone in, but they don’t want to come.  Ok, they can certainly refuse to come.
  • Someone invites someone into their house, and they accept, but a 3rd party–i.e., the Government–tells them that this cannot happen.  This, Caplan argues, makes no moral sense and yet this perfectly encapsulates our current immigration policy.

He made these points quite well in this debate below:

As well as Caplan argued (and we can note the contrast between the more intense, east coast, suit-wearing Caplan, and the laid-back Californian Wellman), I found myself siding with his opponent.  Their debate has the added bonus of illuminating much about our identity as a nation and our past.

The title of the debate, “Is Immigration a Human Right” might slip past us but the very idea of human rights as opposed to “A Right of Americans” represents a fairly radical shift in thinking.  We see this same shift in the years leading up to the American Revolution.  When colonists protested the Stamp Act in 1765 they talked of their rights as British subjects.  By the time we get to the Declaration of Independence, Jefferson argues that King George III has violated their human rights, that “all men are created equal.”  On the one hand, because we believe that God has created all mankind in His image, the clarity of Jefferson’s Enlightenment inspired prose makes perfect sense.  But it also makes things muddier—for incarnating this idea politically means different things to different people.  Treating all people equally from different political communities makes the whole concept of political communities irrelevant, aside from posing many other questions.

Even within a family, parents will love all their children equally but treat them differently as their circumstances require.  And when Joey argues that Billy’s parents let him stay up late, every parent knows the classic retort, “Well, you are not in Billy’s family.”

Interestingly, both Caplan and Wellman agree that societies do not exist via consent and that governments do not therefore derive their legitimacy from the “consent of the governed” per se.  This slips by without much discussion but I find it a crucial point.  The fact that the colonists failed to consent to certain British measures inspired many to revolt.  But even a moment’s thought about the concept of consent regarding the whole of society renders it a bit silly.  We “consent” to very little that shapes our lives.  We do not choose to be born, we do not choose our families, our gender, our personalities, or our looks.  We receive them, just as we do not consent to where we are born.  Nor did any of us in America today “consent” to our system of government. Imagine the chaos if everyone had to consent to their governments in some kind of purely rational vacuum.  Even the most die-hard supporters of consent would likely not want continual plebiscites to determine whether or not we should be governed by our Constitution, or a king, or an oligarchy.

The question then remains as to whether or not the fact that we do not really consent to our society supports Caplan or Wellman’s position.  For Caplan, the fact no one chooses where they are born and how they are governed means that everyone should have the freedom to go where they please and pick a place where they actually do consent to a particular society.

But Wellman has a powerful counter to Caplan’s “house” analogy mentioned above.  He poses a scenario of him leaving for a week and returning home to ask his wife what happened during his absence.  “Well, let’s see,” Wellman imagines his wife replying, “On Wednesday, I went to yoga class. On Thursday I met Carol for lunch.  And on Friday, I adopted a young man named Bob into our family.  Here he is, meet your new son.”  Wellman goes on to ask rhetorically whether or not she and Bob, as consenting individuals have the right to do this.  Caplan’s house analogy, he argues, needs more nuance.  Caplan’s argument above has a fair amount of moral force, but it would also overthrow our entire conception of the state as a community.  Unwittingly or not, Wellman’s analogy hearkens to the older Aristotelian idea of the state-as-family analogy, hence the notion that the king served as a “father” to his people.  One cannot simply alter the composition of the family at will, nor make unilateral decisions as “sovereign,” consenting individuals apart from the family at large.

Here we see how truly radical the American Revolution was and glimpse why it had such an impact on the world.  The notion that the state in fact was not a family perhaps finished off Aristotle’s formal influence in the modern world, a process begun in the Scientific Revolution.

And here we see something else–why the immigration issue poses such a difficulty for us.  If any nation could apply Caplan’s form of the “house” analogy, it is the United States.  As a “nation of immigrants” our belief in universal rights is woven into our DNA, however poorly we have applied it at times.  But pushed as Caplan wishes to push it, the idea becomes non-sensical. His vision of the state primarily as a conglomeration of free-floating individuals renders the idea of “society” almost meaningless.

The same Enlightenment ideas that inspired the idea of “human rights” also led to the creation of modern democracies.  The irony, perhaps even the tragic irony, with this issue, is that cutting red tape and making legal immigration much simpler could be achieved much more easily with a monarch than our federated democracy, with its attendant slowness, interest groups, and the like.  We might even reflect that minorities and outsiders (i.e. African-Americans and Native Americans) fared somewhat worse in the aftermath of our victory in the American Revolution.

 

Dave

 

The Rings of Saturn

Bernard Bailyn starts his book The Peopling of British North America with an illuminating analogy about the rings of Saturn.  When astronomers first noticed Saturn’s rings their beauty appeared as a shimmering uniformity.  Now that technology has given us a closer look, we see that in fact, the “rings” are comprised of thousands of bits of rock and dust, some as big as your hand, some as big as a car, some almost microscopic.

History, he then argues, is often like this.  From a distance things look easy to understand but get up close and the elegant simplicity and uniformity of the past dissipates into confusing bits that won’t go together.  Reality will confound our ability to understand it as a coherent whole.

A lot about this analogy rings true for me.  When young we learn that George Washington was the father of our country, a great leader, and so on.  As we get older, we need to deal with his owning slaves, his social striving, his possible mixed motives for fighting the British, etc.

But ultimately historians can’t stop where Bailyn leaves off.  After seeing what the rings of Saturn actually are, he/she then needs to find a way to have them make sense.  He must interpret and synthesize.  Bailyn’s book tantalizes at times with revealing details about early colonial settlement, but I found myself frustrated that the book never quite got off the ground.

The book shows us that settlement of the colonies happened seemingly without real pattern, aside from the obvious facts that most immigrants were young, male, from a middle-class or lower background.  Different things seemed to happen for different reasons.  In sifting through the data, Bailyn admits that it might take a a poet or impressionist painter to make sense of the disparate information.  This is a wonderful admission of his, and seems to go against his “rings of Saturn” analogy.  Bailyn admits that in this instance he can’t fulfill that role (though he did just this in his great Ideological Origins of the American Revolution).  Interestingly, Bailyn contrasts the disparate design and feel of American settlements with new towns in Germany of the same period.  In Germany, new towns all looked the same.  So again, sometimes the rings of Saturn look exactly like we think they should look.  It may be American history in particular, rather than History in general, that presents a unique picture.

Ultimately, of course, this must be Bailyn’s point.  We might imagine the early days of European settlement to have uniformity, with diversity coming in the 19th century with large scale immigration, but no — from the earliest times no one story could account for everything.  “Let us celebrate America’s diversity,” and all that.

I thought of Bailyn’s work while reflecting on 8th grade reactions to the history of the Roman Republic.  In the year’s “Great Debate” over whether ancient Greece or Rome was the superior civilization, the boys invariably choose Rome by about a 2/3 margin, and the girls Greece by the same amount.  Many years of teaching this class bear this out for me, so why might this be?

Though images of the ancient Greeks reveal a touch of brutishness, they had more feminine qualities than the Romans.  They displayed more creativity and originality than the Romans.  They appreciated beauty and proportion.  As for the Romans, their plodding, methodical nature probably fits very easily within the mind of an 8th grade boy.  Their lack of imagination and their pig-headed stubbornness may have been designed specifically to both infuriate their ancient opponents and the average modern 8th grade girl.  I have seen a few young ladies actually stomp their feet in anger when Rome manages to rise after their disaster at Cannae, as the boys chuckle in Beavis and Butt-head like fashion.  “We’re still here,” the Romans seem to be saying to Carthage, “dunking your pigtails in inkwells yet again.”

I can identify somewhat with this aggravation, but there is something magnificent about how the Romans embraced their sense of identity.  The Roman scholar J.V.P.D. Balsdon makes the observation that the Roman origin story of Romulus and Remus raised by wolves had nothing to commend it to the ancient world.  Apparently it would have been much better if they had been suckled by she-goats, as the Greeks did with Zeus.  To what extent they truly believed in the myths I can’t say, but even a quick perusal of Rome’s stories show fratricide, violence, and no hint of elegance.  The touching Greek story of Pygmalion carried no truck with the Romans.  When they needed women, they simply stole them from the Sabines.  Even when the Romans “invent” their stories (though I am not comfortable with that word, but like a typical guy I can’t think of a better one) they utterly lack imagination and adornment.  And the Romans chuckle stupidly again.  They’re perfectly happy with their unimaginative early history.  Aggravating or no, their fierce sense of identity, no doubt gleaned partially from their commonly accepted founding mythology, gave them great strength of purpose and dedication.  They knew they were a gritty, uncouth, blue collar bunch and reveled in it.

When discussing the Arthurian legend in his A Short History of England G.K. Chesterton made the comment that the “tradition” surrounding Arthur was more true than the “history” surrounding him.  He meant that the Arthurian tradition may not be entirely accurate, but expressed more truth about the past than the confusion produced by historians who tackle the same subject.  I think the same holds true for Rome.  Take Will Durant (whom I like, for the record) in his Caesar and Christ, where he vaguely talks of Roman origins in terms of nomads from the steppes, and scraps of pottery dated to some people at some unsure time.  This tells us nothing.  No one should trust in the full accuracy of Livy’s history, but Livy communicates something more true about Rome’s early period than Durant.

If Chesterton is right we should consider his principle in light of America’s history.  The newness of our country means that we can have far more accurate information about our past than almost any other civilization.  For many of us, the stories we learned in elementary school no longer have persuasive power.  Postmodernism has done its deconstructive work well.  We see this in the words of the great jazz pianist Vijay Iyer who recently spoke at Yale, where he seemed to suggest that all success in America is somehow linked to exploitation (I hope I’m reading him incorrectly, as I like Iyer’s music and don’t want his name attached to something silly like this).  Iyer commented,

And as we continue to consider, construct and develop our trajectories as Americans, I am also constantly mindful of what it means to be complicit with a system like this country, with all of its structural inequalities, its patterns of domination, and its ghastly histories of slavery and violence.

Many of us are here because we’ve become successful in that very context. That’s how we got into Yale, by being voted most likely to succeed; and that may be what emboldened some of us to show our faces here this weekend, because we actually have something to show for ourselves, that somehow in the years since we first dined at the Alternate Food Line we’ve managed to carve a place for ourselves in the landscape of America. Whether you attribute it to some mysterious triple package or to your own Horatio Alger story, to succeed in America is, somehow, to be complicit with the idea of America—which means that at some level you’ve made peace with its rather ugly past.

Perhaps at least a few of those voted, “Most Likely to Succeed” actually worked hard?

But we need not fear or lament the postmodern landscape, but see an opportunity.  We need to seek the truth, and the deconstructive project has helped us do that.  But somewhere out there, I hope, is a historian who can give us a “true tradition” amidst the rings of Saturn to anchor us moving forward.

Enlightenment Liberty and its Children

The website Aeon recently posted a solid article from historian Josiah Ober.  In the article Ober makes the point that democracy and liberal government — that is, rule of law, free speech, protection of minority rights, etc. — do not always go hand in hand.  Indeed, we have seen many good marriages between the two concepts over time.  But at times democracy has not produced liberal government, and historical examples exist of other forms of government ruling in a liberal way.

Ober states that liberal ideas that limited the power of government and enthroned the autonomy of the individual came from the Enlightenment, ca. 1650-1750.  I have no qualms with this, and I applaud Ober pointing out the tension that sometimes exists between democracy and liberalism.  But we should pause for a moment to consider the implications for the minority protections the Enlightenment sought to enthrone.

I’ll start by saying that rule of law brings a huge amount of good to a society.  But a quick scan of the heritage of the Enlightenment will confuse us.  For as we saw the rise of political and individual liberty enshrined in democratic regimes we also see a rise in slavery — at least in America.*  Surely many reasons exist for the rise of slavery ca. 1700-1860 — too many for me to explore or fully understand.  But we cannot deny the confluence of political liberalism and oppression of the natives and African Americans.  Does a link exist between freedom and slavery?

We often hear arguments such as, “Of course pornography is bad for society.  But the remedy for the evil (i.e., making it illegal) would be worse than the disease.”  We hear these kinds of statements all the time, they roll off the tongue without thinking.  But not long ago people used similar arguments to justify slavery.  “Yes slavery is bad, but in order to have freedom we cannot give government the power to curtail it.”  I don’t want to over-spiritualize the issue, but the fact remains that pornography enslaves the passions and the basic humanity of hundreds of thousands and perhaps millions of men and women.  The abortion issue has similar rhetoric. I had a college professor argue that, “Yes, abortion is a terrible thing, but what you pro-life people don’t understand is that without abortion, women would not have the rights and opportunities they have today.”  All over the Enlightenment view of individual autonomy we see this ghastly trade-off between “liberty” and death — be it physical or spiritual — again and again.  We may have to entertain the notion that slavery often comes on the coattails of this kind of freedom.

In our history, at certain times at least, we definitely lacked the will to restrain ourselves.  Historian Pauline Maier notes that at the Constitutional Convention George Mason wanted to include a provision to have all trade laws pass by a super majority.  He foresaw that northern commercial interests, combined with its more numerous population, would alienate southern agricultural interests. In exchange, he willingly hoped to grant Congress the power to abolish slavery.  He lost on this issue, according to him, because Georgia and South Carolina would not agree.  In exchange for precluding even the possibility of the banning of slavery until 1808, trade laws would pass with simple majorities.

Sure enough, in 1860 such states complained of laws that favored northern manufacturing interests as one motive for secession (the issue also came up in the Nullification Crisis during Jackson’s presidency).  Of course, they complained as well about Republican plans with regards to slavery.

In a recent interview the Archimandrite Tikhon said that,

Today . . . we talk not of the possible limitations of the freedom of speech, but of the real everyday criminal abuses of this freedom. Who are those that shout of the threat of ‘limitations’ most of all? Those, who have monopolized information and turned the media into real weapons, which are meant not only for manipulating the public conscience, but also aiming at ruining personality and society.   . . . Of course, I’m for limiting speech that ruins freedom, as well for limitation of drugs and alcohol, for limitation of abortions – and everything which causes loss of health, degradation and ruin of nation. And the opportunity to watch vileness on TV, the right to be duped, the ability to develop a brutal cruelty and the lowest instincts in oneself – this is not freedom. Plainly, it is an absolute slavery.

In spite of any prohibitions man will have the right and possibility to choose evil anyway, nobody will take away this right, don’t worry. But the state must protect its citizens from aggressive foisting this evil upon them.

The man interviewing him got quite nervous at such a response, as would many in the United States today.  Who should make the decisions, and to what degree, remains a very thorny question.  One might even successfully argue that no good method of making that decision exists today, at least in America. But the fact that, at least in theory, we should certainly limit liberty in certain respects, appears obvious.  To say otherwise is to bring pure selfishness and greed into the fabric of our lives  Many would say that this has already happened.

Once we realize this we must re-evaluate the whole heritage of the Enlightenment view of liberty and the individual.  The rule of law seems a nearly unqualified good.  But I don’t think it need go hand-in-glove with a view of liberty that inevitably leads to slavery in some form.  Law after all, by its very nature, asks us to give up some form of liberty for the good of others.

Aristotle’s Politics adds another perspective.  He discusses the concept of proportionality in the state and teases out how imbalances even of virtues can cause harm.  The concept of “the golden mean” drips throughout his writings.  When even certain particular virtues assume too much of a place in the life of the state, it will cause harm.  In this situation, the inevitable counter-reaction will cause harm, because it too will lack balance and proportion.  One might posit that the whole “snowflake,” “safe space,” and trigger-warning phenomena present on some college campuses is just such a misshapen and destructive reaction to the abuse of freedom.

Tocqueville made the boring but true statement that, “Liberty cannot be established without morality, nor morality without faith.”  Aristotle would add that such liberty must exist in proportion to other necessary virtues of the state.

Dave

*I know that of course slavery existed before the Enlightenment.  But slavery had generally disappeared during the Middle Ages, and revived again only during the Renaissance, when certain Roman concepts of law, property, and a classical idea of liberty made its way back into the stream of European civilization.  The Enlightenment built off this Renaissance heritage in many respects, and so it is no surprise that its heirs practiced a revival of slavery — something worse even than Roman slavery.

A New, Old, View of Civilizations

Generations of history textbooks have assumed two things about the history of civilizations:

  • Human civilization is a relatively new phenomena, originating in the Fertile Crescent sometime around 3500 B.C.
  • Human civilization developed largely because of an increase in technical skill which allowed for plowing, increase of production, storage, etc.

I have never liked the second assumption.  It seems so easy for us to make it, for it reflects our bias perfectly.  Toynbee wrote of the predilections of western civilization,

The Hellenic civilization displays a manifest tendency towards a predominantly aesthetic rubric for orienting and defining itself.   The Hellenic tendency to view life as a whole distinctively in such terms that the ancient Greek adjective “kalos,” which denotes what is aesthetically beautiful, is used in addition to describe what is morally good.  In other words, Greek concepts of beauty and morality . . . were indistinguishable.

When we come to our own western civilization we find no difficulty discovering our own bent or bias.  It is, of course, a penchant towards machinery: a concentration of interest and effort upon applying discoveries of Natural Science to material purposes through the creation of social-clockwork devices, i.e. steam engines, motor cars, but also social engines like representative governments and military mobilizations.

We sometimes talk as if this appetite for mechanics was a quite recent occurrence in western civilization  . . . But this is precisely how westerners were viewed by the courts in Japan and China [in the early 1800’s]–as “barbarians” redeemed partially by our manifest and outsized technical ability.   The Byzantine princess Anna Comnena had the same impression of the first crusaders in 1099 A.D.  She called  their  crossbow a “devilish construction” that, while ingenious in its mechanics, fitted perfectly the barbarians who wielded it . . .

Though I find James Burke’s Connections series entertaining, he too makes the same assumptions about the development of civilization.  What brings people together for Burke is tools, food, and political organization.  Our “appetite for mechanics” has us assume that others had the same appetite.

Recent finds at the enigmatic site of Gobekli Tepe look to possibly overthrow both of the common assumptions.

Essentially, the site contains precision stone work thousands of years before the Egyptians supposedly invented working with stone.  Not only that, we have no evidence of any habitations near the site-it appears to be the only structure at all in the vicinity.  Add to this, the site appears to have no “practical” purpose to it.  Most think it served as a place of worship.  A recent article reads,

 . . . these new findings suggest a novel theory of civilization. Scholars have long believed that only after people learned to farm and live in settled communities did they have the time, organization and resources to construct temples and support complicated social structures. But Schmidt argues it was the other way around: the extensive, coordinated effort to build the monoliths literally laid the groundwork for the development of complex societies.

Any student of ancient history will almost immediately realize that the ancients did not share our passion for mechanics, and surmise that the origins of civilization lies elsewhere.  But common sense will suffice for anyone lacking such rudimentary knowledge.  Common love of something draws people together and creates relationships.  Common needs may bring people together temporarily.  Common loves will sustain and likely originate such relationships.  We all experience this. We are what we worship.*

Others suggest that the Gobeckli-Tepe site dates just after what appears to be a cataclysmic flood–perhaps caused by large meteors striking the polar ice-caps.  Those that built Gobeckli-Tepe may have been, in fact, transferring technology from a previous, post-flood civilization.  It is striking that the first thing they do, then, is to build a religious temple.

I should stress that these remain theories, but I find them an exciting indication of a reworking of our theories of the past.

Gobekli Tepe may rouse the historical/archaeological community to rethink their views of the past, and I welcome this.  But we should realize that such a shift would not lead to a discovery of something new about mankind, but something as old as the world itself.

Dave

*This helps explain why most moderns judge those like Charlemagne so harshly.  How can he insist on a common faith of those he governs?  Not only does it fly against our sense of individual rights, it seems so unnecessary.  Didn’t Charlemagne know that starting in the late 18th century we decided that a shared use of certain technological tools creates stable societies, and not religion?

We may scoff at those who fight over religious belief.  But western powers have fought over natural resources that will allow us to create more technological tools, or more powerful tools, and so on.  Maybe ‘technological advancement’ functions like a religion for much of the modern west.

Maybe all wars can be boiled down to religious belief.

 

The Ties that Bind

In his Jurguthine War the Roman historian Sallust detours from his main narrative to discuss the rivalry between Carthage and Cyrene (an ancient Greek colony near modern day Libya).  In one instance the two powers thought of a novel way to settle the problem between their civilizations without the continuance of war.*  Sallust relates,

Since the affairs of the people of Lepcis have brought us to this region, it seems fitting to relate the noble and memorable act of two Carthaginians; the place calls the event to mind. At the time when the Carthaginians ruled in the greater part of Africa, the people of Cyrene were also strong and prosperous. Between that city and Carthage lay a sandy plain of monotonous aspect. There was neither river nor hill to mark the frontiers, a circumstance which involved the two peoples in bitter and lasting strife.

After many armies and fleets had been beaten and put to flight on both sides, and the long struggle had somewhat wearied them both, they began to fear that presently a third party might attack victors and vanquished in their weak state. They therefore called a truce and agreed that on a given day envoys should set out from each city and that the place where they met should be regarded as the common frontier of the two peoples. Accordingly, two brothers were sent from Carthage, called Philaeni, and these made haste to complete their journey. Those from Cyrene went more deliberately. Whether this was due to sloth or chance I cannot say, but in those lands a storm often causes no less delay than on the sea; for when the wind rises on those level and barren plains, it sweeps up the sand from the ground and drives it with such violence as to fill the mouth and eyes. Thus one is halted because one cannot see.  Now when the men of Cyrene realized that they were somewhat belated and feared punishment for their failure when they returned, they accused the Carthaginians of having left home ahead of time and refused to abide by the agreement; in fact they were willing to do anything rather than go home defeated. But when the Carthaginians demanded other terms, provided they were fair, the Greeks gave them the choice, either of being buried alive in the place which they claimed as the boundary of their country, or of allowing the Greeks on the same condition to advance as far as they wished. The Philaeni accepted the terms and gave up their lives for their country; so they were buried alive. The Carthaginians consecrated altars on that spot to the Philaeni brothers, and other honours were established for them at home. I now return to my subject . . . 

The matter-of-fact method in which Sallust relates this story should give us pause.  He obviously accepted this line of thinking — these were “fair” terms.  This was justice, this was life in the ancient pagan world.  The Philaeni brothers had no other choice.  The above passage brings to mind a more famous section of Sallust from his introduction:

I have often heard that Quintus Maximus, Publius Scipio, and other eminent men of our country, were in the habit of declaring that their hearts were set mightily aflame for the pursuit of virtue whenever they gazed upon the masks of their ancestors. Of course they did not mean to imply that the wax or the effigy had any such power over them, but rather that it is the memory of great deeds that kindles in the breasts of noble men this flame that cannot be quelled until they by their own prowess have equalled the fame and glory of their forefathers.

One can’t help but chuckle a bit at the comment that “of course” the masks did not have “any such power over them.”  They simply dedicated their entire lives to everything the masks represented.

The western world will likely to continue to experience something of a pagan revival, and elsewhere I commented that bringing out into the open what lies subtly buried in our unconscious has something to recommend it.  But we should have no illusions.  Evidence abounds that if we revive paganism we will build for ourselves cattle-shoots from which we have no escape.  We will exchange the freedom we claim to hold dear for chains.

Indeed, Chesterton spoke rightly when he declared that whereas Christianity has elements of anguish and pain at the periphery, joy occupies the core.  Pagan religions, however, have joyous elements in them only at the periphery, but at their center stands defeat and despair.  Any surface familiarity with the ancient world bears this out.  Hector must fight Achilles and lose, just as Troy must face destruction. Not even Zeus himself can stop it.  Oedipus cannot avoid his fate, though he take every counter-measure possible. Even the “realist” historian Thucydides sees events in cyclical form — what happened before will happen again. For the Norse as well, in the end the good guys lose.  It is this magnificent sense of the tragic that gives such tales their grandeur and power, but who wants to get inside such stories?

As the excerpts from Sallust indicates, shame seems to bind the ancients more than anything else.  The Philaeni brothers accepted a brutal death rather than accept what must have been a worse fate awaiting them back home — the shame of failure.  Republican Romans took their obsession with reputation and drove their civilization straight over a cliff in the 2nd century B.C.  The ancients had no escape from shame because ultimately paganism puts all the focus on the self.  Judas, for example, could only see his sin, but Peter runs to the empty tomb — he had bigger and better things on his mind than his Friday morning betrayal.  Peter had an “out” from his past.  As Paul writes in Ephesians 4, “When [Jesus] ascended on high, he led captivity captive, and gave gifts to men” (emphasis mine). Neither ones society nor ones past should be denied or destroyed.  Both are part of God’s creation and God’s plan. But both can be transcended and transformed, and with this hope we approach something akin to true freedom.

Dave

*The story reminds me of the “Oath of the Horatii” narrated by Livy.  Whether or not that lends credence to the historicity of Sallust’s tale I suppose depends on what one thinks of Livy’s narrative.

 

 

 

Catch-22

Every year at the beginning of Government class I ask the question, “If 80% of the people voted to put the entire tax burden only on people with red hair, would this be ‘democratic?'”

I am always surprised and a bit dismayed at how many answer ‘yes.’

Of course our discussion then moves toward defining “democracy,” which, for as much we use the word, proves more difficult than we might expect.

“Democracy” is a “good” word, and “empire’ is one of those words you cannot say on TV.  But empires had many things that proponents of democracy value, such as religious tolerance and ethnic mixing.

So how, exactly, should we define “democracy?”

Democracy in the modern era grew out of Enlightenment universalism.  Jefferson said that, “all men are created equal,” and France produced the “Declaration of the Rights of Man.”  Spengler may have been a nut, but he might have been on to something when he commented that “the rights of Englishman,” made a lot more sense to him than, “the rights of man.”  The ancient Greeks, for example, considered by many as the progenitors of democracy, knew nothing of “universal rights.”

This universality gave early democratic movements  their enormous power and enabled them to move speedily through Europe.  But this is not the whole story, for coupled with this universality came the rise of nationalism.

How do we reconcile these different forces?  The French had a hard time of it, rallying to defense of the “patrie” against Austria and Prussia and then expanding under Napoleon both to spread their universal ideals and rule others in the name of France.  The recent presidential election showed this tension.  It has been with us for a while.

On the one hand, democracy thrives on the idea of self-determination.  Democracy grants people the right to determine our lives because we share common interests, cultures, goals, etc.  Modern democratic movements have their genesis in rebelling against rulers who do not share our culture our goals, those that do not speak for us.

On the other hand . . . democracy believes in equality for individuals as well as groups, and this equality, applied in a heterogeneous culture, must in turn limit some aspects of self-determination for the state to hold together.

This has led some to speculate that increased diversity can contribute to more autocracy.

Germany’s Jeroen Zandberg (a proponent of democracy) put it this way:

Of course nationalism can also be used to exclude and eliminate others, but this is rare. These rare occasions are however often used to discredit nationalism. An elite who doesn’t have the best interest of the people at heart, but which does want all the benefits of a high social position often tries to promote patriotism instead, and at the same time downgrades nationalism. Patriotism is simply to owe allegiance to the state even if that state is not legitimized by the people. The state is in that perspective merely an organisation like any other. If that were true it would be like asking soldiers to die for the telephone company. Without identification and an emotional bond between people and state we would have no alternative then to live under a police state. If we don’t want a police state then we need some degree of nationalism.

If you have multiple cultures present in the same location who each have different rules on how to order the world then there needs to be another ethical system to mediate between them. For example, Muslims have Sharia law which describes how a good Islamic society should be organised. These laws are not accepted by non-Muslims for if they would accept them they would be Muslim as well. In a truly multicultural society the Sharia law would govern the lives of Muslims and each of the other cultures would have their own laws as well.

Now Germany, as with other European nations, has a culture based on Christianity and the Enlightenment, which values ideas like freedom, equality and self-determination. If you implement multiculturalism then the values of the Enlightenment are degraded to the level of only being appropriate to the ethnic German population. You would get a Germany where each (ethnic) community has its own rules. Of course such a system could never work in a modern society because people are not isolated in small communities.

Multiculturalism can however also be used to invalidate all of the cultures present, because if all cultures are equal, which multiculturalism implicitly states, than none may rule over the other. This means that, in the case of Germany, the mere presence of another culture is already reason enough to replace German culture with something else. This ‘new’ culture is by definition anti-democratic, because it is one of a small elite who appoints itself as mediator between the various cultural groups. In this way an elite rules over a set of distinct peoples. In that sense multiculturalism is a leap backward in time when there were large empires ruled by a small nobility and people’s positions in society were fixed by birth. Characteristics of such empires are that they are fiercely anti-democratic, oppressive and unable to compete economically in a globalised world.

As much as we might wish, we cannot work out either ideas of liberty and equality in a vacuum.  Something somewhere has to give.

It appears that those who lean towards the multi-ethnic, tolerant, and globalized side of democracy must tolerate some degree of nationalism for the support structure of multi-ethnic tolerant societies to exist.  The balance will be hard to find.

On what side should the Church fall?  Here we must take great care to avoid identifying too much with either camp.  The first half of the 20th century gave us the disasters of nationalism, and more recently, we see the problems created by multiculturalism.  All the more reason for the Church to create its own culture . . .

Dave

 

 

The “Pursuit of Happiness”

I remember an interview long ago that William Buckley did with journalist and social critic Malcolm Muggeridge.  The interview touched on the idea of happiness, and Muggeridge commented that the words, “the pursuit of happiness” in the Declaration of Independence had done terrible harm to America and the west in general.  Whatever the original meaning and purpose of the phrase, Muggeridge believed that the Declaration teaches its readers that happiness can be effectively hunted down, caught, and then enjoyed.  He stated,

There is something ridiculous and even quite indecent in an individual claiming to be happy. Still more a people or a nation making such a claim. The pursuit of happiness… is without any question the most fatuous which could possibly be undertaken. This lamentable phrase ”the pursuit of happiness” is responsible for a good part of the ills and miseries of the modern world.

The truth is that a lost empire, lost power and lost wealth provide perfect circumstances for living happily and contentedly in our enchanted island.

I can say that I never knew what joy was like until I gave up pursuing happiness, or cared to live until I chose to die. For these two discoveries I am beholden to Jesus.

In reality, Muggeridge argued the very act of pursuing happiness will in fact ensure that we will never achieve happiness at all.  Instead, happiness comes unbidden.  It is a gift.  We immerse ourselves in particular person, thought, book, or what have you, and suddenly we realize, “I’m happy.”  Adherence to the Declaration’s view of happiness would lead us down a path of restlessness, materialism, cynicism, or flight into fanciful and frightful utopia’s.

I could not find the original clip of this on Youtube.  The clip below deals with an entirely different question, but it’s still worth watching.   Whether  your agree with Muggeridge or not (and he makes another controversial assertion), we must all agree that Muggeridge possessed the greatest English accent of all time.

I thought of Muggeridge on happiness when reading a brief post from David Derrick about individuals or nations that seek to “leave their mark upon history.”  In it he quotes Toynbee, who mentions that since Austria and Bavaria parted company centuries ago, the two have pursued different paths.  Austria looked to do “great things,” and they did achieve a kind of greatness with the city of Vienna.  But they also involved themselves in numerous wars that they often lost.  They got crushed by Napoleon in the 19th century, then by Russia and the allies in W.W. I.  Toynbee’s thoughts in the post above date from 1934.  In the few years that followed Austria continued to try and “leave its mark” by joining up with Nazi Germany, and of course that too ended very badly.  I have some friends who visited Austria years ago, and they saw this same attitude of “we’re special” at work in those they met (though in the modern context it had the manifestation of strong hostility to foreigners and immigration).  This approach has not helped them find their place in the world.  It appears that pursuing a place in “History” might be as futile as pursuing happiness.

What of Bavaria?  How did they do in the great trial of German history between 1933-45?  I know nothing about the history of Bavaria, but after a little research (read: I looked on a Wikipedia page), I note the following;

  • During the tumultuous period of the Weimar Republic, Bavaria avoided radicalism and voted for the mainstream conservative “Bavarian People’s Party.”
  • Hitler was fond of Bavaria, and the Nazi’s held many of their rallies in the Bavarian city of Nuremberg.
  • The White Rose, the heroic student resistance movement to Nazism, had its origins in Bavaria.

Before examining these points, we should note that no country, just as no person, should be judged only by their sins, no matter how bad those sins may be.  Still, defenders of Bavaria’s relaxed approach to their own history need to examine this period.  Points two and three stand out most sharply.  As to Nuremberg, Hitler may have held rallies there simply because he was known to be fond of Bavaria.  On the other hand, Bavaria may have been a stronghold of Nazi power.  The White Rose may have originated in part due to a strong underground of resistance in Bavaria, or it may have arose for entirely other reasons.  Without further knowledge (and I have none), we might say these two factors cancel each other out.

I think the first category may hold the most weight.  In the Weimar years Germany swayed to a fro between extreme ideas and stark resistance to the Versailles Settlement.  Both Nazi’s and Communists, for example, sought to “leave their mark” upon history.  The fact that the German people went with the Nazi’s shows their general bent towards radicalism.  The “Bavarian People’s Party” in contrast, wanted to bypass all of the immediate debates and return to traditional concepts of governance.  They contemplated separation from the rest of Germany to achieve this, not unlike the “Bloodless Revolution” in England in 1688.  Perhaps they understood the secret that Muggeridge knew, that seeking “History” can hold just as much danger as seeking happiness.

The Passions of Digenis Akritis

I honor Francis Schaeffer as one of the great Christian voices of the 20th century.  While I am not certain, I think he was one of the first to urge Christians to focus on the power of art to shape culture.  He also urged us to pay attention to environmental and stewardship concerns decades before such topics became mainstream.  As well as he commented on the modern age, I feel he badly misrepresented early Christian and medieval culture in his How Shall we Then Live? series.  In his view medieval culture indulged in too much spiritualization, too much “etherealizing,” and missed the stark reality of the Kingdom of God.  He acknowledged Dante’s genius, but then proceeds to essentially dismiss The Divine Comedy because of his idealization of Beatrice and her role as his guide to Heaven.  I fail to see how one can accuse an era that went on the Crusades, built cathedrals, and founded the first universities, of too much “spiritualization.”  As Schaeffer resided in the Reformed Protestant camp, perhaps he carried too much anti-Catholic baggage to see the medieval era straight.

And yet . . . when it comes to his essential critique of Dante, he has a partial point.  Before I continue, I should say that I regard The Divine Comedy, along with Shakespeare’s plays, as the greatest literary achievements of the western world in the last 1500 years.  I have no idea who could possibly challenge them.  But Dante had some of the faults as well as the great strengths of his culture.

The aristocratic tradition of courtly love came out of the positive development of the possibility of men pursuing women romantically and remaining “men,” as C.S. Lewis points out in his Allegory of Love.  But then it morphed into a kind of love that had no feet on the ground.  Romantic love without its proper end in marriage has all of the substance of leaves in the wind, a dance of disembodied heads.  Courtly love could descend into a kind of idealization of a mere passion, which could then become an idealization of lust itself.*

The Orthodox Byzantine epic poem Digenis Akritas** (translated, “The two-blood border lord”), for all its charm and energy, cannot match up to some other contemporary western epic poems such as The Song of Roland.  But its simplicity and clarity reveals a strength, a helpful corrective to the whole courtly love tradition.  To outsiders, Eastern Orthodox practice probably looks “mystical,” with its icons, incense, and so on.  Those with more experience know that Orthodox life and worship has a decided earthy practicality about it.

We see this in the story.  It begins en media res with the life of hero’s father, a prominent Moslem emir.  He raids a Christian town and captures one particularly beautiful Christian woman.  Utterly captivated, he eventually agrees to convert to Christianity and marry her, forsaking family, title, and everything for the sake of her love.  So far we might see parallels to The Divine Comedy, where Dante comes to God through love of Beatrice.  But again, the “earthiness” of Orthodoxy stands out, for in this story the man actually marries the woman.

Interestingly, while Digenis Akritas celebrates the marriage and the emir’s conversion, it warns that such ardent passion can lead also lead to “madness.”  It celebrates the results of the passion of the Emir, but not the passion itself.

In time our hero is born, and as a young man, like his father, he forms an unquenchable passion for  a young maiden.  They marry and live happily.  But . . . the poem’s earlier warning about the possible destructive possibilities in such a passion come to fruition with Digenes.  Twice he commits adultery.  The first time it happens he recounts his repentance bitterly.  The second time, he defeats an Amazon warrior, and then, carried on by his passions, one thing leads to another.  His wife accuses him of infidelity and he denies it.  But again, now possessed by anger and shame, he goes back to the Amazon woman and murders her.

Our hero and his wife die together in the faith, but his tale recognizes what medieval Christendom did not.  When controlled by our desires, if we end up doing the right thing it may be no more than mere luck.  Just as often, such desires lead us into destructive behaviors.  Malory’s version of the Arthurian legends perhaps hint at something similar by showing how Lancelot and Guinevere destroyed the fellowship of the Round Table.  But Digenes Akritas is much more direct.

We see this directness in Orthodox iconography.  From the outside I understand those who may feel that, whatever the merits of the artists, icons remain static and lifeless.  But viewed from within the tradition, one sees that icons often depict (though in different ways) victory over the passions.  This victory does not banish emotion, it gives us dominion over them.  Hence, the saints remain quiet, yet alert, like St. Anthony the Great (below) in any all circumstances They have freedom because they have been freed from the dominion of the passions.

The Life of Saint Anthony the Great

Though Digenis Akritis falls a bit short in overall literary merit with other epic poems, it possesses a directness and practicality its western counterparts often lack.

Dave

*As I mentioned, I don’t agree with Schaeffer’s main point.  But on the fringes . . . . ?  For example, the scholastic movement in the late Middle Ages over-rationalized theology.  Too much emphasis on reason, like courtly love, can put one in danger of living purely in a mental construct and risk falling into a kind of gnosticism.

**Many modern perspectives assume that  medieval Christians from the east and west had an implacable, ignorant hatred of Moslems.  And yet, our hero here is half Arab/Persian, half “Roman.”  In Malory’s Morte de Arthur, he includes admirable accounts of Sir Palomides, a Moslem knight.

The NFL vs. Toynbee’s Theory of Decline and Renewal

This post of many lives lives again,

This time, I repost for two reasons:

The 3rd(?) intro from the original post is just below.

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Shamelessly I repost this yet again, based in part on this article from Bill Barnwell.  At their latest meetings the NFL has yet again added more regulations about player behavior.  Thanks to the NFL’s passion for off-season rule changes dunking of the ball over the goalposts, that scourge of TD celebrations everywhere, will no longer threaten our beloved sport.

I speculated some time ago that the NFL was in danger of drifting from an “administrative” phase of business development to a “bureaucratic” one, from which return to sanity is difficult if not impossible, and  Mark Cuban seems to agree!  

So below is a brief intro from the first time I reposted.  Behold, the post that will not die . . .

Back then I wrote .  . .

I am reposting this as I’ve just read this article from the always insightful Tyler Cowen on the sometimes enjoyable Grantland site from Bill Simmons.

Regarding concussions. . . their recent increase in their acknowledged frequency has a lot to do with our increased knowledge of head trauma.  But football’s success helped create this problem.  The money and attention the sport gets increases the pay, which increases the time players can train, and so on.  Salary increases have likely been commensurate with increases in the speed and strength of the athletes.  Increased media coverage means more microscopes on more areas of the sport.  Thus, like many areas in life, success has solved problems and created others for the NFL.

And now, the original post (from 2012) . . .

The NFL dominates the sports landscape as well as TV ratings.  No other major sport can get close enough to smell them.  But I wonder about their long-term future, given some of the trends in place today.  I think that a historical perspective on the process of growth and decline shows that the NFL’s long-term prospects are bleak.

My fears about the NFL are not based on revenue sharing, but on their increasing push towards standardization, which leads to outmoded application of old ideas, which leads increasingly to irrelevance and vulnerability, which leads to decline.

In his career Arnold Toynbee uncovered what he believed were patterns that human civilizations followed.  He was not a determinist – nothing was inevitable – but people tend to act in similar ways when put in similar situations.  Civilizations grow when what he calls ‘Creative Minorities,’ who are not bound by current patterns and thus have the possibility of greater freedom of vision and action, have a chance to impact and shape existing institutions.

The problem is that more often than not, after this creative minority has success and obtains power they forget how they rose to prominence in the first place.  They tend to believe that it was a specific technique or solution that brought them where they are.  They forget that it was their elasticity that produced those solutions.  So – this ‘creative minority’ becomes a ‘dominant minority.’   They become arrogant, and this arrogance leads to increased standardization (“my way or the highway”).

Dominant minorities engage in pointless expansion just because they can, and they refuse to change with the times. marcus_aurelius The Roman Empire, for example, expanded into Britain, Egypt went into Syria under the Pharaohs, etc. all for no reason other than that they could and knew no other way.  This mentality gets the leaders it deserves.Take a look, for example at this image of the so called ‘great’  emperor Marcus Aurelius here, who evidences all the above characteristics.

The Confederate South fits this bill too, where our key creative minority founders (southerners mostly like Washington, Madison, P. Henry, Jefferson) turned into ‘Dominant Minority’ Jefferson Davis’s in a few generations.  They insisted on keeping slavery and tied their future almost exclusively to the possibility of territorial expansion out west.  When Lincoln threatened this, they rebelled, trapped in a mindset that believed the lie that ‘1 Southerner can beat 10 Yankees, etc.’  Anyway, this drive to expand, whether successful or not, overextends civilizations and is a factor in their demise.

Record companies were doing quite well, and then hit the master stroke of the cd.  This boosted their profits enormously, but they got foolish and greedy.  They standardized their industry, eliminating the sale of singles, forcing people to buy whole albums.  They established, on the whole, even greater control of the artists and how that product was distributed through conventional media.  The price of cd’s never declined like we thought it would – in fact prices rose.  With almost complete control over the process, they felt no need to lower prices.  Because we were stuck the money kept rolling in.  But when the internet came along they were stuck in outmoded thinking, and ended up attempting to fight a battle with all the sense of arrogant people living in the past, and music consumers have little sympathy with them as we watch them struggle in vain.

I fear the NFL is demonstrating some of the same tendencies, like standardization and expansion.  Everyone will wear only NFL gear (no Tom Landry  suits and hats, for example).  Everyone will adhere to outmoded black out rules – we’re the NFL, after all, and we rule the sports world.  We will certainly not adapt, as we may not even know how to anymore.  Starting with Fed-Ex field, stadiums are expanding to ridiculous sizes that will only serve to lead to more blackouts.  And expansion is not evidenced only in the stadiums, but also on how often football is televised.  Note how many more Thursday games there are today as opposed to a few years ago.

If we could track the decline we would have the bold, innovative Rozelle give way to the administrative Tagliabue, succeeded by the bureaucratic Goddell.

When a civilization reaches this point, it does not look good.  Decline usually happens, but it is also true that this encrusted situation begs for a ‘creative minority’ type to enter and shake things up.  Such movements and people can revive organizations.  In American history, Lincoln (from out west in Illinois, his political power based in the new and up and coming Chicago) and Teddy Roosevelt (from NYC but with his heart and mind out west) I think fit this bill.  Rome, for example, never got and never wanted such people, and so marched themselves over a cliff, and that is the normal pattern.  The NFL needs to embrace something like this soon before things go beyond the pale.  One of their problems, however, is that so much of what they have done will be tied up in stadiums.  Indeed, once an empire expands, retreat from ground gained is very difficult to negotiate, both psychologically and politically.  This, I think, will be the NFL’s albatross, and they will need some creative leadership to avoid shipwreck.  They don’t appear to be heading in this direction, as now the league looks like it will pick Super Bowl sites based on who has a new stadium.

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If you have further interest, check out my podcast on sports and culture with Steve and Marc at the link below:

To be a god, or not to be a god . . .

As Tyler Cowen would say, file what follows under “speculative” . . .

Recently NBA superstar Kevin Durant stunned the sports world by leaving the Oklahoma City Thunder and signing with the Golden State Warriors.  To be more precise, what shocked and troubled many people was not so much that he left Oklahoma City, but that he went to an already dominant and record-setting team.

Sports has morphed into a weird place in our culture.  We have 24 hour sports television and radio.  These media outlets discuss far more than the games themselves.  Rather, sports has become a springboard for all other kinds of topics ranging from race, sexuality, and so on.  Sports has become possibly the most visible bell-weather of our culture.  Look at the recent inclusion of female announcers (not just sideline reporters) on Sunday Night Baseball, for example, or the presence of a trans-gender athlete in ESPN’s most recent ‘Body Issue.’

So when the sports world blows up over something, it signals that a fault-line has moved close to the heart of our culture.

We give our star athletes huge amounts of money and adulation.  In exchange, we expect them to follow a code.  This code applies really only to the superstars, however, and perhaps especially to NBA superstars.  Football is still the bigger sport, but no player plays more than 1/2 a game, and with helmets and 22 people on the field, stars have less visibility.  Baseball players have longer careers and make more money, but the structure of the game limits the actions of hitters and fielders to a few brief moments.

In basketball the best players play about 80% of a given game and have multiple opportunities to display different offensive and defensive skills.   With only 10 players on the court, one truly great player can swing a game far more than in other sports.  Certain trends in the NBA point to its rise in prominence in our culture, first in terms of the money in the sport,

and then in the increase of viewers over the last few years.

The combination of our love of sport in general and the specifics of the NBA game gives basketball players the chance to reach transcendent status.

Apparently a code exists for NBA superstars that runs something like this:

  • To be truly great, you must win championships
  • These championships should be won with the particular superstar as the clear ‘alpha-dog’ on his team.
  • We expect the superstar to overcome obstacles on his way to Mt. Olympus.  This is the established pattern.  For example, Isaiah Thomas and the Pistons had to go through Boston, Jordan had to beat the Pistons, Duncan and the Spurs had to beat the Lakers, and so on.  There must be a definable journey that mimics that of mythic heroes.
  • The truly great superstars stay with their original team and make it their own.*  To leave for another team risks being labeled a man without a country, a man without honor because he has no one to honor him.

Durant violated certain key aspects of this code.  He not only left his original team, he joined a team with perhaps the best player in the league already there in Steph Curry.  Not only that, he joined the team that had beaten his team in the playoffs.

He failed his test.  As one prominent commentator stated, “I’ve never seen a weaker move by an NBA superstar.”**

Durant himself justified his decision by stating simply that he thought it in the best interest of his development as a basketball player.  It seems simple enough, and of course morally no one can have any real problem with his decision.

The problem with the decision for many is that it was a “selfish” decision done to “chase a ring” in the “wrong way.”

The fact that we expect a kind of self-denial, a form of asceticism, in our NBA super-star athletes, indicates something close to worship.  For all true worship involves sacrifice in every major religion that has ever existed.  Many of our democratic cultural values tell us to choose what you want, maximize your opportunities, having options, and so on.  Rarely, for example, will any politician make the grave error of calling for self-denial on the part of all people.  But we do place this demand on those we wish to add to the pantheon of gods, on those we seek to worship.

If we think that sports might be America’s de-facto religion, we may not have to look any further than this.

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If you have further interest, check out my podcast on sports and culture with Steve and Marc at the link below:

*Lebron James’ return to Cleveland after a an ill-executed hiatus a few years ago, then winning a championship this year, perhaps only adds mustard to the above narrative.  Perhaps Kevin Durant might do the same a year or two from now.   The ‘withdraw and return’ narrative has a great deal of potency.

**Another prominent commentator defended Durant from criticism levied by Oklahoma Thunder ownership about disloyalty to his team.  He rightly pointed out that this same owner moved his team from Seattle to Oklahoma City.  How dare he talk about loyalty to a particular place?

On paper he is entirely correct.  What the commentator failed to note, however, is that we don’t care about owners.  They are faceless, amorphous, rich men.  We don’t seek to worship owners, whereas we do seek this with certain players.  Hence, the reason for the so-called double-standard.

“It Absolutely Will not Stop. Ever.”

I know very little about the history and culture of India, but I feel comfortable saying that they have been around for a long time and possess a very deep sense of cultural identity and tradition.

But in the 20th century, India started to embrace certain key components of western democracy, and introduced new political and cultural strands into their way of being.  I think India bears watching.  They can serve as a petri dish for an experiment.  When democracy interacts with a tradition, who wins?  Can a reasonable peace and balance exist between them?  Or, must one destroy the other?*

For the sake of this post we will not assume that tradition is bad and democracy good, or vice-versa.  Both can be good or bad depending.

I thought of this as I came across an article about hotels in India.  As a traditional society, India has more “conservative” views on marriage and sexual morality.  But democracy seeks to empower individual choices.  Free-market capitalism looks for niches–ways to empower and monetize these choices.  Unmarried couples in India apparently have a hard time getting “privacy.”

Enter StayUncle. The New Delhi-based startup has tied up with hotels where unmarried couples can rent rooms for a duration as short as 8-10 hours. The idea is to help them with affordable rooms, without feeling uncomfortable or unsafe.

“There is no law in India that prohibits (unmarried) couples from renting a room,” Sanchit Sethi, founder of the year-old startup, told Quartz in a phone interview. “As long as you have a government identity card, you should be given a room. We don’t live in the 1950s anymore. What we are trying to do is change the mindset of hoteliers.”

“Couples need a room.  Not a judgment.”

As the article came from a western newspaper, naturally no assumption existed that perhaps India’s discouragement of unmarried couples having hotel rooms has any validity.  They want something–an opportunity to live as they choose–and so naturally we should find some way to empower (and monetize) those choices.  “We don’t live in the 1950’s anymore.”*

What we want now is all that matters.

I thought of Empire of Liberty, where author Gordon Wood points out that almost immediately after the Revolution many of our founders watched aghast as “the people” began eroding many traditions.  One can argue that the Constitution represents a (mostly failed) attempt to put the brakes on the rapid pace of change.

I imagine that, given another couple generations of modern democratic practice in India, most of their traditions don’t stand a chance.  There is something thrilling, horrifying, and inexorable about the march of democratic ideals through traditional societies.  The Terminator reference from poor, doomed, Kyle Reese has its place here.

In the U.S. we have already legally embraced gay-marriage.  Now we moved onto tackling other “traditional” ways of thinking in the form of trans-gender issues, as predicted by both opponents and proponents of gay marriage.  Both democracy and tradition have their good and bad applications.  But I have serious doubts that we can redefine ourselves, our experience, and our place in the world at will and continue to find meaning.

Perhaps the root of the problem comes from the Enlightenment, or the Scientific Revolution, or the printing press/Reformation, or platonic gnosticism, or somewhere else. Whatever the root, a fixation on purely abstract principles or ideas will lead to an abandonment of meaning and rationality in the end.  In his A Philosophy of Inequality Nicholas Berdyaev makes this point quite well.  Absolute equality as a pure idea makes sense, he admits, much like a parallel lines continuing to infinity.  But such equality remains a fiction, a fantasy.  When we try and apply it reality we get the disasters of Revolutionary France, Stalinist Russia, or Mao’s Cultural Revolution.

We see the link between inequality (not servile inequality, but meaningful, purposeful difference) and meaning right in Genesis 1. God creates an intelligible, good world, and does so through distinction and duality, i.e. night and day, sea and dry land, man and woman.  Making sense of our world requires dividing it, in a certain sense.  To see meaning, to see God, we must see distinctions in creation.

The U.S. crossed the bridge of normalizing sexual relationships outside of marriage decades ago.  Again, now we have moved on to gender issues.  We long ago stopped defining gender by certain expected patterns or code of behavior. Now we do not even wish to define it biologically.  If we say now that gender can be defined purely based on one’s own personal, abstract feelings and thoughts, we will enter uncharted waters.  We risk losing the ability to say that anything means anything at all.

With no map to guide us, we should prepare for getting lost.

Dave

*China is conducting a similar experiment.  They attempt to maintain traditional Chinese values, technocratic top-down party political control, and a free market.  On the one hand they have yet to embrace democracy politically, so we might assume a slower pace of change.  But on the other, their economy is more modern and powerful than India’s, so this change might happen faster.

**The 1950’s reference gives this quote a distinctly American feel, as that era is considered the last gasp of traditional morality for U.S.  I don’t know if the same could be said for India or not.

Many on the left decry the “cultural imperialism” of the west, and they have some good points to make.  But have they considered that the non-traditional morality that those on the “academic left” tend to support is also a form of cultural imperialism?

Music Covers and “Renaissances”

One of the ways I think you know you may have hit upon a good theory is if it applies to a variety of areas of life.  If a historical theory holds water, it will do so by revealing something about the human experience in general, not just particular time periods.  Toynbee really impressed me with his theory of how civilizations interact across time, and this article got me thinking about how Toynbee’s theory of “Renaissances”  might apply with artists who cover other people’s songs.

As Toynbee elucidated, not all renaissances are created equal, with some giving life, and others taking it.  Music fans know that not all music covers have the same impact.  Some stink while others succeed.  But why?  Can we apply any general principles to our investigation related to our study of civilizations?  What makes for good or bad cover songs?

One of Toynbee’s theories is that interaction between two living civilization will bear more creative fruit than interactions between live civlizations and the ghosts of dead ones.  We only need to imagine the possibilities inherent in an active conversation between two people, and passively receiving a recording from the past to see the difference.  We can call a ‘living’ band one that is active at the time one of their songs is covered, and a ‘dead’ one as a band/artist no longer active.

First let’s examine some successful covers and see if they fit into the theory.Here are two great originals. . .

Toynbee claimed that one reason why interactions between the living can have more vitality is that the copying civilization (or in our case, artist) are by definition freed from the burden of rote homage.  They can’t merely repeat what the other existing band could easily do better, so they change it and put something of themselves into it.

Below Hendrix and Aretha Franklin cover Dylan and Redding.  These cover versions are deservedly better known, and superior to the originals:

Interestingly, Franklin patterns her version of ‘Respect’ right along Redding’s lines, but the switch of narrator from man to woman and slower tempo adds to the song’s swagger and gives it more life. Perhaps her gender difference with Redding allowed her to confidently assert herself rather than just mimic him.  With Hendrix, he takes Dylan’s song and gives the lyrics the weight, mystery, and energy they deserve.

Along the same lines, Joe Cocker had success interacting with the Beatles on his classic cover of “With a Little Help from My Friends,” at Woodstock, while the Beatles were technically still a living ‘civilization.’

Part of the reason for Cocker’s success is that he feels no need to emulate the Beatles, and is smart enough to know he cannot try and copy what the Beatles could do much better.

But not all would be so insightful.

Here is the Beatles’ “Come Together.”

A few years after they broke up and became a ‘dead civilization’ Aerosmith produced this monstrosity (and if anyone thinks that Ringo didn’t really have any chops, just compare his “light on his feet” performance with the elephant stomps of Joey Kramer):

Here Aerosmith, bringing back the ghost of the recently ‘dead’ Beatles, falls into a common trap.  They feel the need to pay homage, and lose any sense of creative space, producing the lifeless result we might expect under such conditions.  Lest you think Aerosmith an isolated example, let’s do another.

First, the classic original. . .

And now, Sheryl Crow’s regrettable cover of the then recently ‘dead’ Guns N’ Roses:

The problem is not that either Aerosmith or Crow lacks talent.  The problem is their proximity to the ‘dead’ source material creates the additional psychological burden.

Another principle for Toynbee is that of geographical distance.  Closer geographical proximity usually means closer cultural affinity, and less overall freedom.  We saw how in 15th century Europe southern Italy acted with less freedom to the classical revival than northern Europe in the post I linked above.  The Greeks and Romans were the southern Italians’ next door neighbors, but not so to those in the north.  The same can hold true in genres of music.  We see that when Aerosmith, a rock band, covers another rock band (the Beatles) the process of mimesis is often mechanical.  Hendrix and Dylan occupied different genres, as did Joe Cocker and the Beatles.  Franklin pulled off the very unusual feat of occupying similar territory as the artist she covered successfully, but as we’ve seen, the fact that Redding was still a ‘living civilization’ freed her at least from mere mimicry.

Jazz artists over time have often covered standards from popular music, but by the 1980”s-90’s this process grew stale.  Some jazz groups have started to revive the practice of using popular music as source material, but freed from attachment to the ‘Great American Songbook,’ they can choose from a whole new catalog.  Here is a ‘standard’ from my youth:

And here is The Bad Plus, completely reinterpreting it:

The ‘geographical’ difference of genre gives The Bad Plus much more freedom to create something new.

If you, like me, are willing to call Toynbee’s theory a success, are there others areas of life where we can apply his principles?

Many thanks,

Dave

And finally, a cover so awful and so bizarre I am shockingly at a loss for words to begin to categorize it.  Laugh, cry, or go running headlong screaming into the night — I can’t decide!  I dare anyone to actually listen to the whole thing. . .

Alexander Nevsky and Humphrey Bogart

Whenever I teach about ancient Egypt that civilization always impresses me with its “weight.”  I mean that the Egyptians expressed an utter confidence in the meaning and purpose of their civilization.  We see evidence for this in a variety of places, but I draw attention to the “Tale of Sinuhe,” one of the more beloved early Egyptian folktales.  The story recounts some impressive adventures of Sinuhe abroad, but the climax of the story is not found there.  Sinuhe triumphs when he returns home, when he receives the favor of the king, and (strange to our ears, no doubt) when the king grants him a lavish tomb.  The story concludes,

There was constructed for me a pyramid-tomb of stone in the midst of other pyramids.  The draftsmen designed it, the chief sculptors carved in it, and the royal overseers made it all their concern.  Its necessary materials were made from all precious things one desires in a tomb shaft.  Priests for death were given to me.  Gardens were made for me just as is done for the highest servants.  My likeness was overlaid with gold.  His majesty himself made it.  There is no other man for whom the like has been done.  So I was under the favor of the King’s presence until the day of death had come.

All Sinuhe ever needed was in front of him the whole time, a Hallmark card ending if there ever was one.

Of course the Exodus dramatically and deservedly shook this confidence,* and at times the “weight”and “presence” of Egypt would no doubt feel oppressive and claustrophobic  (as it does for me with the Great Pyramid of Giza), but, nevertheless, they had a marvelous run.

Recently reading a collection of tales from medieval Russia, I had a reaction not unlike the one I have with Egypt.  Russia is different than America — obviously.  But how so?  A quick look at literary luminaries reveals much.  The Adventures of Huckleberry Finn undoubtedly deserves its high praise, but then one reads The Brothers Karamazov (roughly contemporary works) and discovers something entirely different.  Twain bounces here and there and constructs a fanciful lark (for the most part) out of the idea of rebellion against society.  Though he is thoroughly American, there remains something of the delightful English politeness about him, making his points in circuitous fashion.  Dostoevsky writes from a much more solid, earthy foundation.  The “earthiness” of his foundation gives it all the more spiritual impact.  He writes not of ideas at all — except to criticize them and the very concept of “ideas.”  Instead he comes from a place of absolute confidence in a particular reality.  In his stories the rebels are the bad guys, who try and introduce discontent into the Russian soul.

Just as we have no particular historical roots as a nation, so our folktales take on a whimsical character and have no particular roots in history (i.e., Paul Bunyan, Johnny Appleseed, etc.).  Even when Twain makes his best points, they take the form of jokes.  Dostoevsky . . . not so much.**  So Russian folktales usually seem to have much more direct historical roots and could rarely be described as “whimsical.”

In the tale told of about the Polish king Stephen Bathory’s siege of the Russian town of Pskov (ca. late 16th century) we see all of these characteristics.  It speaks of “Holy Russia” without a trace of irony.  When the “pagan” king’s army advances past some of the outer defenses, the story turns:

. . . in the Cathedral of the Life-Giving Trinity the clergy incessantly prayed with tears and moaning for deliverance. . . . [they] began to weep with loud voices, extending their arms to the most holy icon.  The noble ladies fell to the ground and beat their breasts and prayed to God and the most Pure Virgin; they fell on the floor, beating the ground with their heads.  All over town women and children who remained home fervently cried and prayed before holy icons, asking for the help of all saints and begging God for the forgiveness of their sins . . .

After an extended poem on the power of God the tide turns, and the people rally.  But they need to stem a breach in the defensive wall.

. . . [the Russian commanders] ordered that the icons be brought to the breach made by the Poles.  Once the holy icon of the Holy Virgin of Vladimir had protected Moscow at the time of Tamerlane.  Now another was brought because of Stephen Bathory . . . and this time the miracle happened in the glorious city of Pskov,  . . . for divine protection invisibly appeared over the breach in the wall.   . . .  All the commanders, warriors, and monks cried out in unison, “O friends, let us die this day at the hands of the Lithuanians for the sake of Christ’s faith and for our Orthodox tsar, Ivan of all the Russias!

In his marvelous, Everyday Saints, Archimandrite Tikhon of the Pskov Caves Monastery related a story about a particular bishop caught in an unfortunate position amidst a large crowd.  Uncertainty reigned in Moscow in a public square during the collapse of communism in the early 1990’s.  Some soldiers came over to shield the bishop from the crowd and began to take him into their vehicles for protection.  Many in the crowd, however, thought the soldiers were imprisoning the bishop.  The Archimandrite relates that several people rushed out towards the bishop, saying, “It is happening again [i.e., the Communists imprisoning church officials]!  This shall not be!  Come brothers, let us help this good priest.  Let us die for him!”  Soldiers dissuaded them from hurling themselves on their bayonets only by careful explanation of their purpose.

A particular sense of reality is evident, and an absolute confidence.

Our heroes play different roles.  Even the golden age of Hollywood, when America supposedly bursted with confidence, gave us heroes like Humphrey Bogart — a man “in the know,” and somewhat detached.  We love the reluctant hero.^  Russians remember instead princes like Alexander Nevsky, who when attacked by the Swedes, supposedly went immediately to church, where

remembering the song from the Psalter, he said: “O Lord, judge those who offended me.  Smite those who set themselves against me, and come to my aid with arms and shields.”

Before his death, Alexander took the most strict of monastic vows, the “schema.”

Alexander’s reaction today could only be mocked by the west, just as Putin’s physicality — be it swimming in icy lakes or wrestling tigers, or whatever — becomes late-night fodder.  But Putin, consciously or not, sincerely or not, very likely taps into something deep within the Russian soul and Russian history — the fearless leader of absolute confidence with not a trace of detached irony.^^

Those who do not like President Obama sometimes don’t see that his appeal has little to do with his policies.  Rather, he embodies a certain idea of American hip culture.  He tells deprecating jokes with wry humor, a wink, and a nod.  He appears on Marc Maron’s podcast and Comedians in Cars Getting Coffee with Jerry Seinfeld. So too we in the west, I think, fail to understand Putin’s popularity.  Perhaps he channels Alexander Nevsky, not Humphrey Bogart.^^^

Dave

 

*I favor a late Exodus date, and so see Ramses II as the beginning of the end, and not an “Indian Summer” after the decline had already begun in earnest.

**Of course Dostoevsky can sometimes be very funny.  I laughed aloud at various points in The Brothers Karamazov, and The Gambler. But Twain was known as a humorist, and while the idea of Dostoevsky as a one man show is funny, the show itself . . . would not be.

^Might Tom Cruise’s Ethan Hunt of the Mission Impossible movies serve as an exception?  He has none of the smirks of a James Bond.  Hunt “believes” — believes in what?  Who knows?  Who cares?   We don’t watch the movies out of love for the Ethan Hunt character, but for the stunts, scenario’s, etc.

^^The Archimandrite Tikhon has been involved with some controversy and mystery due to his “relationship” with Putin.  An excellent interview with him is here — recommended.  The interviewer represents a typical western perspective and the Archimandrite shows that he is not a modern-westerner.  We should realize that a) Putin may have a sincere religious faith, and b) St. Petersburg will not orient Russia in the way that Peter the Great or other westerners might wish.

^^^Russia has experienced a dramatic rise in religious affiliation since the communist collapse, but not a corresponding rise in regular church attendance, at least according to one Pew Research study.  I don’t mean to suggest that Putin faithfully believes and practices like Prince Alexander.  If left utterly detached from the Faith, Russia’s earthiness will become frighteningly barbaric. As many have noted — Russia is a land of great sinners and great saints.