12th Grade: The Battleground of Democratic Ideas

Greetings,

This year we have examined how democracies function across time and space.  What do they do well?  What challenges put great stress upon them?  Are their paths that democracies generally take that they should always avoid?  Under the umbrella of these big picture questions, we begin the year looking at the French-Algerian War from 1954-62.

I chose this conflict to study for a variety of reasons:

  • The conflict is a recent example of a western democratic power fighting both against and amongst Moslems
  • The conflict is far enough removed from us to allow objective analysis, and to allow us to see its ripple effects
  • The French dealt with many similar issues as we currently do in Afghanistan, and to a lesser extent, Iraq (such as the use of torture, attempts to win over local populations, etc.)
  • The excellent movie  (based largely in actual events) The Battle of Algiers is a great tie-in to our study

We introduced a few key background concepts before delving into the main events.

1. Why did France feel the absolute need to win in Algeria?

From the time of Charlemagne (or perhaps even dating back to the pre-Romanized Gauls) France was regarded as having the world’s pre-eminent military, from the Charlemagne, the Crusades, to Joan of Arc, to Napoleon.  In W.W. I they fought heroically and with great determination.  In 1940, however, they suffered a humiliating and shockingly quick defeat to the Nazi’s.  Desperately seeking to regain their pre-war glory, they did not give up their colonies (unlike their friendly rival England).  They lost again in humiliating fashion in 1954 in Southeast Asia — but they would not lose in Algeria.  This was where they would prove to the world that France was still France after all.

The French began colonizing Algeria as far back as 1830, and over time millions of French had come to live there.  As France’s reputation declined in the post-W.W. II years, Algeria became the place where they staked their reputation as a nation “good for the world.”  France was still France after all, a bastion of liberty and democratic, western ideals.  Algeria would be their proving ground.  They would bring the blessings of their civilization to North Africa.  They would show how Moslems could prosper in a western context.  Many other European powers shed their colonial empires after W.W. II.  France left S.E. Asia with their tails between their legs.  They granted independence to a few other colonies.  But not Algeria.  Algeria would be different.  Algeria would prove the validity of western ideals across cultures and the globe.

We shall see how this psychological and cultural attitude influenced how they fought

2. What is the battleground in an insurgent campaign?

As a modern “First-World” country, the French could easily outspend and outmuscle the Algerians who opposed them.  The Algerians naturally quickly turned to guerilla tactics.  It seems clear that the French thought that the battle was against the insurgents primarily, and so put their military foot forward almost exclusively.

Why did this fail?  What is the primary battleground in an insurgent campaign?  Is it the people, or is it an idea?  If so, what role can the military play?  What role does the government and people play?  In our discussion, one student suggested that the only way France could have saved its position in Algeria was through lots of apologies for their poor treatment of them, and lots of financial and social programs to rectify the situation.   In other words, was the problem a military one at all?

Well, it certainly might have been.  But there is a difference between ‘strategy’ and ‘tactics.’  In large measure,* France’s problem was that their use of the military was their strategy.  It was not used as a ‘tactic’ in a broader campaign.

How does an army battle an idea?  As one student suggested last year, the only way to do defeat an idea is to have a better one. Did the French, in fact, have a better idea?  If they did, how did they present it?

3. What happens when an army fights in disconnected way from its country’s values?

There is a great deal of evidence that French troops tortured and killed some prisoners as a matter of policy.  This was done with the tacit approval of French politicians, but not the French people.  As revelations of the torture emerged, the French public began to turn against the war, feeling betrayed by the army.  The army in turn felt betrayed by the people.  This tension between identity and actions needed resolution in some way — and the result was one successful military coup that put De Gaulle in as president, and another coup attempt that failed to get De Gaulle out of power a few years later.

Why are cultural and political values an important ‘weapon’ in a war?  Under what circumstances can we depart from those values?  How is a country’s identity a part of its strategy in conflict?

4. Related to #3, what should the role of the press be in a free society?

Next week we will discuss a few different options related to this question.  Opinions differ. . .

  • Some say the press should be an entirely objective entity, focused on presenting ‘just the facts.’  But, however much of an ideal this is, it is rarely, if ever attained.
  • Others argue that the press should be an implicit supporter of the government, or the majority.  This does not mean ignoring obvious truths, but it would mean using the press as a means to ‘rally the people.’
  • Still others assert that the press should be oriented ‘against’ the government.  That is, the press’ main function is to provide an alternate viewpoint apart from the government’s message.  The government gets its chance, the press provides the people with ‘the other side of the story.’

This week we watched and discussed The Battle of Algiers.  Our discussion and analysis of it will help form the basis of our own insurgency game coming up in a couple of weeks.

Here is the preview for the movie, which is also available (I believe) to watch in full on You Tube.

Sincerely,

Dave Mathwin

*France did attempt some small scale political reforms, but almost everyone viewed it as ‘too little, too late.’

11th Grade: Fascist Culture and Architecture

Greetings,

In our look at Germany this week I wanted us to consider why German society and Nazi ideology developed as it did. One area we focused on was the idea of humiliation.  Germany felt humiliated after W.W. I, and many of us understand the anger and desperation that come with humiliation.  The whole tenor of Nazi society seemed to have this desperate edge to it.  We might think, for example, that for the Nazi’s to have the kind of control it did over the populace it must have been a state with police everywhere.  In fact, the Gestapo usually had very few actual people in a given place, but thousands of denunciations to pore over from average Germans kept them quite busy.  Those denounced were usually turned in by neighbors, not “found out” by the Gestapo.  The common theme in these denunciations was that these “enemies of the state” just didn’t seem to fit in.  They were “asocial.”  They had unusual friends or habits.  They posed a threat to the German sense of German unity.

I wonder if this reveals a deep sense of insecurity in the German people, and the need to therefore overcompensate.

For example, let’s imagine that you are a big fan of band X.  You love the band, they changed your life, and so on.  Many share the same feelings, and you form an intense bond with other fans of the band.  If you believed that people who did not share your beliefs about the band needed sent to a concentration camp, we would not declare that you were entirely secure about your beliefs.  Your attitude would more likely reveal that you simply could not tolerate dissent, perhaps because you did not want reminded of the possibility that all you have bet everything on was a lie.  Or it may not even need to be a “lie” — perhaps you would not want reminded that the band should not occupy such a cult-like status in your own head.

We see this sense of intimidating overcompensation in different aspects of Nazi society.

Fascist architecture has this dynamic:

This first image, from Italy, has an almost comic look.  Mussolini tried to revive the glories of ancient Rome.  The arch was one of ancient Rome’s great achievements, so let’s build a tall building of one arch on top of another!  Rather than show the dynamism of fascism, it instead showed only its sterility.

A few German examples below, however, reveal something else.  Everything revolves around size,  intimidation, and a repellant worship of force.

When their soldiers went on parade, they couldn’t just march normally.  The “goose-step” march heightened the intensity, but in fact only made them more robotic and less human.

Hitler’s private residence reflects all of these concepts.  Naturally, it had to be on top of a mountain, and Hitler insisted that his bay window be the largest known bay window in existence.  Here are Allied troops standing in that window well after its destruction: 

Throughout Hitler’s Germany we see this sense of exaggeration and distortion beyond the common.

Unfortunately the fascist style found adherents in other countries, including the U.S.A.,  as this grade school pledge from the late 1930’s make clear:

Thankfully we dropped the the “Bellamy Salute” (as it was known) in early 1942.

In the end what we see in Japan, Italy, the Soviet Union, and even in the U.S. to a lesser extent, is the idea that the state is God.  Idols succeed because they seem to offer a great deal to us.  Money, for example, puts power, security, and pleasure within reach.  After the Industrial Revolution, with its attendant changes in demographics and communication technology, the state had tremendous power to organize any people’s collective potential.  Again, America was not immune as the case “Minersville v. Gobitis” demonstrates, though again, we showed more sanity than others by overturning that ruling a few years later in “West Virginia v. Barnette.”

We should not think that barbarism is a mere relic of the distant past.  The worship of the state is little more than the worship of the tribe by the tribe.  Those that worship the individual do most of their damage to themselves and their immediate circle.  Concentrated idol worship by collectives has the potential to wreak far more havoc.

Next week we begin the actual fighting of World War II.

Blessings,

Dave Mathwin

8th Grade: The Country Rome and the City Rome

Greetings,

This week we started our unit on the Romans, where will remain for the rest of the year.  We began by looking at Italian geography and made the following observations:

  • Roman civilization began not in the more fertile southeast of Italy, but in the more challenging south-central area near Rome itself.  We have met the concept that civilizations flourish not in ideal circumstances, but moderately challenging ones, as in other civilizations like Egypt.
  • We noted that unlike Greece, Italy favored more agriculture. While Italy is a peninsula and never too far from water, it has a fairly even coastline without many ports.  The best ports are in the southeast, but Rome did not get there until nearly five centuries of its history had elapsed.  By that time, Rome had a thoroughly rural bent to their way of life.
  • If one stands in Rome, it seems the land tended to run downhill in a north-eastern direction.  If true, even slightly, this may help explain why Rome’s conquests ran initially towards that direction.  This in turn meant that Rome would not have any significant interaction with the naval oriented cultures of Greece and Carthage until around 300 B.C.  So, while Greece and Rome would inevitably share certain similarities due in part to their common geography, Rome developed along different lines than Greece in the early part of its history.

Here is a topographical map of Italy:

This agricultural bent of Rome shaped their civilization in ways similar to other agriculturally oriented areas, like Egypt.  Just like rural cultures today, Rome based much of their way of life around tradition, the past, routine, and practicality.  Both urban and rural cultures have strengths, but a key question for Rome would how they would react when they did interact with the more cosmopolitan Mediterranean.   When it comes, this clash will determine the fate of Rome, Greece, and Carthage.  As Rome conquered others, they could not avoid confronting the possibility of changing their own identity.

We likened Rome to a young farm boy (we’ll call him ‘Jim’)who goes off to New York City for college, and postulated three different outcomes.

  • Benign Awkwardness — Jim doesn’t really fit in city life, and knows it.  He try particularly hard to fit in either, and soon wearies of his clumsy attempts.  He keeps his rural identity, plugs along more or less alone at school, goes home on weekends, and returns home after graduation.
  • A Happy Medium — Here Jim keeps his roots, but also approaches NYC with an open mind.  He learns to see the good and bad of both city and rural life, and picks and chooses from both like a cafeteria menu.  The experience changes Jim, but he learns to enjoy both environments without changing who he fundamentally is.  This ideal reaction, however, is probably the least likely of the three possibilities I list here.
  • Drink from the Fire hose — Jim becomes completely enamored with his new surroundings.  He chucks his rural identity and jumps in with both feet into city life.  Tragically, he doesn’t even manage to attach an urban identity to himself.  He so obviously ‘tries too hard’ that he fails to find acceptance, and this rejection only makes him try harder.  His actions leave him with no identity at all.

How Rome faces this challenge will be the subject of our study in the weeks to come.

Next week we will look at Roman religion and the extreme emphasis on the practical over the theoretical.  Again, it will help us if we remember that Rome was a nation of farmers, who often have little use for theory and speculation, and who focus on soil, crops, and so on.

Ancient chroniclers agree that the Romans were a religious people, unlike the Greeks.  But their sense of religion was also much different than in Egypt, for example, another ancient “religious” people.  In Egypt, their beliefs filtered down into the government, architecture, and where they lived.  Their literature is filled with stories of the gods.  They wrote psalms/hymns of praise to their gods.

We see nothing like this in Rome.  The Romans had devotion to their religious duties, but they saw “religion” usually in terms of “checking off the box.”  They would do what they needed to do, but rarely did their religion touch their souls, and a variety of stories from their past illustrate this.

Machiavelli recounts a story from Livy, where a Roman general wanted to attack the enemy, which I recount below. . .

The consul Papirius, in conducting a war against the Samnites, [saw a favorable moment to fight], and ordered that the priests take the auspices.  The birds, however, did not eat.  But the chief priest, seeing the great desire of the army to fight, and their confidence in victory, reported to the consul that the auspices were in fact favorable.  But one of the assistant priests told the consul that the chief priest lied.  . . . And so the consul put the Chief Priest in the front ranks of the army, and it happened by chance that a Roman arrow struck the chief priest, whereupon he died. When Papirius heard this, he declared that whatever wrath the gods felt toward them had been appeased, and thus by apparently to accommodate his designs to the auspices, Papirius gave battle without giving the appearance of neglecting his religious duty.

Was the general ‘impious?

According to the Romans, not at all.  He did his duty.  He took the sacrifices.  A priest told him that the gods approved.  And they won.

Machiavelli relates another story. . .

Appius Pulcher acted just the contrary way in Sicily during the first Punic war; for wishing to fight the Carthaginian army, he caused the priests to take the auspices, and when they reported that they did not eat, he said, “Then let us see whether or not they drink,” and threw the birds into the sea.  He then went into battle and was defeated, for which he was punished in Rome.

The historian Livy goes on to say that Pulcher was not punished for losing, but for his brazen impiety.  Paprius “kept up appearances,” whereas Pulcher did not.  But I have doubts.  If Pulcher had won the battle, would he have been punished?  What these stories show, I think, is that Rome really worshipped Rome itself.  All things bowed to glory of Rome.  Was then their religion a mere smokescreen?  We know, for example, that Roman religion technically forbade offensive war of any kind, yet they became one of the greatest conquering empires they world has ever known.  Something it seems, gave at some point.

Blessings,

Dave

10th Grade: Romanticism

Greetings,

This week we looked at Jean Jacques Rousseau and the Romantic movement.  Last week in our examination of  the Enlightenment, we said that it both built upon the past (Scientific Revolution) and reacted against it (Louis XIV’s Versailles).  So Romanticism both reacted against the Enlightenment emphasis on reason and built upon its rejection of current society.

We think of the Romantics praising the virtues of emotion, but we should not interpret the word ’emotion’ in a narrow sense.  Rousseau focused more on our ‘gut,’ or our ‘inner man.’  For Romantics society itself was humanity’s enemy.  All of its trappings, like wigs, crevattes, five-fork dinners, etc. put a ridiculous husk over the kernel of our true selves.  Anyone who ever felt uncomfortable among the wine and cheese set, for example, can identify with at least some of what Rousseau preached.  Manners and mores, if taken too far, can be elitist, exclusionary, and anti-human.  When we consider that the picture to the left depicted actual hairstyles as worn by aristocratic ladies, we begin to identify with what the Romantics advocated.  Rousseau wanted to return to what was “natural.”  It makes sense, then, that one of his main causes involved getting mothers to breast feed their own children, rather than handing them over to wet-nurses.

Rousseau and the Romantics wanted to free people from society to live as they were truly meant to live.

For them, mankind need not fear logic and reason, but instead  needed to realize that they do not come first in human development.  We add them later, whereas our emotions arise naturally from within us from the very start.  Reason, on the other hand, must be imposed from without.  So our ‘guts’ are better guides to behavior than our reason.

From a Christian perspective one can say that God gave both emotion and reason, and that both can guide us to truth.  We come back to the idea of truth in tension.  Unfortunately we see the abandonment of this tension in Rousseau, who thought for example, that the tragic Lisbon earthquake was God’s judgment against cities.  C.S. Lewis’ famous essay “Men Without Chests” makes the point that, as valuable as our heads and our guts are, they need the “Chest” to act as a moral mediator.  Separated from right moral guidance, both emotion and reason turn tyrant. Jonah Goldberg has a humorous but insightful take on what happens when men are left to their own devices here.  When the forces of Enlightenment and Romanticism combined and then turned against each other in the French Revolution, the results would be less humorous.

Like the Enlightenment movement, the Romantics were on to at least a part of something.  One example of this is the idea of breastfeeding.  For centuries women in the elite of society considered it “vulgar” to breastfeed their own children and farmed them out to wet-nurses. One of the first goals of the “Romantic” movement was to get women to see that what was “natural” in this case was good.  What could be more “unnatural” than the separation of mother and infant child?  And yet, such practices persisted.

The problem of course lay in how one defined “natural.”  If every “natural” thing has a direct moral imperative, then we must define “natural” very carefully.  Like the Enlightenment then, the Romantics did not see the world or humanity as basically fallen, and this would bring forth terrible consequences in due course.

We looked at the tragic case of Louis XVI.  In him we have a good man who, in turbulent times, lacked the foresight to be a good king.  As a French king, he probably thought that supporting the Americans against the British was just something that French kings do.  But Louis’ aid to the colonies, which involved people trying to overthrow a monarchy, can be compared to bringing the kudzu plant to the U.S.  You are importing your own destruction, though Louis likely did not see this, just as we did not with the infamous plant.  When an idea (like some plants) gets transplanted away from its native soil the results may be much different than we anticipated.

As the official diplomat to Paris, Ben Franklin knew exactly what chord to strike with the French.  He knew that the French idealized the Americans as fulfilling Rousseau’s dream of living close to nature, and milked that as much as possible.  To the left is a famous portrait of Rousseau, and the outfit Franklin donned for his portrait in France while on a diplomatic mission.

Louis attempted to enact many helpful reforms, and this makes his tragedy more poignant.  Many have the mistaken idea that France rebelled against a decrepit regime bent on maintaining the status quo at all costs.  In fact, many philosophes felt that France had the perfect king for the times.  Louis worked hard at fiscal responsibility.  He abandoned much of the waste and foolishness of Versailles. He avidly patronized the sciences, and founded the first known school anywhere for the blind.  France did not rebel against a king who refused to change, they rebelled against a king who tried hard to modernize France.  We shall have to unpack the significance of this later when we look at his trial under the Revolutionary government.

Usually no matter how often we criticize our Presidents we profess admiration for our First Ladies.  Not so in France.  Marie Antoinette, queen of France, was hated almost from the moment she set foot in the country.  Many stood against her from the very start, but her actions, innocent though many may have been did not help her cause.

The bad press began the moment the French found out that Louis’ bride hailed from Austria, a traditional rival of France, a step-child.  Louis, and thus France as a whole, was seen as “marrying down.”

Strike one against Marie.

Marie was desperate to please.  So, if the above picture showed how high-born ladies should wear their hear, she would do one better.   She wore this hairstyle (the picture is accurate, not satirical) to commemorate a French naval victory.   The French, with their vicious eye for taste, could easily detect when someone tries too hard.

So, as the Romantic movement gained acceptance, the pendulum swung the other way.  Marie eagerly dove headfirst into the new style.  She would be “simple.”  She asked Louis to build her a special estate where she and her friends could pretend to be farm girls and feed sheep, milk cows, and so on.  Again, Marie seems to be “trying too hard” to almost ludicrous proportions.

Her friend Elisabeth Vigee-Lebrun painted the famous portrait of her to the left.

This new image would surely work, right?  In this portrait she was elegantly simple, just as Rousseau would want her.  Marie very much hopedInstead, once again the French detected desperation, someone who obviously was not “natural.”   “You are queen of France.  Act like one, dress like one!”  the French seemed to say.  Marie did not figure out how to act like a queen to anyone’s liking, perhaps not even her own.

When Marie finally had children, she settled down, and enjoyed her role as a mother.  But much damage had already been done.  Part of this damage stemmed from the personality differences between Louis and Marie.  Introverted Louis never liked parties, and used any excuse to retire early (one source indicates that Marie purposely set Louis’ clocks ahead in hopes of having Louis retire even earlier).  Once Louis left, Marie felt like she could cut loose, and played cards and danced the night away.   Much of this behavior was very likely innocent, but it raised many eyebrows, and rumors flew.  Louis, did what any wealthy, decent, and befuddled husband might do and bought her lots of expensive things.  Marie got the blame for this, not Louis.  In time various epitaphs floated around France, including, “The Austrian Whore,” and “Madame Deficit.”  Marie could never understand the impact of her actions, and how important image was to her success in politics.

Next week we will see Louis lose control of events in the French Revolution, and how France’s abandonment of what Lewis called “the chest” would wreak terrible havoc.

 

 

Dave

10th Grade: Truth in Tension

Greetings.

This week we returned to Europe in the mid 18th century and began to look at the ideas that shaped the coming French Revolution.  In this “Prelude to the Revolution” unit I hope that students will see that ideas have consequences.  The French pursued truth, or at least what they believed to be truth, with a passion, but this pursuit nearly destroyed them as they attempted to entirely remake their nation from the ground up.

How then, can we recognize truth?

Christians have many answers at their disposal to this question, but we discussed in class that many of our foundational truths are truths in tension.  So we see that God is one God in three persons, Christ is fully God and fully Man, Scripture is the Word of God written by men, and so on.  Sometimes we can know that we are close to Truth when we feel pulled in different directions at once.

Christians also realize that Ultimate Reality (God Himself) is personal, not abstract or propositional.  In inviting us to know Him, God does not want us primarily to know truths about Him (though this too is necessary), but to have a relationship with Him.  So truth must have an incarnational, or personal aspect to it for it to fully achieve the status of “Truth.”

French society needed reform in the mid-18th century.  The dominance Louis XIV bought came at a cost, and one cost was the inherent contradictions that Louis’s France left unresolved, and in fact widened.   When untethered from “truth in tension” we might expect wild swings or “over-corrections” in the ideas and solutions of the time.  The Enlightenment is no exception.  But the Church needs to have judgment begin at home, for it was precisely the Church’s relative weakness in the aftermath of the wars of religion and the Scientific Revolution that opened the door for people to seek truth elsewhere.

The Enlightenment had many noble motives and goals.  Many “philosophes” (as French Enlightenment philosophers were known) saw that society had become a kind of anachronism, guided by long outdated feudal customs.  Certain areas in society operated autonomously, without reason or justice.  Many stories abound for example, of “press-gangs” rounding up derelicts or drunks and forcing them into the navy or infantry.  From the perspective of many, society seemed to be made only for the elite, or for those with connections, or special, secret knowledge (the echoes of Louis’s ridiculous system at Versailles form a good example).  Enlightenment thinkers sought to free society from archaic mystery and make it livable for the common man.  Reason’s clear light revealed the absurdity of class and privilege.  The Philosophes prided themselves as sensible men.  Ben Franklin, for example, records basic advice like, “A penny saved is a penny earned.”  No wild Platonistic musings here, thank you very much.

One sees this spirit animating their music as well.  Haydn, for example, wanted to write for the farmer and tradesman, so his music has a popular danceability to it that one immediately perceives.  Odd meter changes, wild swings in tempo, and so on might have been perceived as “elitist,” or inaccessible.

In the early Enlightenment one also sees a glorification of the everyday.  Those outside the nobility, like Christopher Wren in England, got picked to design St. Paul’s Cathedral.  Enlightenment era paintings depicted women realistically, and showed life as it was really lived by most people.  It elevated simple pleasures of good company and conversation.

For centuries the Church had controlled much of daily life, especially education.  This too needed freed for “the people.”  With people loosed from institutional religion, they would be freed to be their “natural” religious selves.   No more obscure doctrines, no more mystery, just the clear light of reason.  So in the end, society, education, religion, culture — all this seemed to come down from their pedestals on high and into the people’s hands.  The early years of the Enlightenment must have been quite exciting.

But this excitement masked certain key problems.

For all of their realism and so-called common sense, the philosophes tended to be quite unrealistic about human nature.  For them, part of their liberation from mankind meant liberating them from their sense of sin.  “You’re not bad, just ignorant!”  But in severing people from their sense of sin they dehumanized them.  We know we sin, and we know that it is part of being human to sin.  To say that sin doesn’t exist makes us less responsible, and if we are less responsible, we are less human.  Again, Enlightenment thinkers surely thought they were doing mankind a favor by removing the idea of punishment for sin.  I want the students to appreciate the Enlightenment’s strengths, but the tragic irony of the Enlightenment is while they sought to liberate they set us on a path of potential slavery.  We deserve to be held responsible for sin because we are human beings responsible for our actions.  Dogs are not responsible for their actions.  C.S. Lewis elaborates on this in his essay “The Humanitarian Theory of Punishment.

The Enlightenment frowned on mystery.  We know that many key doctrines of Christianity are mysteries at heart, but what about other areas?  Is not life itself mysterious?  What about love?  Guys, what about women?  Again, to be fully human we must have a sense of mystery about our existence.  In its eagerness to redress an imbalance, the Enlightenment abandoned “truth in tension” and created other kinds of problems, some worse than those it fixed.

The ironic tragedy of the Enlightenment is that while they sought to liberate, they ended up dehumanizing people on a path to slavery, for dehumanization is the first step towards control.  One sees this in subtle ways in the “Smile of Reason”  in many philosophe portrayals:

The constant tight-lipped smile of these reasonable, agreeable people tips the hand of the Enlightenment.  As Clarke notes, the philosophes might smile, but never laugh.  They restricted what it meant to be human.  Life can be enjoyed, but only in moderation.  They prized control above all else.

I don’t want to overreach, but the Enlightenment insistence on control paved the way for some of the tyrannies of the French Revolution and beyond.  The Enlightenment gave us good things to be sure.  No doubt many good Christians made the best of what the Enlightenment had to offer.  But its legacy, like all heresies, continues to haunt us.

Blessings,

Dave

 

11th Grade: The Nazi State and the Art of Purity

Greetings,

This week we looked at rise of the Nazi’s in Germany during the 1920’s and early 1930’s.

How can we make sense of the rise of the Nazi state?  While countries like Spain, Italy, the Soviet Union, Turkey, and Japan all experienced totalitarian regimes in varying degrees, none had quite the intensity and impact of Nazi Germany (though it would be fair to say that Stalin came close).  What distinguished the Nazi’s from other regimes?  How did a country with one of the richest cultural heritages in the world give themselves over to abject barbarism?

Naturally we think of the Nazi regime as one built on hatred and violence, and there is much truth to this.  But unless we see that the strongest appeal of the Nazi’s for people was their fervent hope, hope for better Germany and a better world, we will miss the fundamental basis of their appeal.

Germany, of course, had only recently been a nation (since 1871), but before that greater ‘Germany’ had often been the stomping grounds of Europe.  When the European powers wanted to fight they often came to the divided German principalities to do so, dating back to the 30 Years War in the early 1600’s.  As a political and national unit, “Germany” lacked the strength to prevent it. The Versailles Treaty made the incredibly foolish blunder of humiliating Germany with its war guilt clauses.  The Nazi’s vowed that they would erase the stain of humiliation the world had inflicted on Germany.   If we can remember what it feels like to be humiliated, we remember too the anger and desperation we felt, and the desire to do nearly anything to rid ourselves of that wretched feeling.  The Nazi’s claimed to be able to do just that.

Richard WagnerHitler was obviously a cruel man, but he also believed that he had ‘high’ taste in art.  Many in the Nazi party leadership, like Hitler himself, were either failed artists, minor poets, or small time authors of some sort or another.  We saw Friday how Hitler was a big fan of opera, especially Wagner.  Hitler himself said that one could not understand Nazism without understanding Wagner’s music.  He filled his operas with romantic visions, grandiose themes and sets, and an idealization of antiquity.  All this moved Hitler, but perhaps Wagner’s deepest appeal lie in his theme of purity and sacrifice, and escaping the bonds of this ‘sordid’ world to achieve perfection, a kind of worship of death.

In Wagner we see a link between fulfillment and extinction.  In his Tristan and Isolde the two take a love potion, which also causes their death.  Wagner’s mistress, Cosima von Bulow, styled their relationship as a “death-in-love.”  Wagner became enamored with King Ludwig of Bavaria, and Ludwig of him.  Ludwig promised Wagner, “Rest assured that I will do everything in my power to make up for what you have suffered.  . . .I will procure for you the peace you desire in order that you may be free to spread the mighty wings of your genius in the pure aether of rapturous art.”  Once again, we see in Wagner not only life imitating art, but the concept of art and purity.  Hitler’s own death recapitulates in some ways the finale of Wagner’s Reinzi, where the hero, betrayed by those he trusted, dies as the city is engulfed in flames.  So too did Hitler die, feeling ‘betrayed’ by his generals, in flames, as Berlin burned around him.

When we think of Nazi rallies, one can see links with Wagner.  Many have commented on the theatrical nature of the rallies, as well as their over-the-top production.  They are spectacles that seek to overwhelm and get people to ‘lose’ themselves in the experience.

For the Nazi’s a great culture needed great art to embody and inspire it.  They had this in the past, in the form of Bach, Mozart, Beethoven, Goethe, Schiller, and so on.  They believed so strongly in this idea of a “healthy” culture that when the Nazi’s seized power, state doctors and ministers of culture often wore military uniforms.  Both doctors and artists had the charge of bringing ‘health’ back to Germany, be that health racial, moral, or cultural.  Doctors did not serve the individual, they served the “people,” the nation, the “race” as a whole, and this of course had horrible consequences later on.

In their eyes a ‘high’ culture would create a ‘healthy’ people, and a ‘healthy’ people would create an unbeatable army.  This is why they banned ‘mongrelized’ and ‘decadent’ culture like jazz (whose biggest stars tended to be either African-American or Jewish).  The Nazi’s didn’t just dislike the music, they viewed it as a threat to their national well-being.   But the same horrible logic applies to the euthanization of the mentally unfit.  Eventually we know that the ‘protection’ of the German nation meant the ‘protection’ of German blood.  Eradicating that threat meant eradicating the Jews, who had done more than anyone else to ‘pollute’ German blood over the years.  They had ‘infiltrated’ German society to a greater degree, and intermarried more than any other non-German ethnic or religious group.

Hitler, therefore, did not just promise an economic recovery, or to put people back to work.  He promised a kind of spiritual redemption on a national scale, one that primarily would touch the soul of the people.  Not surprisingly, he rose to power at a time when attendance in both Catholic and Protestant church had been in decline.  Spiritual power has always been more potent (for good or ill) than mere political power, and this helps us understand Hitler’s hold on Germany.  We know how great art and music can move us.  But when we ascend to such heights of feeling the possibility of good and evil both increase.  Perhaps this is why a nation with such a rich cultural heritage could fall so far so quickly.

This has been a ‘heavy’ post so if you wish, join me and Looney Tunes in poking fun at Wagner, who certainly deserved it:

The Hitler Salute

I picked up Tillman Allert’s The Hitler Salute: On the Meaning of a Gesture primarily because I wondered why the infamous gesture could catch on so fast.

Two years after the Nazis took over a book of manners got published which listed and illustrated different forms of proper greetings.  Granted, the Nazi salute of outstretched arm with the accompanying “Heil Hitler!” got pride of place.  But the book also gave fourteen other accepted and traditional greetings, including handshakes, formal bows, hugs, curtsies, and kisses.  But a few years later, as one young German named Helga Hartmann recalled, things had changed:

I was five years old and my grandmother sent me and my cousin . . . to the post office to buy stamps.  . . . We went in and said, “Good morning.”  The post-office lady scowled at us and sent us back outside with the words, “Don’t come back until you’ve learned your manners.”  We exchanged glances and didn’t know what we had done wrong.  My cousin thought maybe we should have knocked, so we knocked and said, “Good morning” again.  At that point, the post-office lady took us back outside and showed us that the proper German greeting when entering a public building was a salute to the Fuhrer.  That’s my memory of “Heil Hitler!” and it has stayed with me to this day.

I firmly believe in the power of tradition over time, and the peril societies court when they chuck it wholesale.  It should never work.  And yet, it some sense the Nazi’s utter abandonment of many very basic social customs “worked” for a time.  With obvious exceptions (see the photo below), an entire society changed its form of greeting in an historical blink of an eye.

Allert’s book helped answer my question, but he spends most of his time discussing the sociological aspects of personal greetings, and this proved a welcome surprise for me–though I should have guessed it from the title.

Understanding both the greeting and its rapid ascent we need to see Germany in context.  German culture has a long history, but not the German nation.  As a distinct political entity “Germany” did not exist until 1871.  For centuries the patchwork collection of provinces and principalities had been the happy hunting grounds of older states such as France, Austria, and even Russia.  In the mid-18th century Prussia emerged in its own right largely thanks to its military and somewhat autocratic kings.  But it took both the Industrial Revolution and Bismarck a full century after this to unite Germany under Prussian political guidance.

Bismarck had certain key goals in German unification.  Above all he wanted to avoid uniting Germany along democratic lines. Each major leap forward in the process of unification happened because of wars–the application of force.  After Prussia won the Danish War, the Austro-Prussian War, the Franco-Prussian War, Germany lost W.W. I. The Versailles Treaty only added to Germany’s humiliation and frustration at the terms of the peace, their geo-political “encirclement,” and so on.  The lackluster Weimar Republic and the accompanying degradation (real or perceived) of German culture fueled the desire to reaffirm German unity.  The push for a universal German greeting began in earnest.

Allert directs our attention to the nature of greetings themselves.  Even a simple “hello” invites someone into a personal space, and creates the possibility of more/deeper personal relationships.  Almost all social greetings have this character.  We request that others allow us into their world as we invite them into our own.

“Heil Hitler!” functions much differently.  It demands rather than invites, and here we see a link back to the means of German unification itself under Bismarck.  Germany became Germany due to force and political manipulation.  Now the “German” greeting will bring social unity in the same way–by force.   Allert astutely points out that “Heil Hitler” cannot even be called a personal greeting, as it involves no personal contact (as a handshake) and no sign of individual respect (as a bow or curtsy).  It immediately makes a division between the abstract mass of those who support the regime and the undefinable minority of those who do not.*

Perhaps this helps explain why the new “greeting” caught on so quickly.  It is not a greeting at all.  We can imagine the awkwardness of switching from saying, “Hello,” to “A merry-jolly day to you,” or something along those lines.  It probably wouldn’t stick.  But if we had to stand on one leg and look at the ground instead instead of saying “hello,” maybe that might have a better chance?

“Heil Hitler” shares much in common with other aspects of Nazi life.  Just as this “greeting” is not really a greeting, so too the goose-step march is not really a march.  Both de-personalize and therefore dehumanize life.  This clues us in that the Nazi’s cared not so much for “Germany,” or their warped idea of purity, but ultimately about their perverted idea of the so-called beauty in death.  Their desire to raise the stakes of a personal greeting speaks of the nihilism at the bottom of their philosophy (which Father Seraphim Rose alludes to in his brief article below).

Dave

*In their recollections many recalled that they could always tell where their teachers stood in relation to the regime by how they “greeted” the students with the obligatory “Heil Hitler!” at the start of class.  None (I presume) could have taught without saying it.  But some teachers always looked for ways around the full measure of obligation.  One remembered that a particular teacher always walked in the door carrying large stacks of papers under his arms, making it “impossible” for him to raise his arm as he likely said “Heil Hitler.” Another entered invariably with a piece of chalk in his hand already.  He would raise his arm to begin writing on the board, then turn to the class and say “Heil Hitler” with his right arm still lingering on the chalkboard.  I have much sympathy with these teachers, whatever their circumstances might have been.

This, however, is a better epitaph . . .

 

From Seraphim Rose . . .

The chief intellectual impetus for Vitalism has been a rejection of the realist/scientific view of the world, which simplifies things and “dries them out” of any emotional life.  Unfortunately, however much the Vitalist might yearn for the ‘spiritual’ or the ‘mystical,’ he will never look to Christian truth to fulfill this need, for Christianity for them is as ‘outdated’ for him as the most dedicated rationalist.  

The Christian truth which the Enlightenment undermined and rationalism attacked is no mere philosophy, but the Source, the Truth of life and salvation, and once there begins among the multitude a conviction that Christianity no longer remains credible, the result will be not an urbane skepticism imagined by the Enlightenment, but a spiritual catastrophe of enormous dimensions, one whose effect will make itself felt in every area of life and thought.

Towards the end of the 19th century, a restlessness and desperation had begun to steal into the hearts of a select few of Europe’s intellectual elite.  This restlessness has been the chief psychological impetus for Vitalism; it forms the raw material that demagogues and craftsmen of human hearts may play upon.

Fascist and National Socialist regimes show us what happens when such craftsmen utilize this restlessness for their own purposes.   It may seem strange to some that such restlessness would manifest itself in places that had reached the seeming pinnacle of human cultural and political achievement, but such manifestations should not surprise us . . . .

Perhaps the most striking examples of this unrest manifest themselves in juvenile crime.  Gangs roam about and have senseless wars with each other, and to what purpose?  Such criminals come from the “best” elements of society just as from the “worst.”  When questioned, such people talk of boredom, confusion, an unidentified “urge” to commit these acts.   No rational motive appears for their actions.

There are other less violent forms this unrest takes.  In our own time we see a passion for movement and speed, expressed especially in the cult of the automobile (we have already noted this passion in Hitler), and in our adulation of athletes.  Add to this the universal appeal of television, movies, videos, which mainly serve to distract us and allow us to escape from reality both by their eclectic and “exciting” subject matter and the hypnotic effect of the media themselves; the prevalence of sexual promiscuity, being another form of the “experimental” attitude so encouraged by the arts and sciences.

In such phenomena “activity” serves as an escape–an escape from boredom, meaninglessness, and most profoundly from the emptiness that takes possession of the heart that has abandoned God and refuses to know their own selves.

In politics, the most successful forms of this impulse have Mussolini’s cult of action and violence, and Hitler’s darker cult of “blood and soil.”   Vitalism, in its quest for life, smells of Death [and indeed leads to death].  The last 100 years have shown a world-weariness and its prophets have declared the end of the Christian west.  Beyond Vitalism there can only be the Nihilism of destruction.  Nazism itself had this function.  Joseph Goebbels wrote,

The bomb-terror spares neither the rich nor poor; before the labor offices of total war the last class barriers have had to come down . . . . Together with the monuments of culture there crumble also the last obstacles to the fulfillment of our revolutionary task.  Now that everything is in ruins, we are forced to rebuild Europe.  In trying to destroy us, the enemy has only succeeded in smashing its own past, and with that, everything outworn and old has gone.