The Way of the Fox

I can always count on a few “Let’s conquer Canada!” “jokes” a year from my students.  We might be studying the Mexican-American War and someone will say, “No, no, no.  We need to find our ‘true north’ and fight Canada!”  If it’s the Spanish-American War it could be, “Spain?  Why Spain?  We should fight Canada!”  If it’s W.W. II . . . “We fought on the same side?  Phooey.  After the Germans, on to Canada!”

Mild groans or exasperated rebukes (from the girls) usually ensue.

So it comes as a delightful surprise (to the boys) to actually find out that we did try and conquer Canada in 1775.

Because the idea of conquering Canada is such a passe joke, we assume that George Washington was crazy to order such an attempt.  In the minds of many our invasion comes to nothing more than a madcap escapade, a schoolboy’s lark.

Dave R. Palmer argues in his book The Way of the Fox (newer editions have a different title indicated by the cover to the right) that in fact such an invasion not only nearly succeeded, but also made sound strategic sense.  Palmer seeks to rescue Washington from his saccharine and wooden image and recasts him as an effective and in some ways brilliant grand strategist for the American Revolution.  And yes, this includes his invasion of Canada.

Today many think of Washington as either a great man/demi-god or nothing more than a member of elite/exploiting class.  Both views are cardboard cutouts.  Palmer shows us someone who thought carefully and with subtlety, someone who adjusted his thinking on multiple occasions to deal with changing reality.  British generals often referred to Washington as the “old fox,” sometimes with contempt because he would not fight, sometimes with admiration for his cleverness.  The moniker should stick — it brings Washington and the war to life.

First and foremost Washington stood as the perfect symbol for the Revolution. Certain qualities made him the obvious choice for command, such as his experience, his height, his bearing, and the fact that he hailed from the South.  But none of these things would matter if Washington failed to think in broad strategic terms effectively. Palmer divides the Revolution into three stages, and correspondingly sees Washington adjust his strategy each time.  Washington made specific mistakes as he went, but in terms of broad strategic goals Palmer has Washington never miss a beat.

Palmer argues that revolutions possess an offensive character by their very nature.  They seek to effect change and so must act accordingly.  Thus, Washington was entirely right to begin the war with an aggressive strategy that sought to expel the British.

This failed to fully succeed, which allowed the British to send massive reinforcements.  This meant that Washington, now outmanned and outgunned, needed to withdraw and avoid having his army destroyed by a pitched battle he could not win.

France’s entry after 1778 changed the situation yet again.  Now momentum and manpower lay with the Americans. Washington needed to take advantage of the alliance while it lasted.  So during this period Washington should have sought to press his dramatic advantage, which he did with great effect at Yorktown.

I take no issue with either Palmer’s interpretation or Washington’s actions for phases two and three.  But it’s the first phase, which includes the invasion of Canada, where we can push back most easily.  It seems to me that Washington should have been cautious until the final phase where the advantage finally tipped in his favor.  His aggressiveness at the start of the conflict seems out of place to me.

True, at the beginning of the war you have an emotional high that you can capitalize on.  But you will have undisciplined and untested troops. What’s more, they will not yet have developed that cohesion that great armies have of sharing routines, time, space, and danger.  Think of Caesar’s legions — nothing remarkable when they started into Gaul, and unbeatable five years later.  In our Civil War one reason for the South’s early success had to do with the offensive burden the North faced.  When General Irwin McDowell objected to offensive action at Bull Run in 1861 due to the lack of experience of his men, Lincoln replied that “[both sides] are green together.”  Yes, but McDowell knew that a green attacker has a lot more to worry about than a green defender, and so it proved.

Beyond this psychological reason, Palmer asserts another more narrowly strategic goal for invading Canada.  America’s size and her numerous ports put a huge strategic burden on England.  Colonial armies could easily retreat inland and lead British forces on goose chases through the wilderness.  Add to that, the layout of the land presented very few “choke points” at which the British could use their superior manpower to any real effect.  Perhaps the only such point lay at the nexus between England and Canada — the Hudson River.

Flowing from north of Albany down to New York City, British control of the Hudson would have allowed them to control the upper third of the colonies.  Controlling New York and Boston would have meant control of America’s biggest ports.  Cutting off New England would further mean nabbing most of the colonies financial resources and a hefty portion of its intellectual political capital.  Everyone on both sides of the Atlantic agreed that control of the Hudson could determine the war.

So if it makes sense for Washington to defend the Hudson, why not go just a bit further into Canada itself?  To capture Quebec would have given the colonies everything else in Canada.  Success would have prevented England from having a free “back door” entry point into the colonies via the St. Lawrence River.  Shutting down the St. Lawrence would topple another domino by cutting off England from potential Indian allies* out in the west.

Reading Palmer’s lucid and logical defense, I found myself almost persuaded.  Palmer urges us to remember that the failure of Benedict Arnold’s invasion (yes, that Benedict Arnold) — and it nearly succeeded, does not prove that the idea or the goal was faulty.  Had it paid off, the war might have been over within a year or two instead of eight.

Yes, but . . .

Arnold  lost in Quebec and Washington lost in New York City.  Palmer gives a generous interpretation of Washington’s actions in New York and believes that politically speaking, Washington had to defend the city.  Maybe so.  But if he had to defend the city for the sake of politics, then why also invade Canada and divide your forces? Palmer wants it both ways.  He believes that circumstances called for an aggressive campaign in 1775-early ’76, but that politics and not military necessity alone forced Washington’s hand to defend New York.  This seems to admit the fact that Washington should have given ground and played defense in New York alone.

All in all I agree that Washington brilliantly guided the colonies to victory, and Palmer argues this decisively.  He points out also that Washington faced a bungling and confused command structure in England.  But Washington had Congress to deal with, who although more intelligent and capable by far than their British counterparts, had much less experience in running a war.  By any measure, Washington deserves his place as one of the great generals of the modern era.

But I can’t let go of the invasion of Canada.

If we try and evaluate Washington’s gambit in Canada we should try and compare it to similar kinds of military actions across time.  My case remains that the invasion made logical sense in a certain way.  He was not reckless or foolhardy to try.  But I feel that he should have focused more on defense, and perhaps even success might have hurt him in the long run.  The colonies might have had the direct motivation to expel the British, but would they support long-term the occupation of Canada?**

I can think of three campaigns that might be comparable in certain ways . . .

  • Athens’ invasion of Sicily in 415 B.C.
  • Hannibal attacking Rome directly instead of defending Spain
  • Napoleon going on the offensive in Belgium in 1815 instead of rallying the people to “defend France.”
  • Our invasion of Iraq in 2003***

Sometimes foxes can be a bit too clever.  Still, unlike Athens, Hannibal, and Napoleon, Washington committed a relatively small portion of his forces to the plan.  As a general most would not rank Washington with Hannibal, Napoleon, and the like.  But Palmer argues that not only should we put Washington in their company, but given his military and political success, make him the general of the modern era.

Dave

*This no mere fancy.  In 1777 the British did invade via the St. Lawrence and did gather some Indian allies for their “Saratoga” campaign.  That escapade ended in disaster for the British, but Washington’s strategic fears did come true nonetheless.

**Strange as it may sound now, Palmer points out that the motivation to occupy and settle Canada ourselves might have existed not on strategic but religious grounds.  Many in 1775 saw Canadian Catholicism as a mortal threat to our freedoms and would have gladly occupied it in the name of liberty.  Certainly we showed the ability to expand and settle territory in the west. Why not in the north as well?

***Right or wrong, Bush enjoyed overwhelming support to fight in Afghanistan in 2001.  It made sense to us in the way that (again, right or wrong) responding to Pearl Harbor made sense.  But his case in 2003 was much less compelling, at least to the international community.

From Puritan to Yankee

Recently I found myself talking politics with a Trump supporter.  Interestingly, he mentioned very little about his policies or personality.  Rather, he seemed drawn to him because of the multitude of attacks against him.  No one, he argued, deserved what Trump receives from at least some in the media.  Politics had very little to do with this, for this same person said that he liked both Obama and Hillary Clinton for much the same reason–in his mind of them have been attacked to an unfair extreme.

I have no great love for the Puritans, and perhaps this might explain why I sometimes seek to defend them.  I certainly felt this way at the start of Richard Bushman’s From Puritan to Yankee: Character and Social Order in Connecticut, 1690-1765.  When describing Puritan society in the first chapter he invariably uses words like, “austere,” “imposing,” “monolithic,” and that most dreaded word for an academic who originally published this book in 1967, “conformity.”*

Later in the book Bushman shows his excellence as a historian of a certain type, but I did not like the first chapter.

We naturally have difficulty in understanding and evaluating the Puritans.  They look like us in many respects, but then part with modern society in other radical ways.  It is the heretic, rather than the unbeliever, who always poses the greater threat.  Hence, our natural distaste for the Puritans.  But we must keep certain things in mind.

First of all, the Puritan ideal of social order oriented around religion hardly broke new ground.  They borrowed from the medieval idea of the “great chain of being,” and in orienting their society around religion they merely did what most civilizations practiced up until that point.  Numerous examples of this exist, with the Egyptians, early Romans, the Mezo-American civilizations, and the aforementioned medievals to name a few (this should clue us in on the radical nature of post-Enlightenment western society–more on this later).

Secondly, many moderns, progressive or otherwise, would likely admire some of the main goals of Puritan society.  The Puritans sought to live a common life together by minimizing  (though not eliminating) economic competition and distinctions in wealth.  Bushman himself notes that in the early days of settlement even the richer members of society lived much in the same way as their neighbors, working fields and milking cows like anyone else.  Bushman and others may not realize that such a society cannot exist with modern notions of liberty that tell us to “find our own way,” “follow your heart,” and so on.  Societies like the early Puritans must get their formation from shared conviction that only comes with religious belief. You cannot have one without the other.  One Puritan stated, “Law should serve free exercise of just privileges.  Without this, lives and liberties would be a prey to the covetous and cruel.”  Modern notions of liberty, in the view of early Puritans, would lead to exploitation and alienation.

Bushman himself cites early in chapter two that this shared communal life allowed government in Connecticut to be, in his words, “flexible” in ways that “minimized local conflicts.”  This hardly seems “austere,” or “monolithic.”

True, certain “upper-crust” Puritans (apologies for the emotionally laden word choice) had a fear of any of the “lesser sort” getting into political power.  We can snub our noses at this.  But we should remember that it is 1700.  Puritan Connecticut was more democratic than the England of William and Mary, and infinitely more so than Louis XIV France or Frederick the Great’s Prussia.  Almost every other European society at the time shared these same fears of “lesser men” ruining everything. We have good evidence that many of our founders decades later had these same fears, as of course did every major western political thinker from Homer on down the line.

Finally, nearly all the early Puritan settlers came from the same east-Anglia towns and villages.  They knew the content of Puritan theology, they knew Puritan leadership.  It’s not as if the Puritans pulled a bait-and-switch on the journey across the Atlantic–“You thought you signed up to run wild and free in the woods, but no!  Now that we have you in the middle of the ocean, welcome to John Calvin!”

If some settlers grew frustrated with Puritan leadership, well, they knew what to expect.

So yes, the Puritans need criticism, but criticism with the right context in mind, and aimed in the right place.

After chapter one, Bushman shows his great skill at sifting through data to form larger conclusions.  He puts the focus on the problems settlers faced due to a growing population, which would necessitate an inevitable territorial expansion of the colony.  Some civilizations, like the Romans, link most everything in life to land.  Some see the beginning of the  Roman Republic’s political problems beginning the moment land in Italy disappeared for their soldiers.**  Not every civilization operates with this mentality.  Carthage, for example, and possibly Periclean Athens, largely freed themselves from land as a measure of identity (they had different problems).  But our early settlers fit well within the Roman mindset.

In the first generation or two land distribution remained equitable.  The size of the colony allowed everyone to attend the most important churches pastored by the acknowledged town leaders in piety and purpose.  The population’s proximity to these churches and to town hall bound the colony together politically.

But time marches on, and fathers want the same for their younger sons as for the oldest. In a settled mostly aristocratic society like England of the time, the younger sons of even minor aristocracy join the army or perhaps the clergy.  You see this even in Austen’s novels 100 years later.  Settlers in the new world, however, believed in equality, more or less, and wanted everyone to have an equal chance.

Expanding the size of the colony meant greater distances from the town center.  Naturally those predisposed to want to lead the settlement would stay close to its center.  Those with some disaffection towards leadership might more easily head a few miles outbound.  With this even small scale migration came an inevitable tension, and an inevitable choice.

The colony could either, a) Split off in different settlements and grant autonomy to each.  However, this came with the problem of effectively ending the Puritan dream.  Those who left for outbound land tended towards a more enterprising, individualistic mindset.  Or they could, b) Increase the power of the original settlement’s leaders and weaken the participatory democracy carefully crafted by the original settlers.

As is typical of most any democratically government they chose neither absolutely, though probably favored option ‘b.’  Everyone recognized that the social order had suffered due to increased wealth–a wealth occasioned by expansion (again, similar to Rome ca. 200-75 B.C.).  But try as they might, too many things swirled in conflict with one another to make sense of it all.  In the end tensions increased between eastern and western settlers in most religious and economic matters.  Once they let the’Yankee’ mentality of individual enterprise get its foot in the door, their social construct had its days numbered.

Let us give credit where due.  Bushman’s work should help us to see certain larger issues with more clarity.  For example, Thomas Jefferson bucked historical convention in his belief that a republic should have lots rather than a little territory.  He hoped that the Louisiana Purchase would allow everyone to practice self-government and live free and independently on their own land.  But–if everyone can live free and independently from one another, how can we maintain order?  Only by doing as the Puritans attempted to do–by increasing executive authority.  If we want the kind of liberty envisioned by Jefferson, let us count the cost.  Rome saw this same increase of executive authority as their territory expanded beyond Italy.  Whatever our uniqueness as a nation, we cannot escape history.

But in the end I think Bushman misses the real point.

Bushman mentions religious issues and gives them due treatment, but he gives pride of place to the decline of Puritanism to land and economic issues.  He deals with the source material masterfully.  But he seems to argue that certain geographic and social issues caused the religious issues to manifest themselves later.  We can acknowledge the influence of geographic and economic factors.  But in the end, I think he puts the cart before the horse.  The key to Puritan disintegration must be found in their religion.

For example . . . the Roman Republic experienced some of the same stresses faced by the CT settlers, with a much larger population over much larger territory.  Yet, the Republic maintained its central identity for at least two and perhaps three and half centuries, in contrast to Puritan ideals lasting no more than  two generations.  Egyptian civilization also had some of the same issues regarding land, and though obviously not a republic, maintained their identity for perhaps 1500 years.

Yes, democracies traditionally have a problem maintaining identity and cohesion.  One can a make a good case that Pericles built the Parthenon primarily as a way to reestablish unity by calling people back to their religious roots, whereas we today tend to look at this period in Athens as the pinnacle of democratic experience. This “pinnacle of democratic experience” may have had more cracks than we initially assume.  Athens at this time certainly had lots of money, which tends to work ill upon democracies.  If Thucydides tells only mostly the truth, they did not have much social cohesion. Rome lasted longer than CT or Athens with similar geographic and economic factors at play, and so I feel a reason exists beyond land distribution and the expansion of trade that Bushman focuses on.^

In the Puritans particular case we should note that their theology departed from traditional orthodox Christianity in certain respects.  Their emphasis on the will of God rather than the love of God reduced their faith to more of a philosophy, a handbook of propositions for life.^^  They had no appreciation for sacraments and thus no way for the grace of God to be made manifest in their lives except by how they thought. This led to impersonal abstractions gaining sway.  The famous (or infamous if you prefer) 5 Points of Calvinism work on the mind like a geometric proof, inexorably moving toward a foreordained conclusion.  Abstract ideas, however, are slippery things, and ideas floating in the air don’t always land on the ground in the same form for repeated generations.  Like a point in infinite space, various lines can connect with it and go almost anywhere.

Interestingly, Puritans created a government structure that tended toward defending an abstract notion of rights.  As the colony expanded, Bushman documents a swell of lawsuits and disputes centered around the “claims” of one settler vs. another.  Communal relationships disappeared as “rights” dominated public discourse.  Religious revivals like the Great Awakening followed this pattern in some ways..  The religious impulse coming from this revival did not push people back into communal life.  Rather, we see a rise in the individualistic idea of the “liberty of the conscience” gaining the upper hand among the (formerly) Puritan settlers.

Whatever the merits of my very incomplete analysis above, by the early 19th century New England certainly had adopted a vague mixture of theism and deism as its unofficial religion–a death by abstraction.

We see hints of 1776 as this abstract notion of rights grew.  In time colonial corporations made grants of land to settlers.  When royal officials came over and examined these title deeds they annulled them outright.  No “corporation,” they argued, can grant title to anything.  What is a “corporation” after all?  It’s surpra-personal identity meant it had in effect no personality, and with no personality, how could it truly exist?  A king can grant title, for the king is an actual person, and actual people can own things and give them to others.

The colonists may have nodded “sure!” to these royal representatives, but likely crossed their fingers behind their backs. Though kingship has the advantage of being personal, a king across an ocean has perhaps even less personality than a corporation.  In any case, they no longer had a connection to government rooted directly in either religious belief or social ties. They put their eggs in propositions, in “rights,” in “liberty of conscience,” which no one can touch.  Their point in infinite space must be free to go where it pleases.

A standard debate among historians of the American Revolution involves the question of whether or not the founders were radical or conservative in their ideas.  Years ago I would have answered with the latter, but not anymore.  Bushman’s work accompanies Bernard Bailyn’s and Gordon Wood’s thesis that our stodgy, wig-wearing founders had radical ideas.  For the first time, society would not be oriented around God/the gods.  Nor would social order have its roots in personal relationships, i.e., feudal society, or the lives and patronage of prominent families.  Now for the basically the first time, society would be organized around certain ideas, or we might almost say, geometric axioms.  What Bushman’s book shows us is that you don’t need to go to 1776 to see these principles at work.  If you wish, you can content yourself with a small CT settlement, ca. 1700.

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*Here I must give credit to the playwright Arthur Miller.  His work The Crucible certainly criticized certain aspects of Puritan society.  And yet in his preface to the play he spends most of his time trying to get the reader to sympathize with the Puritans.  This sympathy, in fact, serves as the only solid basis for critique.

**I think the land issue a contributing factor accompanying deeper causes for Rome’s Republic, much in the same way I think Bushman overstates land issues as the primary cause for the collapse of the Puritan ideal.  In Rome’s case, one can see a shift in religious belief occasioned by their contact with Greece and the Mediterranean as the precursor to their political and social fragmentation.

^This is another great example of how Bushman’s book shed’s light on larger issues.  Most every commentator on Plato’ Laws calls Plato a grumpy old fart for banning trade from his theoretical realm.  But increased trade undeniably negatively impacted CT’s social order. Farmers deal roughly with the same soil and the same weather.  Surplus food grown by one poses no real threat to other farmers.

But trade seems to encourage more of the competitive spirit.  Trade deals more with luxuries than necessities, so unsold surpluses can ruin a merchant.  Hence, the extra competition to sell, and so on.  The rise of money and trade certainly played a role in the demise of Rome’s Republic.

^^I realize that this one sentence is hardly a reasonable defense for my views on Puritan theology,   My apologies–to defend them here is a bridge too far for me.  If I am correct, however, there are some  similarities in Puritanism to Stoicism (I stress “some”–the Puritans probably gave much more room for the emotions than the Stoics), a religion for Greece and Rome’s intellectual elite, but not for the masses.

A Leopard Cannot Change His Spots

I originally write this in January 2013, so don’t be too puzzled by the very dated football playoff reference!

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It’s playoff time in the NFL, and many talking heads now say that Atlanta quarterback Matt Ryan has “made the leap” by engineering a late game comeback against the Seahawks this past Sunday.  Having won the “big game,” Ryan can now join the club of “clutch” quarterbacks.

But if Matt Bryant had missed the field goal, we would be having a different conversation, one that focused on Ryan’s crucial 4th quarter interception that helped lead to a Seahawks comeback.  I agree with Grantland’s Bill Barnwell.  A lot depends on context.  After the Falcons lost to the 49ers, thanks in part to a Matt Ryan fumble, Barnwell wrote amusing follow-up here.

What is the stuff of leadership?

Any visitor to a library can get stuffed to the gills with theories of leadership, and while I admit to judging these books by their covers, I don’t think I buy any particular “theory” of leadership.

Of course all good leaders demonstrate the same basic characteristics.  They show firmness at the right time, or flexibility at the right time, or the willingness to listen and adapt at the right time, or to maintain the strength of their convictions at the right time, and so on, and so on.  But anyone can write this without any special talent.  Add to that, much leadership theory presupposes that people can fundamentally change who they are, that “type B” leaders can become “type A” leaders whenever the situation arises.  I doubt this happens much.  The same firmness and clarity of vision from Winston Churchill that helped save Europe in W.W. II also led him to be nearly all wrong on the Indian question throughout the 1930’s.

Bernard Bailyn’s book The Ordeal of Thomas Hutchinson demonstrates that people who might be great leaders in certain circumstances are utter failures in others.

Bailyn begins his book by revisiting the worst of the riots over the Stamp Act of 1765.  A variety of British officials received threats and intimidation, but none received the level of concentrated violence as Thomas Hutchinson, the Lt. Governor of Massachussets and also the Supreme Court justice.  Looters ransacked his house methodically for three days straight, taking several thousand dollars in cash and valuables, while causing another few thousand dollars damage to his house.

With this in mind, we would naturally make many assumptions about the man.  He probably gave loud and hearty support to the Stamp Act.   He probably displayed a haughty character.  Maybe he was even not native to the land, but a British import.  Probably he lived ostentatiously and lorded it over his fellow men.

But nearly all of our natural assumptions about him would be wrong.  His portrait reveals a man of some reserve with the pleasant “Smile of Reason” the Enlightenment philosophes had down pat.   His house was nice, but not over the top.  He was born and bred in the colonies, and even wrote what is considered to be the best contemporary history of the Massachusetts  Colony.  He never published it. He commented to a few friends that it had too many flaws.

Thomas Hutchinson

The Hutchinson HouseAdd to that, he opposed the Stamp Act!  As Chief Justice he commented that he thought the Stamp Act bad policy and sure to fail.  He earnestly hoped that the British would see reason and cease their plans for the doomed tax.

But he, more than any other, received the laser-like focus of wrath from the Sons of Liberty.  John Adams, along with James Otis, vilified him in print year after year, and Hutchinson, perhaps totally flummoxed, never seems to have responded in kind.  How did this happen?  Why did such a mild-mannered man as Hutchinson cause so much anger and resentment?

John Adams rarely passed up an opportunity to call Hutchinson a “courtier” — someone of no account who fawned his way to the top of society.  True, the marriages within his family aided his cause, but this form of social climbing was hardly unknown even in the colonies, and certainly known in England.  For what it’s worth, Hutchinson appeared to have a very good marriage, and he grieved long and hard for his wife who died in childbirth.

Others point to the fact that in 1765 Hutchinson held two offices, Lt. Governor and Chief Justice, and thus ran afoul of the emerging doctrine of the separation of powers that would make itself manifest in the Constitution.  But Hutchinson never sought a position on the court.  The governor nominated him, and he initially refused, claiming that he “had not the necessary legal mind” for the job.  He took it only reluctantly after repeated entreaties from the governor himself.

But Bailyn holds that the main cause of Hutchinson’s singular failure lie in his personality.  His love of careful compromise, his lifelong aversion to stirring the pot unnecessarily, made him singularly unsuited to leadership in a revolutionary age.  Indeed, had Hutchinson held power in England, we might very well be reading about how his careful, compromising leadership helped King George avoid war with the colonies.  But in America, that shoe did not fit.

We get an idea of the temper of the times when colonists criticized Hutchinson not for being for the Stamp Act, but for being against it for the wrong reasons.  Where people like Adams and Otis saw deep-seated principle at stake, Hutchinson saw misguided policy, and this attitude led to Hutchinson’s most unfortunate and damaging mistake.  Bostonians drew up  an eloquent and passionate objection to the Stamp Act to send to Parliament, but Hutchinson put on the brakes.  He argued, tinkered and pleaded for a month to change much of the tone and some of the substance of their entreaty, while still sharing their objections to the tax.  In the interval, other colonies gained fame and glory by publishing their own heated objections, making Boston look weak and tepid.  Between their first headstrong and final lukewarm drafts, England settled their minds and began the road to enforcing the Act.

Boston was not amused.  They vented all their considerable anger directly at Hutchinson.  Many of them suspected him (erroneously) of merely stalling for time and not really being against the Act at all.

If the revolution had never happened, who’s to say that the colonies would not in time have developed their essential independence along the lines of Canada? Such a smooth, uneventful and gradual transition would have tickled Hutchinson pink.

What Hutchinson never saw, however, was how his own mindset and personality had been shaped by a revolution 75-100 years prior — the intellectual paradigm shift known as the Enlightenment.   All that calm reasonableness would not have fit within the late 16th century any more than it did in late 18th century North America.

Alas for Thomas Hutchinson, a good and decent man, but one decidedly not of his time — a leopard who could not change his spots.

Edmund Burke on how to Prevent a Revolution

UnknownIt might be a good sign when those one admirers disagree among themselves, but for me it can be painful.  Few have taught me more than G.K. Chesterton, but I also like Edmund Burke.  Had the two co-existed they would not have been friends.  Chesterton believed that Burke’s innate conservatism meant that he disapproved of any change at any price, or that whatever political and social order in existence had divine sanction behind it.  Burke tended towards the stodgy, but I think Chesterton overreacted.  I see Burke as a champion of workable, reasonable policy, an Enlightenment man in a Romantic era.  Perhaps this is what Chesterton, the art school dropout, could not forgive in Burke.  Practicality can be maddening.

Burke’s marshaling of logic expressed in dense Enlightenment style can infuriate, all the more so when he’s right.  His Reflections on the French Revolution is a hard read but deserves its acclaim for its early prediction of all that would go wrong in France.   When I saw his Speeches and Letters on American Affairs for sale cheap, I felt I had to pounce and take a dose of good sense, albeit in protein bar form.

Burke speaks better than he writes, but I still found it rough going.  Despite this, Burke’s patented insight strikes again in England’s dealings with America. Burke saw England kill the golden goose between the years 1765-74 through one bad decision after another.  England never heeded his advice, and two wars resulted.  Burke’s thoughts have universal roots and application, and proceed as follows:

I hear the honorable gentlemen say, ‘I don’t care how we got into our predicament.  I only care now how to get out of it.’  . . . No possible good can come from this attitude towards our situation . . .

Burke calls England back to first principles.  Is the problem English debt, or colonial recalcitrance?  By 1774 the revolution had nearly begun, and England scrambled to make things right.  Burke saw England concerning itself only with dealing with whatever situation lay in front of them.  Constantly reacting, they never reflected.  One can’t solve a problem until you understand the problem, and this England never bothered to do.

In this case, Burke calls England to look in the mirror.  However bad the colonies have acted, we ourselves first damaged the relationship by our own actions.  Their policy adjustments thus amounted to little more than course corrections to avoid icebergs, when you should think more about heading south in the first place.

Besides, some of the things taxed were so trivial, that the loss of the objects themselves and their utter annihilation out of American commerce would have been comparatively as nothing.

Perhaps the English had a right to tax the colonists in some respects.  But Burke rightly calls out the English for foolish and paltry duties on things like playing cards.  Such taxes only aggravate and obscure whatever good purpose you might have.

. . . but whatever it is, [you] gentlemen will force the colonists to take the teas.  You will force them?

Burke admits that the Tea Act had many benign and even generous provisions.  To then use force risked ruining everything.

“Incredible as it many seem, you know that you have deliberately thrown away a large duty [the normal course of trade in tea] for the vain hope of getting one 3/4 less, through every hazard, certain litigation, and possibly through war.”

Had they left well enough alone they would have collected plenty of money.  They reduced duties on tea, but then used force to ensure they would collect it.  Again, Burke argues that it appears that the true purpose of the British is to assert their authority rather than enrich their people and make peace.  This gets to the root of the problem itself — England had its priorities all wrong.

Force over time wastes away.

Burke continues . . .

To repeal by the denial of our right to tax in the preamble would have cut, in the heroic style, the Gordian knot with a sword.

The English piddled around the fringes of the various taxes they imposed, modifying this or that over time.  True, sometimes they lessened the duties instead of increasing them, but this yo-yo act ensured colonial aggravation.  Had they simply denied their right to tax altogether they would solved the problem immediately.  Nor would it have cost them money in the long run.  Burke cites the exponentially increasing British imports pouring into America over the past 50 years.  Forcing certain duties, having the Americans object, followed by the inevitable British penalty of closing ports, has the British run the long way round for nothing, or less than nothing.  Much better to act on principle (which the colonists would respect) and be done with it.

Freedom is to them not only an enjoyment, but a kind of rank and privilege. . . . I do not mean, Sir, to commend the superior morality of this sentiment, which has at least as much pride and virtue in it; but I cannot alter the nature of man.

Burke acknowledges that some colonists talked far too much of liberty, perhaps without any sense of responsibility.  John Wesley certainly thought so.  Slavery proves it.  But Burke realized that England had no ability to change what the colonists believe.  Force would certainly not accomplish this, and likely make it worse.

But England would not back down, because at least on Burke’s reading of the situation, they cared more about asserting power than peace.  Perhaps they cared about peace, but it would have to be on their terms.  The outbreak of war and its result proved how wrong they were, and that sometimes stodgy, methodical wisdom is best after all.

I can’t assert this with blanket accuracy, but it seems to me that whenever nations disconnect from reality by doing one thing not for the purpose of the thing itself, but as a placeholder for something else entirely, the results never pan out.  One thinks of Johnson’s bombing in Vietnam.   No one thought the actual bombing particularly effective, but we assumed it would send a political message to the North.  We know how that worked out.  Burke’s message to live in reality stands the test of time.

 

Mr. No Depth Perception Man

There is an old SNL skit of the aforementioned title, in which a hapless suburbanite can only see in 2-D. He makes terribly awkward comments about his guests, assuming that he does so without the offended party being aware. An excerpt:

Mr. No Depth Perception Man: I can’t believe Brenda’s dating this loser! You know what she’s after, right?! I bet he’s got money, or something! [the “loser” he’s talking about is 7-8 feet away, looking quite awkward at his comments].

[Embarrassed Guest who knows the “loser” tries to get him to be quiet].

Mr. No Depth Perception Man: What are you worried about? Relax! He can’t hear me–he’s way down there!

I thought of the sketch when reading Leo Deuel’s enlightening and eminently fair Memoirs of Heinrich Schliemann. The book intersperses Schliemann’s own writing with commentary and context from Deuel throughout. This is needed to get an accurate picture, because Schliemann is, alas, not a reliable narrator–much less reliable than most.

I say, “alas,” because I confess to liking Schliemann, despite his enormous faults. Most modern history films I have seen that discuss him focus almost entirely on those faults (which I will get to) and basically pass by his vast contribution to the study of the ancient world and archaeology itself. He possessed an enormous talent for languages and learned several of them. He did this through optimism, the ability to engage in drudgery, and enormous exertions of will and energy–truly the quintessential 19th century man.*

Such men are out of fashion in our day, but I admit that I am not terribly sad that they are mostly gone. Such people are charming but also exhausting. Their vices, though perhaps childlike in a way, are all the more infuriating for the fact that they seem completely blind to them.** Schliemmann lived in a two dimensional world.

For example . . .

To get permission for his ground-breaking (zing!) work at Troy, Schliemann had to promise to turn over all he found to a museum being planned in Instanbul. He ended up giving them very little. As to the famous, “Treasure of Priam,” he very intentionally hid it from the Turkish authorities. His escape with various relics from the past got his Turkish overseer in a lot of trouble. Schliemann was a bit bothered by this, but it never crossed his mind to think of the artifacts as belonging to anyone but himself. Since I don’t think we can assume that Schliemann was directly evil, I suppose this was an unfortunate byproduct of his enormous self-will.

Schliemann uncovered some spectacular finds but often misinterpreted their significance. His errors would be easily excusable as a mistake or misguided educated guess. In Schliemann’s case, his mistakes came from his enormous though unconscious self-regard. Almost incredibly, his main justification, for example, for his claim that he had uncovered Agamemmnon himself at Mycenae was that the death mask he uncovered, “looks just as I imagined [Agamemmnon].” For Schliemann, his own imagination was all the “evidence” he needed.

Perhaps Schliemann’s daughter might sum him up best, with this brief recollection:

My early years living with this explosive, dedicated, and tireless man of genius was a stern trial . . . . Throughout my own girlhood he would often get me up at 5:00 in the morning in winter to ride horseback five miles to go swim in the sea, as he himself did every day. He built us a palace to live in, but it contained not one stick of comfortable furniture. He worked and studied standing at a high bookkeeper’s desk. As a gentle hint, Mother made him a present of an armchair, but he banished it to the garden.

His concern with health was fanatical. When my younger brother was baptized, with many guests solemnly assembled in church, my father suddenly whisked out a thermometer and took the temperature of the holy water. There was a great commotion; the priest was outraged. It took my mother’s gentle intervention to reinvest the water with holiness.

Beneath these imperious traits Father was warmhearted and generous to a fault. He was humble, too, in his own way.

After reviewing his life, I am hard-pressed to find a great deal of “humility” in Schliemann. Schliemann did mature a bit with each passing archaeological dig, both in his methods, and–by the end he let others take credit for their own discoveries! Perhaps Schliemann also possessed a humility towards the past, a virtue of his that should return.

Some of Schliemmann’s comments about his Greek workers grabbed my eye. It bothered him that they would not work on Sundays, but this he understood to a degree. What he could not understand was their refusal to work on certain other days, such as the festival of certain saints.

I suggested a likeness of Schliemann to a certain short-lived SNL character. He absolutely had his own superstitions, though he proceeded through life entirely unaware of them. Chief among Schliemann’s suerstitions I already mentioned, namely the implicit trust in his own imagination. So strong was this trust that it led him to declare that some discoveries of others were in fact his own!

We cannot say that this was an example of cultural bias or prejudice. Schliemann nearly worshipped Greece, or at least his idea of it. He married a Greek woman and gave his two children ancient Greek names (Andromache and Agamemmnon). He lived in Athens for much of his later life. Rather, it was the customs, or beliefs, that he could not understand. He wrote in his diary that,

There have been, including today, three great and two lesser Greek church festivals, so that out of these 12 days I have had in reality only seven days of work. Poor as the people are, and as they would like to work, it is impossible to persuade them to do so on feast days, even if it be the day of some unimportant saint . . . . I try to persuade the poor creatures to set their superstition aside for higher wages.

Even a cursory look at Schilemann’s life reveals at least a few “superstitions” of his own. Naturally, it depends on how one should define such a thing. But surely uncritical assumption that we can define reality for ourselves fits any reasonable description of “superstition.”

I am reminded of a famous passage in Plato’s Phaedrus in which Socrates and Phaedrus are walking through the city and come upon the supposed site of ancient story involving the gods. Phaedrus asks if Socrates believes the story, and he replies,

The wise are doubtful, and I should be singular if, like them, I too doubted. . . . Now if one were skeptical [about all stories] and would fain reduce them one after another to the rules of probability, this sort of crude philosophy will take up a great deal of time. Now I have no leisure for such inquiries. Do you wish to know why? I must first know myself, as the Delphian inscription says; to be curious about that which is not my concern, while I am still in ignorance about myself, would be ridiculous. And therefore I bid farewell to all this; the common opinion is enough for me.

If we might take another example of the “common opinion . . . ”

A long standing tradition states that Joseph of Arimethea came to Britain as a missionary shortly after Christ’s resurrection. Other parts of the story indicate that Joseph obtained his wealth via trade in tin, and likely made many excursions to the island for his business. Some parts of the tale indicate that Jesus Himself traveled with Joseph (His uncle) as a young boy on an adventure, and still some other parts of the tale say that the Virgin Mother accompanied Joseph on his missionary journey to the island.

Most of us might be inclined to doubt the whole story, if not at least some of its parts. No doubt Schliemann would call it “superstition.” And yet, the belief of Britain being evangelized quite early in the first century A.D. dates back to St. Clement of Rome, and St. Irenaeus, Tertullian, St. Athanasius, St. Augustine and others all testify to this fact. A great deal more evidence for this “superstitious tradition” may exist than we previously thought–such is the conclusion of Lionel Lewis in his informative work on St. Joseph and the Glastonbury tradition. Not all details of the traditional story have the same level of evidence for their historicity, but still, much more exists than we might suppose.

Schliemann’s intensely narrow passion helped him ignite a whole era of discovery about the ancient world. Indeed, many before him might have regarded some kind of historical belief in a Trojan War as a superstition backed only by “tradition.” Alas for him that this narrowness of vision closed him off to world’s outside of his own.

The “common opinion” perhaps might be true in the case of St. Joseph of Arimethea, just as it was about the Trojan War–as further excavations at Schliemann’s site have only further confirmed at least a rudimentary historical context to Homer’s tale. I wonder if Schliemann could grant the same to Greek saints of the Church–even the “unimportant” ones.

Dave

*England “ruled the world” during Schliemann’s era, and it is perhaps no coincidence that it was England that gave him the most favorable reception to his work. Schliemann might be described almost as an incarnation of England itself in all of their virtues and faults of the Victorian era.

**One thinks of the great line uttered by Patton in the Patton movie where he states to General Bradley, “Hell, I know I’m a prima dona! I admit it! What I can’t stand about Monty [General Bernard Montgomery] is that he won’t admit it!”

Ascetic Harmony

I talked with a friend of mine recently who works in upper management of a major company. Officially, companies have a dedication to bottom line. But appearances can leave out part of the story. My friend talked of how different aspects of the company need to cooperate to achieve the goal of expanding customer base, increasing profit, and so on. It became obvious that certain programs advanced certain departments failed to work in achieving these goals. But in high-level meetings, this could never be said outright. He mentioned that he spent the better part of an hour on one slide for a presentation, and particularly one sentence on that slide where he had to say that ‘X’ idea hadn’t worked without actually saying it directly.

In the end he attempted a solution by bypassing direct criticism and instead left out mention of the program in what his team had accomplished. But this approach failed to pass muster, and he had several rounds of post-meeting meetings to “clarify” the situation.

We may think such behavior odd for a business in competition with others. Why would they beat around the bush when their competitors nipped at their heels? Reading Philip Mansel’s new biography of Louis XIV, entitled King of the World, provided an interesting insight into this behavior. Essentially, the upper level of management at this particular company–and no doubt many others–functioned like a court, where etiquette and harmony trump the achievement of certain objectives. Or, rather, we might say that harmony, order, and gentility were the objective.

Though I have read some other things about Louis XIV before, Mansel provided an important insight I had not considered. For Mansel, Versailles existed primarily because Louis loved Versailles. It served as a grand passion for him. I and others often focus on the particular political ends Louis achieved partially as a result of Versailles, such as his centralization of government, control over the nobles, and so on. But I can’t stand medieval historians who say silly things about medieval people, such as that the French built Chartes Cathedral to increase trade in the area–an utterly absurd statement. But the same holds true for Louis. One might build a road to aid trade, but not a cathedral, which is essentially how Versailles functioned. Only acts of “love” can truly take root. Just as the Gothic cathedrals gave impetus to the shape of culture for 250 years, so too Versailles launched France into a place of prominence for perhaps 150 years, give or take.

The lens of “emotional attachment” through which Mansel viewed Louis makes a lot of sense. We see Louis elevating his illegitimate children in rank above certain other nobility, in defiance of custom. Was this a mere political ploy? One can also see him as acutely interested in the harmony of his family, though perhaps not necessarily as a devoted father. Louis also elevated the status of many women at court to never before seen heights. Again–a political, cultural move, or one rooted in his definite fondness for at least certain women? Mansel looks at the wars of Louis XIV, and again sees his actions rooted in a somewhat irrational longing, rather than clear-headed policy.

Though Louis had his significant failures we have to see him as overall a very successful monarch, at least in the sense of creating political stability and vaulting France into prominence in Europe.

But as we all know, coupled with the romantic side of Louis came strict and unusual etiquette. One could commit a grave offense for trivial matters such as knocking at the door in the wrong manner, or sitting in the wrong chair, or failing to open both doors for a Countess instead of just one, and so on. We see this passion for harmony and order throughout the grounds of Versailles, both inside

and out.

We should not see this as pure self-indulgence–the rigorous etiquette shows that. Many other anecdotes exist about the behavior of the nobles in Versailles, especially as it relates to money. One of the few activities at Versailles that all could engage in more or less equally was gambling. Before reading Mansel, I saw this primarily as a means of control, with the ebb and flow of fortunes exchanging hands serving to weaken the nobility. Now, I see it more so as a gift from Louis which allowed everyone present to engage in aristocratic disdain for money. The gambling tables created a sense of harmony in that winning or losing mattered little in comparison to display of aristocratic virtues and conviviality.

Indeed, perhaps we can see court behavior at Versailles as a kind of rigorous self-abandonment–one leaves their estates, some of their family, their customs, and their fortunes to join together as one happy family.

Not long after Louis’ death in 1715 a new kind of ethic arose, one ably elucidated by Max Weber in his classic The Protestant Ethic and the Spirit of Capitalism. Weber was certainly a genius, and a German one at that, which makes his prose quite dense. But, despite the significant criticisms leveled at this seminal work over the last century, I’m convinced his core points remain standing.

Early in the work, Weber cites a letter of Ben Franklin to his son to show the new Protestant ethic, at its face a radical departure from the nobles at Versailles just 30-40 years earlier. Franklin writes,

Remember that time is money. He that can earn 10 shillings a day by his labor, and goes abroad, or sits idle, though he spends only 6 pence on diversions, ought not to reckon that as his only expense.  He must think of what he could have made through labor, rather than what he lost through diversion.  

Remember that credit is money.  If a man lets his money in my hands after it is due, he gives me the interest, or so much as I can make of it during that time.  This amounts to a considerable sum, if a man can make use of it.  Remember that money can beget money, and its offspring can beget more.  The more there is, the more is produced.  He that kills a breeding sow destroys not just the cow but her offspring unto the generations.  

Remember this saying, “The good paymaster is lord of another man’s purse.”  He that is known to pay punctually and exactly to the time he promises, may at any time, raise all the money his friends can spare.  This is sometimes of great use.  After industry and frugality, nothing raises a man more in the world than punctuality in all of his dealings. 

The most trifling actions that can affect a man’s credit are to be regarded.  The sound of your hammer on the anvil at 5 in the morning and 8 at night, heard by a creditor, makes him easy 6 months longer; but if he hears your voice in a tavern when you should be at work, he will demand payment in full without fail and without delay.

Keep an exact account of all you owe and all payments coming to you.  You will then notice well how even trifling expenses add up against you, and you will discern what might have been.  You will grow wise with little effort.

One might see here a self-indulgent of luxury, of riches for the sake of riches. But we see here a similar sense of self-abandonment as at Versailles, with different tools directed at different ends. We must live frugally, arrive punctually, etc. so that . . . ? Weber sees the connections between Protestantism–especially the Calvinistic stripes–and Capitalism, in the following ways:

  • The grace of God, and hence, salvation, can never be earned. Forms, ceremonies, etc. are not aids but distractions to proper devotion. We should ascetically remove all such distractions, lest we indulge ourselves and think that any ceremony has any efficacious quality.
  • But how to know that we are truly elect? We can do the works God has commanded us to do. These works, of course, cannot save us but can witness to others of our convictions.
  • Since God orders all things providentially, and is no respecter of persons, all activities can serve as a means of displaying Christian virtues.
  • In the old Catholic world, different seasons of the year called for different levels of piety and devotion, and different practices. But–aside from unnecessary ceremony–this is a crutch, allowing one to “get off easy.” Just as God is no respecter of persons, He is no respecter of time or space. Everything at all time deserves our full attention and best effort.

This “worldly asceticism,” as Weber calls it, creates capitalist economies. Of course, “the love of money is the root of all evil,” but Franklin’s pursuits have money only as a byproduct. The real goal is virtue and “election.”* The aristocrat and the capitalist both disdain and embrace the world, but in different ways for different reasons.**

One can see how harmony might come about as a result of Louis XIV. Instead of having aristocrats fight each other and the king, he brought them together and unified them through their enchanted surroundings and ritualized behavior. We know this world could not withstand the mulititude of changes that arose almost right after Louis’ death, but it has an internal consistency. One problem–Louis’, while outwardly pious, made the highest end his own Disneyland.^ Unlike the medieval construction, Louis’ France could not “scale up” high enough to include enough particularity throughout his realm. We are now in the midst of wondering whether or not our world can create enough harmony to sustain our civilization. The capitalist ethic, like our political system in general, is built on the idea of mutual opposition and competition (between companies or branches of government) creating enough unity through this clash of mutual self-interest (i.e., Madison’s “Federalist #10). We shall see.

Many conservatives were surprised, even blindsided, by the fact that so many corporations adopted woke policies. Weber would see this as a natural byproduct of “worldly asceticism,” a form of self-denial to create harmony. Like Louis’ Versailles, even slight, trivial missteps assume grand proportions. But like Louis’ construct, it cannot scale to include enough particularity. Their god is too small.

Dave

*Some critics of Weber point out that capitalism existed long before Protestantism. True–in the sense that people have sought profit and traded with others since time immemorial. However, I think it no coincidence that modern Democratic capitalism was created by both Dutch Calvinists (New York, Amsterdam, the Vanderbilts) and Scotch/English Low Country Calvinists (Adam Smith, Andrew Carnegie, London, and Boston).

**Seen this way, it makes total sense to me why many Americans wanted to keep Catholics out of America up until the late 19th century. The issue goes beyond religious difference and into two very different ideas of cultural formation. As it turned out, they need not have worried, as the American system soon captured Catholics and most other immigrants.

^Versailles and Disneyland have much in common. They both have immaculate landscaping, and seek to create a kind of alternate universe. Some years ago I knew someone who had worked at Disneyland as a landscape supervisor. The pay was good, but he grew weary of the job due largely to the severe etiquette involved, such as

  • Tools always had to be lined up parallel to each other on the ground
  • Golf cart drivers always had to have two hands on the wheel
  • Regular band-aids could not worn for cuts. Disneyland supplied their own flesh-colored ‘invisible’ band-aids.
  • Workers could not really talk to each other while working in public view–they needed to be as invisible as possible (much like household servants in all of those British dramas).

Tradition and Technology

Those who regularly read this blog know that I tend to favor traditional values and traditional societies. Those like me need to realize that things change inevitably, making the challenge knowing how to change and stay the same all at once. Those on the opposite side need to realize that “change” is not a good word, any more than “tradition” is a dirty one.

Traditionalists must face the question of the role of technology. Certainly one could have a society that held tightly to tradition with little-no technological development. Is it possible for tradition to captain the ship while innovating technologically, and maintaining a robust economy? The question has immediate cultural and political relevance for those like me, Charles Haywood, and others. Much of our economic growth appears dependent on new technology. If a new cultural and political version of America is on the horizon, can it combine an anchor of tradition and still give us Amazon (which I do not regard as a dirty word necessarily)? Or, perhaps we need to choose one or the other, and accept the consequences. I have no clarity on this, though I suspect we may have to choose.

This question has interest in the abstract, but possibly we gain more clarity if we have a specific example, maybe even one out of left field . . . such as the development of handwriting from the classical era until today.

Ancient Writing and its Influence by B.L. Ullman lives up to its title but in a narrow sense. Ullman wrote originally in 1932–thankfully. I think if he wrote today it would be impossibly technical with much poorer writing. Even so, many parts of the book I read with semi or fully glazed eyes. As a sample, I open randomly to page 74, which reads,

The term half-uncial is sometimes used for mixed uncials of the type described, but in a narrower sense it applied to a very definite script that became a rival of uncial as a book script from the fifth to eight centuries. Again the name is unfortunate in its suggestion that it was derived from uncial. Rather it is the younger brother of that script, making us of an almost complete minuscule alphabet. It does not use the shapes of ‘a’, ‘d’, ‘e’, ‘m’ characteristic of uncial script but rather those of modern minuscule type, except that the ‘a’ is in the form used in italics, not roman. The only letter which maintains its capital form is ‘N’, and this letter readily enables one to distinguish this script from later minuscule. The reason for the preservation of this kind of ‘N’ was to avoid confusion with the minuscule ‘r,’ which in some half-uncials is very much like ‘n.’ The desire to avoid ambiguity is seen also in the ‘b,’ which is the form familiar to . . .

So, what Ullman means mostly about influence is how one form of writing influenced another kind of writing in a nearly purely technical sense. I wanted more on how changes in writing either propelled or reflected changes in the culture at large. Ullman gives us some hints of this, and his extensive, precise knowledge gives some space to the reader for guessing on our own.

We can start by recognizing that the phonetic alphabet itself ranks as one of the more propulsive and destructive (creatively or otherwise) of human technologies. Marshall McCluhan noted this with keen historical insight, in a famous interview (the ‘M’ is McCluhan, the ‘Q’ for the interviewer):

M: Oral cultures act and react simultaneously, whereas the capacity to act without reacting, without involvement, is the special gift of literate man.  Another basic characteristic of [pre-modern] man is that he lived in a world of acoustic space, which gave him a radically different concept of space-time relationships.

Q: Was phonetic literacy alone responsible for this shift in values from tribal ‘involvement’ to civilized detachment?

As knowledge is extended in alphabetic form, it is localized and fragmented into specialities, creating divisions of function, classes, nations.   The rich interplay of the senses is sacrificed.

Q: But aren’t their corresponding gains in insight to compensate for the loss of tribal values?

M: Literacy . . . creates people who are less complex and diverse.  . . . But he is also given a tremendous advantage over non-literate man, who is hamstrung by cultural pluralism–values that make the African as easy a prey for the European colonialist as the barbarian was for the Greeks and Romans.  Only alphabetic cultures ever succeeded in mastering connected linear sequences as a means of social organization. 

Q: Isn’t the thrust of your argument then, that the introduction of the phonetic alphabet was not progress, but a psychic and social disaster?

M: It was both.  . . . the old Greek myth has Cadmus, who brought the alphabet to man, sowing dragon’s teeth that sprang up from the earth as armed men.

My meager knowledge of pre-historic man (so called) will not prevent me from thinking that McCluhan exaggerates to a degree–the written word need not totalize all of our being. Still, we must acknowledge that we cannot expand our abilities infinitely, and if we go “deep” in one area we will certainly see shallow waters in other aspects of our being. We can also acknowledge that we how we present the world to others will reflect and shape our beliefs about the world. It need not be the chicken or the egg as to whether it reflects or shapes–we can say that both happen.

Ullman makes a few opening technical remarks perhaps designed to quell those who want to make large conclusions from changes in writing over the years. Sometimes changes in writing come from changes in the medium of the writing. Writing primarily on stone lends itself much more to straight lines and hard angles, as opposed to paper or even papyrus. Very true, but this also begs the question as to why a people use stone or scrolls in the first place. Eventually certain choices become second nature, but not at the beginning of the switch, which involves more conscious choice. I remain convinced that switches in the medium for writing, and how they write, surely mean something. Few aspects of our being rank higher in importance in our desire to connect with others, to achieve understanding from person-person, not just of content but of the meaning of that content. We accomplish this best face-to-face, where we express the full panoply of the message with our bodies as well as words. This means that when apart, the written words we choose, and how we present those words, seek in some way to make up for the absence of the body.

For this reason, and others, I say we can deduce much from the script of a civilization.

My theory runs like so: the more a civilization develops, the more refined its writing. This, I admit, means hardly saying anything more important than 2+2=4. But I hope to venture a step further, and suggest that perhaps we can wonder whether that development/refinement will still allow a people to preserve its civilizational ethos, or propel it away from its center. Not all growth is good.

We can start by examining the development of Roman script, with the first example from perhaps the 6th century B.C.

And now, moving forward in time to ca. AD 70

The latter examples show refinement and a development into a clear style that everyone recognizes as “Roman.” But with the codification has come “Empire.”

As the empire declined and we move into late antiquity, their writing changed as well, showing perhaps more of a Greek influence, with these first examples from likely the 400’s AD (apologies for intrusion of my fingers).

and these from 1-2 centuries later.

I suggest the changes could come from from more cultural blending, and less control over the empire, as the differences between barbarian and Roman blurred.

And now, for the development of Greek script. First, from 700 B.C.

Within just a few centuries, we see quick development of a more elegant but also more “rigid” script style, from the 5th century BC in Athens, with the second example a few decades later than the first.

As Greek power wanes in the 4th century BC, their script becomes a bit more fluid, just as in Rome:

With the establishment of more Roman presence in the Greek east after Constantine, Greek script grows a bit more fluid over time, with the examples below showing a progression of about a century.

Then, as the western part of the empire collapses, the writing gets more fluid and stylized, with the dating as the 9th century, 12th century, and the 15th century, respectively, just before Moslem conquest of Constantinople.

In the west, the collapse of Rome led to the development of a new civilization. First, for some context, Roman writing in the 5th/6th centuries, AD:

and Visigothic writing from north Italy, ca. 9th century AD:

Other European cultures had a bit more development than the Visigoths, however, and we see this reflected somewhat in their script, with the first two being Anglo-Saxon from the 8th century, and the last Carolingian from the 9th century, as the “Carolingian Renaissance” had gotten underway by then:

By the 12th century, we see more elegance and uniformity, as in previous civilizations over time.

In parts of France, we have a parallel development of sorts, with each example progressing from the early to late 9th century near Tours.

As the Middle Ages develop, you get more refinement, but less overall readability, with these examples from the 12th century,

and then into the 13th and 14th centuries,

which seems to almost beg for a correction with the coming of the Italian Renaissance in the mid-15th century.

Ullman’s excellent visuals make his text intelligible for novice’s like myself, and allow us to speculate on some broader conclusions.

It seems that the scripts go through three phases that seem to circle back on one another.

  • First, you have early script, which has less uniformity, is “sloppier,” and more free, in a way.
  • Second, as the civilization develops and gets on its feet and flexes a bit, the script gets more uniform, and certainly in the case of Greece and Rome, “blockier.”
  • Then, as the civilization wanes, either physically, intellectually, or both, the script gets more fluid. In Rome, you see the blending of Greek and Roman influences towards late antiquity. In the Middle Ages, you see ornamentation increase nearly beyond the pale, which brings back the more Roman/Carolingian, unified style.

One might suggest that we get a an interesting comparison between the Roman Empire of the Augustan age, the Byzantines, and the Latin west at the “peak” of their powers. Roman script screams empire and control (see “Plate 2” above), whereas the other two have more breath in their writing, with more feminine qualities. I think the comparison helps, but we must take the scholar’s caution, for Ullman reminds us that writing on parchment allows for a lot more fluid motion than writing on stone.

We can apply all of this to our original question: can a civilization maintain a firm anchor in tradition and still innovate?

As Rome’s republic fell into disarray, many contemporary historians lamented the decline of the old ways. Historians always lament the decline of the old ways. But Rome’s unwritten constitution relied on tradition to work, and the letter of the law could not save the republic. We know too that Augustus sought to promote a return of traditional values even as he consolidated power in a non-traditional way, an indication that the contemporary perception that “times had changed” involved more than “grumpy old man” Roman historians like Livy and Polybius. We can confidently say that Rome gives us significant data point that points to tradition eroding as innovation in their writing increased.

Greece has a slightly different story. They standardize their writing more quickly than Rome, and then change it a bit more quickly again after that. Their more fluid and script has a warmer, more human feel, and suggests that perhaps they maintained traditions more effectively than Rome (and perhaps also their proximity to water). However, no one argues that Greece in the 4th-3rd centuries BC were at the top of their game.

As for the Byzantines, a variety of historians from the Enlightenment onwards critiqued what they saw as their slippery, devious methodology in international relations. Edward Luttwak’s brilliant book on the Byzantine’s grand strategy shows that their foreign policy choices were methodical and moral, consistent with a power facing multiple enemies over a wide front. Surprisingly or no, their handwriting seems to mimic the fluidity of their geopolitics. My knowledge of Byzantine history has gaping holes, but based on my perusal of The Glory of Byzantium they maintained a clear and consistent artistic style while innovating and changing their technique. Marcus Plested has shown that many theologians interacted positively with the early medieval philosophical tradition. They seemed to manage a balance of some kinds of innovation without sacrificing tradition and identity. However, they fell to the Moslems, albeit after a 1000 year run. If innovation forms the kernel of success and power (a big “if), they failed to innovate fast enough to protect themselves fully.

With the medievals we see something similar. They created an original style that peaked perhaps in the 11th-12th century, the same century that saw an explosion of cathedral construction in the Gothic style. In both writing and architecture, one sees innovation that reinforced rather than altered their traditions. But Ullman argues–and the visual evidence seems indisputable–that as their script continued to “innovate” its actual functionality markedly decreased. They then snapped back to the tradition of writing extant centuries prior. But the Renaissance had no intention of reaffirming tradition per se. Instead, Renaissance humanists led an artistic, architectural, and philosophic movement that dramatically changed society, abandoning a host of medieval traditions (though in fairness the Black Death had a lot to do with this as well).

Our look at four civilizations fails to provide a decisive answer. In Rome and classical Greece, innovation seemed to stifle tradition and presaged decline. In Byzantium and medieval Europe, innovation initially accompanied “measurable” growth in their civilizations, to say nothing of what we cannot measure, but it seemed also to run its course. Nothing lasts forever, and one wonders whether or not civilizations can possibly extend their lives ad infinitum regardless of their choices to rapidly change or resist it at all costs.

It seems we must table the discussion, but we have hints. We don’t often think of tradition and fluidity existing in tandem, but it works at least when both sides get the balance right. After all, men and women have been marrying each other since the dawn of time. Perhaps what we see in Gothic Europe and Byzantium should not therefore surprise us. Perhaps the desire to lock things in place too severely effectively takes the air out of tradition, killing the best of what makes a civilization tick, i.e., Athens killed Socrates just as they rigidified their script. Perhaps we can conclude these things if handwriting reliably guides us.

Dave

A Method to the Madness

In the heady days of youth, many a man in my position (i.e., newly engaged, etc.) allowed themselves to watch a whole host of Jane Austen movies with their literarily inclined fiance.  Depending on our taste and level of courage, some of us liked the movies, while others pretended to like them to one degree or another.  But as watched them I recall having a thought (one that I most definitely did not voice at the time) I think most people have when exposed to Austen’s world: “What exactly did these women do all day?”

Enter Norbert Elias to answer this, and other perplexing questions about European aristocratic life in the age of Louis XIV and beyond.  His book The Court Society sets out to give the European aristocracy a context in which they lived.  They had reasons for their actions, reasons that made at least some sense in their world.  And like any other system, the seeds of its destruction embedded themselves right within the virtues the aristocracy practiced.

By early on in the book one realizes that, yes, the aristocracy did have “jobs.”  Of course menial/”blue collar” labor remained beneath them, but each member of an aristocratic household had charge of the family name, and advancing that family name.  Americans have little concept of this, but once we understand this idea, most everything else about the aristocracy falls into place.

While Elias did not deal with Austen’s period, I couldn’t help but reference her work when thinking of what Elias described.  In the Austen movies the women spend a great deal of time visiting one another, and Elias points out how this practice allowed for a display of rank and honor.  Thus, these meetings between aristocracy rarely had a “purely social” character to them.  Some may recall the surprise visit of Elizabeth to Darcy’s estate in Pride and Prejudice.  Darcy quickly puts on his “Sunday best” to receive visitors.  Of course it is polite in any society not to receive visitors in the equivalent of pajamas, but it is important to Darcy as well to reflect the dignity of his house to others.  Of course this may be why his house (like other aristocratic houses) remained open to the public, which seems quite strange to modern Americans.  How can one just show up uninvited?  But the aristocracy generally welcomed such visits, as an actor welcomes a chance to perform.  Proper dress and decorum went beyond mere politeness — it served as a means of displaying and advancing status.  Being a good host/guest was “work” for the aristocracy.  Advancing the family name meant advancing the family fortunes.  One might even imagine the members of the family often “on campaign” to advance or defend the family honor, as this note from the Duchess of Orleans to the Duchess of Hanover makes clear:

I must really tell you how just the King is. The Duchesse de Bourgogne’s ladies, who are called Ladies of the Palace, tried to arrogate the rank and take the place of my ladies everywhere. Such a thing was never done either in the time of the Queen or of the Dauphiness. They got the King’s Guards to keep their places and push back the chairs belonging to my ladies. I complained first of all to the Duc de Noailles, who replied that it was the King’s order. Then I went immediately to the King and said to him, “May I ask your Majesty if it is by your orders that my ladies have now no place or rank as they used to have? If it is your desire, I have nothing more to say, because I only wish to obey you, but your Majesty knows that formerly when the Queen and the Dauphiness were alive the Ladies of the Palace had no rank, and my Maids of Honour, Gentlemen of Honour, and Ladies of the Robe had their places like those of the Queen and the Dauphiness. I do not know why the Ladies of the Palace should pretend to anything else.” The King became quite red, and replied, “I have given no such order, who said that I had?” “The Maréchal de Noailles,” I replied. The King asked him why he had said such a thing, and he denied it entirely. “I am willing to believe, since you say so,” l replied, “that my lackey misunderstood you, but as the King has given no such orders, see that your Guards don’t keep places for those ladies and hinder my servants from carrying chairs for my service,” as we say here. Although these ladies are high in favour, the King, nevertheless, sent the majordomo to find out how things should be done. I told him, and it will not happen again. These women are becoming far too insolent now that they are in favour, and they imagined that I would not have the courage to report the matter to the King. But I shall not lose my rank nor prerogatives on account of the favour they enjoy. The King is too just for that.

The greatness of the “House” depended on the greatness of the family, which explains why Darcy would have hesitated to be in their company.  A man of Darcy’s status would naturally hesitate to confer “honor” to Elizabeth’s family by visiting, or especially dancing, which would have conferred an extra measure of approval for their “low status” behavior.  And with Elizabeth’s family’s status teetering on the brink, one can then see how potentially damaging Lydia’s behavior would be later in the book.

Elias points out that the aristocracy needed to visit others not only to forge connections and give and receive honor, but also to understand their place in the social hierarchy.  Take fashion, for example.  One should always dress appropriate to one’s station, never above it or below.  But the appropriate dress might shift over time depending on how others dressed and what approval they received from those above them.  A lord “goes for broke” and wears a cravat a bit frillier than he might normally while visiting a duke.  The duke gives his tacit approval by wearing an even more outlandish cravat, and now everyone must level jump on their cravat’s.  Suddenly, the “normal” cravat another lord wears is out of fashion — he now dresses as a bore.  If he had been invited to more places and been busier with his “job” he would have known this.  His family’s status declines.  Hence the near obsession with the aristocracy with visiting and being visited.  It was the only way to have “information,” to use a phrase Austen’s Emma frequently uttered.

Family status often had little to do with money.  No aristocrat worth his salt would stoop to such vulgar behavior as to actually care about money.  I believe Saint-Simon relates a story of one baron who gave his son some money to spend on the town.  When the son returned with money leftover he received harsh criticism from his father, who then threw the remaining money out of the window.  In returning with money the son showed not prudence, but foolishness.  Anyone who looked like they counted their money might look like they cared about money, and that stigma would hurt their reputation severely.

Americans often get accused, and rightly so, of focusing way too much on money, which proves our essential boorishness as a nation.  We have to see this malady in some ways as a by-product of equality.  Americans for the most part have no built in social framework for support, no “society” (to use another term from Emma) where we can claim membership.  Money, therefore, more so than family or connections, becomes our primary, if not our only tool, to keep us afloat.  The charge against us is just, but the charge is easier to avoid in aristocratic societies.

Many aristocrats got their names inscribed in stone by risking vast sums on throws of dice and turns of cards.  One might go broke with such games, but even an incredible loss had glory in it and at least proved one’s cavalier approach to money.  Far better a spendthrift than a miser, but this half-virtue ruined many families.  For of course, they did need money just as anyone else did.  Tradition mitigated against them developing a trade, speculating, or becoming a merchant.  They hoped for an appointment to high ranking government or military posts which traditionally went to high ranking aristocrats.  The only way to prove oneself worthy of this honor was not only to have impeccable taste and sense within the pecking order, but also to demonstrate that they never needed to ask the price of anything.  They played a dangerous game, one that Louis XIV must have been only too delighted to see them play.  As long as the fortunes of the aristocracy ebbed and flowed unpredictably, the greater his power.

So a method did exist.  And we see that, yes, they did work of a kind and had many constraints on their existence.  They were not free in the sense we might imagine.  I had students watch the following video about how aristocrats dressed in the 18th century:

As one might expect, they thought their habits pointless, wasteful, and weird (so much makeup for the man!)*, and so on.  But we must seek to understand.

  • Fundamentally, they sought to dress in ways in which commoners could not possibly dress.  They needed to reflect their proper status, for their own benefit, of course.  But it went beyond that–it was for the good of society too (at least in their minds).  To reflect their station was to give witness to the great chain of being.
  • Most of us dress in rather plain ways.  I think they might say of us that, “You have nothing in your society to lift you above the mundane and ordinary.  You have no higher goal than your base entertainment.  Should there be no glory, nothing to strive for?”

I think this last point has some merit.  But I’m not wearing makeup.

Perhaps one might think the life of the king free from constraint, but not so.  Louis XIV put before himself a tremendous task, to become the state.  While apparently he did not utter the phrase, “L ‘etat c’est moi,” he did say

 “The interests of the state come first. When one gives these priority, one labours for one’s own good. These advantage to the state redounds to one’s glory.”

So, while Louis did get to set the rules of fashion (being the top aristocrat all matters of taste and decorum flowed down from him), he had to organize methodically his use of power.  In order to effectively display the glory of France/himself and set the rules, he had to be “on call” all the time.  This lends more sympathy perhaps to the comical and bizarre rituals of various select noblemen watching Louis dress, undress, and eat.  I had always focused on the prison the nobles had allowed themselves to enter, but to keep the nobles beholden to himself, Louis had to keep himself beholden to them.  He too faced severe constraints on his behavior.

This element of control had to be extended at Versailles to nature itself.

garden-versailles_6475_600x450

With Louis XIV one has a possible glimpse of the final apogee of the Medieval idea of the Great Chain of Being, where happiness consisted in knowing who you were by knowing your place in the universe, and how that related to redemption of all things.  But in what could be called its culmination, the egg goes bad instead of hatching.  No wonder so many aristocrats supported the French Revolution, and even supported abolishing feudal titles.  One must always take caution when using one’s own culture and experience to judge the past, but perhaps the aristocracy simply got tired of playing a game no one had any real chance of winning.  One can make a good argument for the real usefulness of the aristocracy during the medieval period, but that time had long past, and one wonders if the French nobility somehow, deep down, knew that to be true.

Dave

*Yes, I too am disturbed by the use of makeup.  But we must be careful . . . it would not have been too long ago that a woman wearing pants would have been considered a form of cross-dressing.  Men wearing earrings takes on different meanings at different times, and so on.

Tolerance and Intolerance

I appreciate writers with strong points of view who take big swings. I wince at those who swing and miss badly, but I can usually admire the effort. I can usually forgive those whom I think get things wrong if I perceive that they try to see different sides of an issue. For example, I think Arthur Miller gets the Puritan witch trials mostly wrong in The Crucible, but he still writes a good play, because he clearly understands the strengths of the Puritans and what virtues might have led them down a wrong path. One can see good and bad, but misinterpret the place and balance of each in a particular epoch. What sends me to an early grave are those who see different possible sides of a civilization and interpret all sides negatively as it suits their purpose.

For example, the Old Testament has come under deconstructive criticism for the last 150 years or so, as various Germans have tried to reduce the authority of the text by pointing out two contradictory things:

  • The texts are a mashup of various Sumerian, Babylonian, Egyptian etceteras that contradict each other at a variety of places, or
  • The text is the work of a devious editor, carefully culling and sculpting a single product from a variety of sources, who tries to present a Potemkin village of unity, and hence, authority. Thank goodness for all those 19th century Germans, who, after millennia of wool pulling by said devious editors, finally exposed their wicked ways.

In other words, the Old Testament is made to seem meaningless for completely opposite reasons. Choose whatever view of the text you like–you can’t win either way. Or, you can have any color you like, as long as it’s black.

The Middle Ages, a relatively recent battleground for modern political controversies, also gets it with both barrels for different reasons. On the one hand,

  • They were strongly authoritarian and narrow, throttling heretics and witches, science and philosophy, at their leisure, or
  • That out of weakness, unable to stamp out pagan gods and folkways, they stooped to a muddy, broad syncretism in culture and religion.

Hypothetically they could resemble one or the other, but not both at the same time.

Every civilization must have its “narrow” traits, for we must define ourselves in some particular way in order to distinguish from others. And, every civilization has its broad traits, for every human friendship, marriage, or political association will involve some kind of “mixing” and compromise. Intolerance and tolerance both have their place–just make sure you have the proper places for them. The historian then, must construct a narrative by attempting to see how and why civilizations made their choices, by attempting to find their modus operandi, and work outwards from there. If they fail to see this central point of departure, they will conflate things in all the wrong ways.

Ultimately I found myself conflicted by John Williamson’s The Oak King, the Holly King, and the Unicorn, which attempts to explain medieval symbolic thought and culture. Williamson knows many facts, and I found some of his observations about the famous unicorn tapestries illuminating. But at times, he commits the worst of errors, stooping to sheer imbecility.

For example . . .

As the title indicates, he devotes a portion of the book to showing the role of oak trees in the medieval mind. Now, most anyone who has seen an oak tree and noted their size and age, might easily guess as to why such wondrous things might fascinate anyone. But for his answer as to why the medievals valued oaks, Williamson quotes approvingly from Joseph Frazer, who writes,

“Long before the dawn of history, Europe was covered with a vast primeval forest which must have exercised a profound influence on the thought as well as the life of our rude ancestors who dwelt dispersed under the gloomy shadow or in the open glades and clearings of the forest. Now, of all the trees which composed those woods the oak appears to have been the most common and the most useful.” Thus [writes Williamson], it was natural enough that the oak should loom so large in the religion of a people who “lived in oak forests, used oak timber for building, oak sticks for fuel. “

So–the “rude” ancestors who lived in a “primeval” forest “must have”–surely they must have–had a fascination with oaks because of the particular geography they inhabited. They then passed this fascination on down to their ancestors. Ok, I think this wrong-headed, but it is a coherent point of view.

But, in the next few paragraphs, Williamson then shows the universality of the importance of oaks, citing that the Greeks and the Norse both gave a high place to oak trees also–neither of which lived in geographies with dense “primeval” forests. So they “must have” been fascinated with oaks because they were not so plentiful where they lived? Almost on the same page, seemingly without realizing, Williamson

  • Shows that the medievals got their ideas from “rude” ancestors in their one, narrow, backward part of the world, and
  • They borrowed from universal, pre-Christian “pagan” ideas from more developed civilizations with more developed mythologies.

It baffles me, and keeps me up late at night clacking on the keyboard, that Williamson cannot see the inherent contradiction.* To make matters worse (if possible), Williamson never wonders why a similar symbolic meaning for oak trees has permeated different cultures across time and space. His curiosity extends only to the facts, and not to the reason for, or the meaning of, the facts, despite the fact that anyone who has seen an oak tree can make a better guess than he. This too I find incomprehensible and indefensible, and errors of approach like this find their way into different aspects of the book.

Williamson has strengths as an author. Many see the medievals lack of experimentation as an inherent weakness. Williamson sees it as at least a semi-deliberate choice, and I say bravo to him for that. Medieval people preferred bringing things together rather than pulling them apart. They constructed, while we deconstruct. Science, or certain kinds of science, has the marvelous ability to break things down into smaller components–no doubt a useful skill at times. Williamson rightly recognizes, however, that science cannot give the kind of cohesion that medievals sought. The medievals constructed cohesion and meaning through story and symbol, realms where science has little to no part to play.

I also appreciated Williamson’s insights into holly, which strangely I had never thought of before, despite a variety of Christmas hymns that reference holly. Every culture has more or less associated winter with death, but evergreens remind us of the promise of new life even in the midst of death. The red berries on holly trees add extra meaning, with a foreshadowing of Christ’s shed blood even in His birth. Williamson then deftly turns to an interpretation of Sir Gawain and the Green Knight with insights that I had thought of before related to oak and holly, and the interplay between winter and summer, death and life, that mirrors the tension between the Green Knight and Gawain.

Kudos to Williamson for seeing that medieval people, and most any other pre-modern people, consciously constructed their world through participation. They of course concerned themselves to a point with belief in a more abstract sense. But participation mattered much more to them, that is, entering into the reality professed through ritual reenactment. He applies this pattern to medieval thoughts about unicorns. I address whether or not unicorns actually physically existed in another post. For us “literal” existence of the unicorn is what really matters, but not so for medieval people. For them, the meaning of the unicorn was its reality. We might understand this, if we say that “obviously Santa Claus exists.” We know what he looks like, and how he is supposed to act. We know that when he steps outside of certain bounds, he will be unmasked as “not really Santa.” In this sense, most of us interact with Santa every year.

“Ah,” one might say, “but we can visit Santa at the mall, whereas we cannot hunt unicorns unless they actually exist somewhere.”

This is certainly a fair point.

But given the Christological symbolism of the unicorn hunt–the ‘wooing’ of God through beauty, the death of the Christ figure, etc.–medieval people entered into the hunt through participation in the liturgical cycle. Even supposing that unicorns physically existed and that medieval people really hunted them (this is not my view), the unicorn hunt tapestries did not depict an actual hunt, for the final frame has the unicorn resurrected, enclosed in a wedding band of sorts, “married” to the people as an image of salvation, it’s wounds still visible just as Christ’s.

So despite my heavy criticism of Wiliamson earlier, he understands and appreciates certain aspects of medieval thought better than most. But as mentioned earlier, he has no larger frame into which he can think about the bigger, more important questions of why Christians used classical and mythological sources as they did.

Those who seek for a “pure” Christianity unmixed with any particular culture will seek for a long time. Some aspects of Mosaic law resemble laws from Babylon and other cultures. Certain parts of Genesis seem written at least partly in response to surrounding creation narratives. Some decry the “Greek” influence on the early church fathers but Judaism and Greek culture had interacted for centuries prior to Christ’s coming, at least as far back as the Septuagint translation of the Old Testament, from which the Apostles quoted in the New Testament. Very early in the church’s history depictions of Christ took on some Roman forms and tropes.

True, the Church warred against the pagan culture around them, showing their “intolerance.” But almost all of our written sources from the classical world come down to us only because monks copied, preserved, and protected those manuscripts. Many are aware of this fact, yet few take it into their heads why the Church encouraged such behavior. It takes quite a leap of faith to imagine monks scattered throughout saying something like, “The Church has grown stronger and more numerous through the blood of countless martyrs for three centuries. We have done what no other civilization accomplished and conquered Rome. But we have no confidence in our message or our faith. Let’s copy their manuscripts, and incorporate their artistic style, and maybe if we’re lucky they’ll hear us out and convert.” Most sane people look at Dante, for example, and marvel at his integration of biblical and contemporary history, and classical and Christian culture. We don’t assume that he made Virgil his initial guide due to the weakness of his faith. We should not do so with the civilization that produced him.

One must decide how to interpret medieval incorporation of pre-Christian ideas, whether they acted out of weakness or confidence.

Every reason exists within the history of the church to see this move as one of confidence, a consistent outworking of bedrock theological principles.

If, as the Creed declares, that all things were created in, through, and by Christ, then we might naturally expect creation to witness to that fact. In the 3rd century Origen wrote that,

The apostle Paul teaches us that the invisible things of God may be known through the visible, and that which is not seen may be known by what is seen.  The Earth contains patterns of the heavenly, so that we may rise from lower to higher things.  

As a certain likeness of these, the Creator has given us a likeness of creatures on earth, by which the differences might be gathered and perceived.  And perhaps just as God made man in His own image and likeness, so also did He make remaining creatures after certain other heavenly images as a likeness.  And perhaps every single thing on earth has something of an image or likeness to heavenly things, to such a degree that even the grain of mustard, which is the smallest of seeds, may have something of an image and likeness in heaven.

Dionysius the Areopagite later wrote (perhaps 6th century AD?) concerning hierarchies and their images that,

The purpose, then, of Hierarchy is the assimilation and union, as far as attainable, with God, having Him Leader of all religious science and operation, by looking unflinchingly to His most Divine comeliness, and copying, as far as possible, and by perfecting its own followers as Divine images, mirrors most luminous and without flaw, receptive of the primal light and the supremely Divine ray, and devoutly filled with the entrusted radiance, and again, spreading this radiance ungrudgingly to those after it, in accordance with the supremely Divine regulations. 

We can add St. Maximos the Confessor (7th century) to our query, one of the very greatest minds of the Church. He picked up these threads and developed the idea of the Logos and the logoi, that is, how the diversity of things coheres in the Logos/God-Man (without confusing or diminishing any particularity). One commentator writes,

The supreme unity of the logoi is realised in and by the Logos, the Word of God himself which is the principle and the end of all the logoi. The logoi of all beings have in effect been determined together by God in the divine Logos, the Word of God, before the ages, and therefore before these beings were created; it is in him that they contained before the centures and subsist invariably, and it is by them that all things, before they even came into existence, are known by God. Thus every being, according to its own logos, exists in potential in God before the centuries. But it does not exist in act, according to this same logos, except at the time that God, in his wisdom, has judged it opportune to create it. Once created according to its logos, it is according to this same logos again that God, in his providence, conserves it, actualises its potentialities and directs it toward its end in taking care of it, and in the same way by his judgment he assures the maintenance of its difference, which distinguishes it from all other beings.

Here–and elsewhere–lies the foundation for how to deal with the pagan past. It need not be wholly good, for “all the gods of the nation are demons” (Ps. 96:5). But, pagans also are made in the image of God, and so the Church knew that fractals of the Logos lay there as well. Here lies an entire framework for medieval people to examine and integrate the past. One might debate what to include, and what to exclude, but clearly they knew the necessity of both.

As we approach Epiphany, the pattern for how to see as the medievals saw shows itself in the Scriptures and prayers of the Church. The magi, likely from Babylon, looked to astrology, and a star guided them to the maker of stars. “Those who worshiped the stars were taught by the stars to worship You, o Sun of Righteousness” (Christmas troparion). The “Sun” here is not a typo. God uses their idolatry and affirms something of it–that’s tolerance, if you like. But the Church also shows where the magi fall short, and transforms their false faith into a pointer to Truth, the Sun who is the Son. At a certain point, one cannot tolerate paganism and remain a Christian.

To my mind, this is the project of Christendom in a nutshell.

Dave

*Any student of mine, past or present, actually reading this post who wants to get revenge on me in any way . . . you need not worry about putting a tack on my chair, or not turning in homework, or talking in class. You simply need to go onto graduate school, get an advanced degree in Cultural Studies (or something like that), get published, and write the kind of nonsense as Williamson has here. I guarantee you will make me question the very reason for my existence.

When Williamson strays from the details and attempts to draw broad conclusions, he makes blood boiling mistakes dealing with Christian and pagan distinctives. For example, on page 98, he compares Christ to “other vegetation deities . . . such as Narcissus and Adonis.” Narcissus and Christ?! I ask you!

Dueling for your Health

In Mere Christianity C.S. Lewis makes a provocative point about the modern mind.  In discussing love and marriage, he observes that we have a hard time talking about degrees of good and bad.  We can only discuss absolutes and never relative goods.  This leads to a narrowing of societal discourse.  So he writes about duels that,

They ask you what you think of dueling.  If you reply that it is far better to forgive a man than to fight a duel with him, but that even a duel might be better than a lifelong enmity which leads to continuous secret efforts to ‘do the man down,’ they complain that you have not given them a straight answer.

V.G. Keirnan’s book The Duel in European History has certain strengths but lacks some of the necessary subtlety that Lewis urges.  He has a lot of juicy gems and some incisive points.  He searches for a unified field theory of dueling, which I admire.  He seems to think that dueling’s best explanation lies in a quasi-Marxist theory of maintaining class dominance, which fails in my view for a few reasons.  Of course dueling had something to do with class, but not always. Of course dueling is wrong, but . . . maybe not always?

Some personal examples . . .

I had a good friend growing up and we did various things together.  Around our freshman year we decided to add some spice to our various games of ping-pong, poker, H-O-R-S-E, or video games.  We invented consequences for the loser of these contests.  These consequences either brought great discomfort (put hot pepper on your tongue for five minutes, run barefoot in the snow, eat a spoonful of mustard, etc.), or great embarrassment (fall down dramatically in a restaurant, sing loudly in the middle of the street, etc.).  Looking back, many of these things were essentially harmless and created some good memories.  I should say too that losing brought no shame, but to back out of the “consequence” would have been unthinkable and damaging to the friendship.  You made a pledge, now see it through.

But . . . I think a lot our motivation stemmed from boredom.  No longer could we play “just for fun.”  The game itself no longer satisfied.  As you might imagine, with this motivation the consequences themselves inevitably intensified over time.  Also it seemed that we both sought to find great enjoyment in the suffering of the other person, what the Germans call “schadenfreude.” So perhaps on balance this was “primitive” or “destructive.”

Another example . . .

In college I remember walking into my dorm room one day and seeing my roommate and another guy on the hall wrestling.  It was not purely play, neither were they “fighting” in any real sense of the word.  They engaged in something in between those two.  Some sort of personal disagreement lie at the heart of this–I have no idea what.

I stayed to watch.  Keirnan might want to ascribe the fact that I watched to some sort of love of destructive spectacle.  Obviously I preferred watching the “match” to opening my biology textbook. Keirnan has a point.  But I also stayed to act as a kind of “second” for my roommate should level of fighting go too far.  Soon enough a few others came and watched, much for the same reasons, I’m sure.

After several minutes one of them agreed to say “uncle” and they stopped.  Commendations for both participants flowed from the audience.  It seemed entirely natural that now we should all go to dinner, and the first 15 minutes of conversation had most of us laughing about this or that moment in their match.  The two participants seemed entirely reconciled and never again had another such incident.  One of them had “lost,” but that carried no consequence.

I would love to know what Keirnan would think about this “duel.”  Can duels ever be good for you or society, and if so, why?  To answer this question we need to think about why duels happen in the first place.

Before we think about anything possibly positive about duels, Keirnan deals well with their obvious problems:

  • Most duels occur inextricably bound up with the sin of pride.  Perhaps this, even more so than the violence, explains their consistent condemnation by the Church.
  • Many duels bring death or grave physical harm that had no relation to the nature of the “offense” that caused the duel in the first place.  For example, towards the end of the era of dueling poets and musicians fought over particular points of artistic criticism.
  • At certain points in history duels happened not to settle disputes, but to prove manhood or courage.  Duels might then morph almost into a way of life–a way of life that can only end in death.
  • And yes, Keirnan has a point about the “social-control” aspect of dueling as its link to aristocracies.  Democratic peoples resort to dueling at a vastly lower rate than aristocratic nations, and this tells us something.

None of this surprises the reader.  But Keirnan has more interesting parts of his book.

From his tour through the history of the duel, we may guess at when duels tend to emerge more so than other times.

First, it appears that the amount duels rose in times of significant cultural and political shift.  Two main examples hint at this possibility.  First, dueling increased in the 17th century as the power of monarchs increased.  Increased power to the king meant perhaps that aristocrats felt the need to “strut their stuff” and duel more often.  They may have had the political motive of settling disputes outside of royal courts–an act of survival.

In time the power of the state grew and aristocracies declined.  Duels faded gradually through the 18th century.  But the coming of the Industrial Revolution revived it again.  Here we have part two of their attempt at survival, as the Industrial Revolution made mince-meat of the aristocratic class. This time, however, the dueling had no obvious political purpose.   Also–as to how they thought dueling would ensure their survival . . . ?  Maybe they thought they needed to leave the stage in dramatic and pointless fashion?  I don’t buy the “irrational” motif Keirnan may favor, but he can put this one in his corner.*

In his eyewitness account of the English Civil War, Edward Hyde, the Earl of Clarendon, spends his first chapter criticizing the government of Charles I.  One might suppose that certain policies impoverished England and this led to rebellion.   In fact, as Hyde and other historians point out, England enjoyed relative prosperity during Parliament’s long exile under Charles.  The problem lay not in the suffering of the country, but in part in its lack of suffering.  At length Hyde argues that Charles’ chief error lay in not giving England’s political class anything to do for several years.  They had nothing to do in part because times were good in most respects.  In other words, boredom and restlessness helped lead to the Civil War.

Keirnan mentions this as well at certain points in his narrative, and this rings true with my own experience that I mentioned above.  At some point, things got stale and we wanted to liven them up.  But I keep coming back to the question of the possible validity of some kinds of duels.

I had a long talk with my wife about this and she brought up several interesting questions about my experiences.  “Couldn’t we have had mercy on one another and forgiven the consequence?”  I answered that would not have been possible.

“But why not?”

True, many duelists had “mercy” on their combatant by firing in the air or some other such method.  But this was possible because they had already “won” by showing up and standing for the contest.  Victory was a side benefit.  They had already proven themselves.

For my friend and I, we could only prove ourselves by going through with the consequence.  That was the whole point.  When reminiscing about what happened we never said, “Remember that time you made that shot and won at H-O-R-S-E?”  Instead we reflected, “Remember that time when your feet bled from running in the snow, or when I had to sing the Police’s “Roxanne” in the middle of my street?”  Going through with the consequence gained us fame, not winning the contest.

To “forgive” a consequence in our case would have made the whole process pointless.**

So on the one hand we “proved ourselves” as “men” without doing any real harm to ourselves or others.  We bonded over this.

But on the other hand, it had all the negatives I listed above.

I still wonder about the possible ancillary benefits of duels.

Amidst the many reasons for duels–obscene pride, class control, the destructive impulse, etc.–what stands out to me most is boredom.  In some way, shape, or form, deep down we know that we need to suffer to be who we need to be.  Democracies don’t encourage suffering in any way.  We are told to gratify our desires.  Most modern American manifestations of Christianity have no concept of voluntary suffering and many churches do all they can to accommodate, not challenge, the modern man.

I think if we can recover the true purpose and place of suffering, we may get closer than Keirnan to understanding duels.  And it is here that I must demur, for I have been a somewhat silly teenager, but I am not a saint.

-Dave

*I generally disagree with Marxist interpretations of history but they sometimes have merit.  Kiernan’s class emphasis makes historical sense, but not logical sense–at least to me.  Aristocrats have power because of their birth.  They do not need to “earn” it in the modern sense of the word.  Clearly dueling at times served a purpose of validating their status as aristocrats.  But why feel this need?  Again, they never had to earn their status in the first place.  Perhaps the duel represented for some a kind of atonement oriented suffering for their societal position?  Perhaps this might allow them to feel that they had “earned” their role?

I wonder why democracies eschew the duel.  After all, in theory all of their citizens are born equal and must distinguish themselves in some way from their fellow man.

**In fact I believe this happened once and only once in our years of performing “consequences” and I was the lucky recipient.  If memory serves, we were playing some kind of basketball video game and I had lost multiple times, which meant I had to drink a concoction consisting (I think) of raw egg, tabasco sauce, and mustard.

But my friend did not simply just “forgive” this consequence.  Rather, he had to back out of plans we had made for the following day and in compensation released me from drinking the miserable concoction.

Needless to say, however grave and disappointed I made myself sound when he told me this, I accepted his offer quite readily!

A Can of Corn

I was never a great baseball player but I had my moments. Somehow, though I am not tall and never was very fast or in possession of a strong arm, I fanangled my way into playing the outfield. Compared to the infield, one had less action, but the action was superior and more intense. The stakes were higher. Muff a grounder and no one really notices, but not so a fly ball. Of course chasing down a long moon shot had its pleasures, but my favorite moments were always the high, lazy fly balls, the “cans of corn” as known in baseball parlance. You knew you would catch these, and so you could just stand under them serenely, watching the ball spin against the blue sky. Time stood still, one needn’t worry about Republicans or Democrats, the past or the future–it was enormously satisfying.

This will sound weird, but Odell Shepherd’s The Lore of the Unicorn, an examination of various arguments before and against the existence of the fabled beast, struck me in just this way. There were so many ways this book could have gone wrong. We would be disinclined to believe a medieval writer. In the 17th century the book would have been too technical. In the 18th century it would have had way too many commas and semi-colons. A 19th century treatment would be too emotional and romantic. Bill Bryson on this topic would be too jocular and snarky. But Shepherd brings a light writing style combined with proper reverence for the sources pro and con.

Why not unplug for a bit and consider the unicorn?

When I began the book I thought the foundation for belief in the unicorn’s existence in the pre-modern west rested on a few old Greek guys, and that is true. But, it is only partially true, and true in more complex ways than I expected:

  • Ctesias wrote about the unicorn around 400 B.C., but he lived much of his life in Persia in service to the Persian kings. Xenophon writes that Ctesias healed the wound of Artaxerxes II after the Battle of Cunaxa. Seeing as how Ctesias kick’s this question off, we’ll quote him in full.

“There are in India certain wild asses which are as large as horses, and larger.  Their bodies are white, their heads dark red, and their eyes blue. They have a horn on their forehead which is about 1 ½ feet long.  The dust from this horn ground is made into a potion that protects against poisons. The base of the horn is pure white, but the top is the purest crimson, and the remainder is black.  Those who drink from this horn, they say, are not subject to epilepsy.

The animal is exceedingly swift–powerful and fierce, so that nothing can overtake it.”

  • Aristotle thought Ctesias untrustworthy overall, but he agreed with him that the unicorn did exist.

“We have never seen an animal with a solid hoof (i.e., not cloven) and two horns, and there are only a few with a solid hoof and one horn, as the Indian ass [unicorn] and the oryx.  Of all animals with a solid hoof, the Indian ass alone has a talus [he large bone in the ankle that articulates with the tibia of the leg and the calcaneum and navicular bone of the foot].

Animalium Book 3, Chapter 41

Perhaps only second to Aristotle in authority for such questions would have been

  • Pliny the Elder, ca. 60 A.D.

The Orsean Indians hunt an exceedingly wild beast called the monoceros, which has a stag’s head, elephant’s feet, and a boar’s tail, the rest of its body belng like that of a horse.  It makes a deep lowing noise, and one black horn two cubits long projects from the middle of its forehead. This animal, they say, cannot be taken alive.

Natural History, Book 8, Chapter 33

Some of what we read here may perplex us, such as the multi-colored horn (did he see painted or decorated horns?) and the fact that the unicorn is not white. If we take also the testimony of Appolonius of Tyana and Aelian, we get some basic agreement, but more disagreement than I expected. Pliny introduces the question of whether or not we should be thinking of a rhinoceros. All in all, the ancient sources appear to me to operate basically independently.

If you have a King James Bible, one notes that several passages mention a unicorn (Num. 23:22, Deut. 33:17, Ps. 39:6, Is. 34:7, Job 39:9-10, etc.). Some of these passages could possibly refer to a rhinoceros, and others, not so much, i.e., in Psalm 39:6 the unicorn is said to “skip like a calf”–rhinos don’t skip. Also, different passages mention “exaltation” like the horn of a unicorn, and a rhinoceros horn doesn’t quite fit this.

For some, the fact that the Bible mentions the unicorn is proof that it never existed, since for them the Bible contains so much fanciful gobbledygook. Others assert that the unicorn can’t exist because they haven’t seen it and don’t know anyone who has. These silly attitudes merit little attention. But I have also seen Christians who say, “The Bible mentions unicorns, so if you believe in the authority of the Bible, you must believe in unicorns.”

The question has more complexity, however. It mainly involves the translation of a two key words: “re’em” in Hebrew and “monoceros” in Greek. St. Justin Martyr, St. Ireneaus, and St. Basil the Great all seem to profess belief in the unicorn based on how they translate the Greek along with other factors. But St. Jerome, St. Ambrose, and St. Gregory the Great all believed that the passages quoted above speak of a rhinoceros and may have denied the existence of unicorns altogether. We cannot say that such men denied the authority of Scripture.

Still, for medievals the case for the unicorn remained stronger than the case against. Even Albert the Great, teacher to St. Thomas and one of the best scientific minds of that era, believed in its existence (though doubted the horn’s medicinal effects). Interestingly, belief in the unicorn may have increased in the Renaissance as the ancient Roman arts of poisoning found a new home in the classically obsessed Italians. Various dukes traveled with unicorn horns (so called) in hopes of having them ward off poisons.

But in time, belief in the unicorn ebbed away, and why this happened deserves attention as well, but more on this later. All throughout the history of unicorn belief, skeptics have weighed in with alternate theories.

Theory 1: The Unicorn as Rhinoceros

We have touched on this briefly already from the Bible, but a few other points of interest could be mentioned:

  • With its very tough hide, the rhino cannot be hunted in the standard way other beasts can
  • Like the ancient descriptions say, the rhino is very strong
  • Some even today believe in the medicinal powers of its horn
  • The “elephant’s feet” from Pliny’s description match that of a rhino.

For me, however, this stretches things a bit too far. More persuasive, in my view is

Theory 2: The Unicorn as the African Oryx

  • Like the descriptions of the unicorn, it is tall, fast, and powerful
  • It somewhat matches the colors mentioned by some ancient authors
  • Its location in Africa matches that of many ancient sightings
  • The oryx was known as difficult to hunt and rare even in the time of Oppian (ca. 160 A.D.).
  • As for the two horns, there are two possibilities: 1) African natives testify that when two oryx’s fight, sometimes a horn can break off, or 2) Some naturalists suppose the possibility of a genetic anomaly occurring and an onyx being born with just one horn.

And, one rare form of the species, the Arabian Oryx, is actually white:

Some also think that Aristotle thought that unicorn was in fact, the oryx.

I much prefer this theory to the unicorn as rhinoceros. I am very nearly convinced, but still . . . two horns is not one horn, and the ancients and medievals could count.

Theory 3: The Unicorn as a Transmuted Eastern/Christian Myth

St. Isidore of Seville (7th century) did believe in the unicorn, and he had a strong influence on the formation of medieval bestiaries. He writes,

“Rhinoceron” in Greek means “Horn in the nose,” and “Monoceros” is a Unicorn, and it is a right cruel beast.  And he has that name for he has a horn in the middle of his forehead of 4 feet long. And that horn is so sharp and strong that he throweth down all, and all he rests upon.  And this beast fights oft with the elephant and wounds him and sticks him in the belly, and throws him down to the ground. And a unicorn is so strong that he cannot be taken with the might of hunters.  But men that write of such things say that if you set out a maid [i.e., a virgin] he shall come. And she opens her lap [or possibly, her breast], and he lays his head thereon, and leaves all of his fire, and sleeps thereon.

In the ancient Persian capital of Persepolis there is a curious image of what appears to be a unicorn and a lion:

Lions represent the masculine and kingly power. Some see in this image, then, that either 1) The power of the king was mighty enough even to hunt and kill a unicorn, or 2) The masculine sun triumphs over the feminine moon, day triumphs over night (it seems even in Persia unicorns may have been thought of as white in color).

I agree with Shepherd that we should view this image mostly in mythological rather than historical or political terms. But Shepherd makes nothing of the violent depiction here, and the contrast with the medieval version of the similar story.

We have already noted the power of the unicorn and that no one can capture or contain him. The medieval versions of the story go deeper into the archetypal patterns. First, the singular horn. Shepherd cites numerous stories of how single-horned beasts had a position of great honor. For example,

  • Plutarch relates that Pericles’ farmhands presented him with a one-horned bull (the horns had merged into one) as a mark of thanks and honor.
  • One-horned cattle are seen as bending towards the king in Ethiopian carvings.
  • In the Jewish Talmud, Adam offers to God a one-horned bull after his exile from Paradise, the most precious thing he owned.

The singularity of the horn unites all these instances. In the standard bestiary of the middle ages, the author writes as a postscript,

The unicorn signifies Christ, who was made incarnate in Mary’s womb, was captured by the Jews, and was put to death. The unicorn’s fierce wildness shows the inability of hell to hold Christ. The single horn represents the unity of God and Christ. The small size of the unicorn [relatively, one must assume–an elephant is certainly bigger], is a symbol of Christ’s humility in becoming human.

Even as far back as The Epic of Gilgamesh, the feminine has always humanized or tamed the masculine. This pattern finds its ultimate expression in the Incarnation itself, where the Virgin Mary contains the uncontainable God, and, dare we say, “humanizes” God? They went on to say that that through the virtues of the spotless Virgin Mary, humanity “wooed” God–the so-called “Holy Hunt.”

So, it should not surprise us that in the famous Unicorn Tapestry, the unicorn is captured within a circular fence, reminding us of a wedding ring–God binding Himself to humanity.

Lions make their way into this tapestry as well, though in a different way than ancient Persia:

So, some argue that the maybe the medievals never really thought the unicorn was a real beast, but simply a helpful story to convey spiritual truth. Or, if they did believe in a real unicorn, they did so only as a mistake, a pleasing and helpful tale incarnated too far in their fertile imaginations.

My one beef with Shepherd’s marvelous book is that he refuses to pick a side in this debate, but I will do so.

I am able to accept that the theory of the unicorn as rhinoceros has merit, but I am not convinced. It does have one horn which many regarded as salutary. But the horn is not “exalted,” and the rhino simply lacks the grace, dignity, and metaphorical heft history has placed upon it.

The oryx theory very nearly convinces me. The speed, elusivity, and necessary “dignity” of the beast are present. Imagine a genetic anomaly with an Arabian oryx with one horn and it nearly solves the problem stem to stern. But oryx’s have two horns, and as we have seen, the singular horn stands as a crucial fact in the case. True, in a pure profile one would only see one horn of the oryx. But again, oryx’s do move, and people can count to two.

In fact, Shepherd mentions many citings of the unicorn throughout the centuries. Yes, hypothetically all could be mistaken, exaggerating, or lying. Maybe some saw the Arabian oryx. And yes, it seems strange that in the era of iphones, that none would have a picture if it existed. Possibly it did exist and went extinct some centuries ago.

What I can’t abide are those that say that because the medievals allegorized at length with the unicorn, it shows that they are easily fooled or cannot tell the difference between fact and fiction. It also minimizes the importance of the patterns laid down throughout all the ages–as if isolated”facts” that have no meaning had greater importance than all of our stories. Undeniably certain myths existed around the unicorn, but myth is not a symbol for “falsehood.”

Which brings us to why belief in the unicorn has sharply declined over the last few centuries, and especially in our day. Belief in dragons declined rather markedly after the Middle Ages, if they were ever literally believed in at all. Clearly many ancient and medieval people believed literally in unicorns. Unlike other so-called fanciful beasts, unicorn belief persisted after the medieval era, into the Renaissance and beyond. Even in the 17th century some still believed in the unicorn, as did some British explorers into the 19th century–a Major Latter wrote in 1820 that he had definitely seen a unicorn in Africa. None of this has happened with dragons.

I think the reason for the decline, regardless of whether the unicorn ever existed or not, is that we have lost the stories, we have lost the reasons for anything being anything in the first place. True, if the unicorn had not existed, the medieval people might have made him up–it fits that well into their symbolic world, just as it did for other cultures. I suppose this could be slight critique against them if one really felt the need for it. But we, on the other hand, have no need for anything to exist for any particular reason, including ourselves. Many of us are, as Walker Percy brilliantly deduced some 40 years ago, Lost in the Cosmos.

I think a discussion on cable news over whether or not the unicorn existed would reveal a lot about us, such as the role of tradition, science, and the sexes. I say, we should get at all our major worldview questions not through Twitter, CNN, Fox, or the National Review, but through pleasant cans of corn like the one Odell Shepherd has given us. These moments that stop time are likely the most important of all.

Dave

“Therefore,” and “Nevertheless”

Towards the end of the Benedictine office of Lauds there exists a prayer which uses the old King James English which seems like a shock of cold water amidst the pleasant praises of God’s majesty–“and blessed are the paps which gave suck to Christ the Lord.” Such language could put off different people for different reasons, but mostly I think it boils down to a “disturbing” physicality and particularity. High-flown theological language suits us better. A Christian must confess that the second Person of the Trinity became a male human being in all fulness. The Benedicitine office, as other prayers of the Church, puts the focus on “higher” things of majesty and praise, but rightly will not conclude without bringing us back to earth and ourselves, reminding us of this stark truth. Clearly, Christ did nurse at the breasts of the Virgin Mary, and we must decide whether we celebrate this or feel embarrassed and horrified by it.

Many react with such embarrassment to time. Temporality flows inexorably, which makes those moments of glory, grandeur, and insight we experience at once so powerful and frustrating. We long for their return, but they will not come even for the asking. Our society in general seems embarrassed and frustrated by Time (manifested in some respects with bands like Kiss, Judas Priest, and even the Rolling Stones apparently still touring). Some may accept Time in the sense of merely resigning oneself to its power, but while this may be a superior attitude over ignoring or “rebelling” against Time, it too seems to see the physicality of time not as a blessing but as part of what we must endure in our going hence.

William Lynch’s Christ and Apollo: Dimensions of the Literary Imagination examines the question of physicality and particularity in theology and literature. I lack the depth and breadth of reading needed to truly benefit from this book, but the applications of his insights go beyond the literary and into life and redemption itself. Lynch keeps focus on his crucial question: Does God accomplish His purposes through the finite, or in spite of it? Authors, “regular people,” and civilizations face the temptation to either ignore or despise creation, thereby failing to see through it and discern the patterns of grace. Lynch diagrams this basic idea like so,

with the diagram on the left as the proper path. Heraclitus may have had the same intuition, stating that, “the way up and the way down are one in the same.” Tension has always existed in Christian thought between 1) Moving down “the mountain” as moving away from God (a pattern present from the Garden of Eden, Mt. Sinai, Mt. Tabor, etc.), and seeing that movement as a kind of death, and 2) Recognition that we have no other option other than to take this passage down into death to return to God whole, i.e., “He who wishes to save his life must lose it,” and “unless a seed falleth into the earth and die, it bears no fruit.”* Escape from this tension provides only an illusion of freedom, and in fact produces a kind of slavery to a fear of things, and even of ourselves. Our glimpse into the infinite comes only through the finite.** Dante’s grand cosmological vision would not have been complete without tethering it to 14th century Florence. In The Brothers Karamazov, Dostoevsky knows that Aloysha’s great mystical visions can only come through his engagement with his wretchedly dysfunctional family.

But many modern authors cannot embrace this paradoxical pattern. Lynch examines a few different metaphysical categories to demonstrate the paradox. For Proust, time is man’s greatest enemy. The cubist painter can not accept the finite image–instead they must represent all of the possible angles of vision of the minding a futile attempt to see only the abstract. Lynch writes,

Perhaps the most ambitious, most brilliant, and most sophisticated vendetta launched against time was that of Descartes, who first put forward the notion of a pure intelligence within us not subject to time. . . . when that ambition takes the form of a desire to wipe out the succession and the partial quantities of time, and to live in an isolated area of the personality where the temporal has no meaning or power, then a grave folly has been committed. . . . The “man in the street” knows what the intellectual does not: that true reality is contained within the dramatic temporal life of the body. The peasant knows he will be healed not only by doctors but also by time. [He knows that time] is as much a part of him as his own skin, out of which he cannot leap.

Christ and Apollo, p. 50, 53

Christ exemplifies this true approach to time as a positive good: He refuses to cling to childhood (Lk 2:41-52), He refuses the easy path to glory (Mt. 4), and allows His death to come to Him “in the fullness of time” (Gal. 4:4).

Different literary genres can make the same mistake of rejecting creation. In tragedy, Lynch cites the modern tendency that “exaltation must come from exaltation, and that infinites must come out of infinites.” This path leads to two consequences:

  1. The idea that the achievement of great tragedy has its roots in the mystical conquest of the “human spirit” against pain–the tragic figure as exalted conqueror, which
  2. In fact makes the writing of tragedy more difficult, not easier, because it seems that tragedy, like death, doesn’t really exist.

Comedies too can make the same error. Comedy (in the modern sense of “what makes us laugh”) often deals with the breakdown of order and expectations–all well and good. But if we ask ourselves why A Midsummer Night’s Dream still gets staged four centuries after its debut, we need look no further than that “the play, [even] in its wildest fantasy [in Act 5], is only dealing with Snug the joiner and Bottom the weaver.” T.S. Eliot commented that, “human kind cannot bear very much reality.” “I am not so sure of that,” Lynch writes, “The bigger truth is that they cannot stand very much unreality.”

Perhaps part of the problem lies in that great literary minds can see their idea so clearly that the idea burns away all around it if they fail to take care. Here then, lies Lynch’s “Univocal Man:”

He is, emotionally, full of extraordinary energies–in fact, a kind of energy seems to mark the whole of his character. He has a genius for a unilateral passion, and is, and therefore always has been–a passionate center of good and bad in civilization. . . . Superficially, then, he resembles the religious genius. . . . It is only by exercising great caution that we will avoid this profound mistake and will refrain from giving this character the veneration that is not his due. . . . The univocal man has no respect for reality; he is contemptuous of it, or distorts it, or flattens it–or he refuses to take responsibility in the face of it. . . . The univocal man is not free. He is rigid, unbending, fixed. One can understand the fixity of the idea of logic and essences, but his fixed ideas are born of a fixity of all the forces of his personality and a refusal to remain open to existence. . . . To put the matter simply, these would reject all the unities and relations projected by any sentence, for example, “The horse is white,” for a horse is a horse, and white is white, and that is the end of the discussion.

pp. 141, 144, 147

We might say that the Univocal man has too much “purity” in him. He cannot or will not mix his idea with the stuff of reality. That this should happen to a literary type is no surprise. In general they write because they are gripped by an idea or image.^ The one who mixes things up too much would likely never have the clarity or organization to get anything down on paper to begin with. Lynch shows us Eugene O’Neil, who wants us to be sad, and so gives us Sadness in Mourning Becomes Electra, with her mansion as her prison. Or, even more absurdly, he gives us Laughter in Lazarus Laughed, with this ridiculous passage where Lazarus speaks to Caligula,

You are proud of being evil! What if there is no evil? Believe in the Healthy God called Man within you! . . . Believe! What if you are a man and man is despicable? Men are also unimportant! Men pass! Like rain into the sea! The sea remains! Man remains! . . . For Man death is not! Man, Son of God’s laughter, is! . . . Believe in the laughing God within you!

Alas, too many exclamation points. O’Neill wants rapture but he attempts to achieve it by rebounding off of creation and denying it altogether. Only a fool would say that “death is not.”

With a denial of creation will come an absence of transcendence, purchased at the price of avoiding all mess. George Bernard Shaw claimed a sort of spiritualism but could not stand religion actually practiced, writing,

In Italy, for instance, churches are used in such a way that priceless pictures become smeared with filthy tallow-soot, and have to be rescued by the temporal power and placed in national galleries. But worse than this are the innumerable daily services which disturb the truly religious visitor. If these were decently and intelligently conducted by genuine mystics to whom the mass were no mere rite or miracle, but genuine communion, the celebrants might reasonably claim a place in the church as their share of the common right to its use. But the average Italian priest, personally unclean and with a chronic catarrh in his nose from living in frowsy, ill-ventilated rooms, punctuating his gabbled Latin only by expectorate hawking . . . this unseemly wretch should be seized and put out . . . until he learns to behave himself.

Whatever communion Shaw desires, it would have to include rite, miracle, and perhaps even the dirty priest, for it to happen at all. But for Shaw, such things are too messy and not “spiritual” enough. We should not suppose that he would enter in absent the dirty priest, either–something physical would always bar his way. It is much easier to comment online, or even to read books.

We in our day have the bigger and smaller problem of not even being able to enter into politics. The problem is smaller in that religion is more important than politics, but bigger in that we cannot hope to solve big questions if we cannot solve smaller ones. Too many on the right and left want nothing to do with mixing their ideas in the mess of politics. Some want a Caesar from above to wave a magic wand, some want the “innocent” people to rise up from below to abolish the Bill of Rights. Neither will achieve anything like an ordered communion, for neither wants to find the path to grace through creation. They do have their dreams. These dreams will have to content them, for they can know nothing of sorrow or joy.

Dave

*Perhaps this might explain in part Christ’s sometime reluctance to work miracles. Miracles, could, hypothetically, interrupt the U-shaped pattern and hinder us on our journey back to God.

**If we learn to see this pattern and interpret the Scriptures more analogically and less in a directly moral fashion, many things make themselves more clear. For example, we should honor the elderly not simply because of their wisdom–for some have none of it–but because they are closer to death, and thus also closer to glory. So too, this explains why the Church has always warned less against the “earthly,” “physical” sins of gluttony, too many women, etc., than the “spiritual” sins of pride. Many have gone down the path of fleshly indulgence and found the place where it turns upwards to God. But no path to God exists through pride. Of course, it is best still not to dabble in either.

**The literary, educated types–one always has to watch out for them . . .

Bottoms Up

I wonder what the “revisionist” historians of the 1960’s might say if they knew how they contributed to the rise of “Trumpism” (they might not mind having helped birth Sanders). At that time a variety of scholars challenged academic and social norms, some good norms and some bad ones, and quite successfully overturned the established historical narratives. No longer need history tell just of kings and battles, no longer would history depend on a “top-down” narrative. Now the bottom mattered, and often mattered much more than the top, in determining the true meaning and purpose of history.

To focus only on the 1960’s however, means focusing on the bloom of the plant and missing the tilling of the soil. Perhaps one sees this process beginning two generations prior with the rise of a passion for folktales in the late 19th century. Some of the greatest historians of the early-mid 20th century like Toynbee and Christopher Dawson sought to broaden the scope of their inquiries. And–certainly not every historian before them only talked of kings and battles. Polybius found the key to Rome’s greatness in its institutions. St. Augustine’s masterful City of God incorporated a variety of approaches in his analysis of the fall of Rome. But still–one cannot question that a decisive revolution in academia 50-60 years ago succeeded in overthrowing the “normal” meaning and practice of history.

This habit of questioning the establishment has now left the ivory tower and entered into the mainstream. For example, many more now question vaccinations than used to be the case. The flat earth society has a legitimate looking website. Despite general scientific consensus many deny global warming. Most people now get their political news and perspectives from Youtube or podcasts and not mainstream networks such as ABC or CNN. Both Trump and Sanders tell their strongest followers that the system is rigged, and both seek to overthrow a variety of political norms.

If you are like me, there are things about this shift that you like, and things you don’t like. But it is hard to disentangle them at a larger sociological level. It may be a package deal, take it or leave it.

Carlo Ginzburg’s work fits squarely within this school. His Night Battles: Witchcraft and Agrarian Cults in the 16th & 17th Centuries gives a detailed look at a strange episode in European history. He uses many primary sources and uses them well. But it seems to me that he consistently assumes that everyone on the “bottom” is ill treated by those on the “top,” and this assumption I cannot buy into.

First, I praise Ginzburg for his respect for the peasants in the book. Other authors might treat the subject of supernaturalism and witchcraft with words like “superstition” or worse, dress it up in condescending, overly complex language, i.e., “cultic fetishism.” Ginzburg takes the stories the peasants tell at face value and rarely attempts to deconstruct them.

Second, I praise him for finding such an unusual story to examine, which runs something like this:

  • In the late 16th and early 17th centuries, the church in northern Italy became aware of an unusual practice involving battles taking place between witches and the bendamenti over the health of the years crops.
  • The witches came usually as disembodied spirits, and the bendamatti usually appeared in this guise as well–those they were the good guys in this contest–they fought against the witches to protect the crops.
  • They fought four times a year, always during the Ember day fasts in the church calendar, but the clashes did not seem to be overtly violent, and often ended with both groups together drinking wine–though the witches would always end the evening by peeing in the wine casks.
  • The people questioned invariably believed themselves to fight on behalf of God and for the people, and against evil and all its works.

Strange as it may sound, testimony from different people from different places,who would not have known each other, confirm this basic outline of events.

I had the feeling, however, that Ginzburg’s approach put the church on the side of an oppressing power. Certainly anything that involved the supernatural and witches would arouse the attention of the Church. Naturally, they would investigate. Ginzburg’s word choices about these conversations revel much–his even-handed and sympathetic approach to the peasants does not extend to the church. To cite just a few examples . . . (all italicized portions are my emphasis) . . .

Gasparutto had barely finished speaking about the apparition of the angel ‘made of gold’ when the inquisitor broke in with an abrupt insinuation . . . ‘

Father Felice could no longer contain himself. ‘How could you make yourself believe that these were God’s works? Men do not have the power either to render themselves invisible . . . nor are God’s works carried out in secret.’ It was an impetuous, frontal attack.

A cowherd of Latisana, Menichino, admitted to being a benandante and asserted that he went out at night in the form of smoke to fight the witches. During his trial . . . the inquisitor asked him, in the usual insinuating manner . . .

In Gasparo’s case as well, we observed the inquisitor twist the interrogation . . .

This attitude of Ginzburg, expressed in these and many more such examples, should give us pause. Surely the peasants’ no doubt sincere belief that they were indeed doing God’s work in should warrant at least a degree of skepticism and suspicion? And surely the priests cannot be blamed if they seek to fit these stories into what they already understand? Everyone does this most all the time, not just those with “power.”*

Beyond that, anyone remotely familiar with monastic literature and spiritual discipline knows that Satan often appears as an angel of light. Many well-known stories existed to confirm this, and no doubt the priests knew of them. Other details in some of the stories, such as smoke, and the lack of invoking the name of Christ, warrant much suspicion on behalf of the priests. And, unless we want to believe the worst about the inquisitor priests, we should assume that their concerns ultimately rested not with maintaining their “narrative” but with the souls of those they questioned.**

Ginzburg’s many strengths make his work interesting, but he seems to self-consciously over-compensate for centuries of history written from the standpoint of those in power, the “winners” (or at least–Ginzburg’s perception that this has been the case). His whole approach raises the larger question about whether it makes a difference if we tell of history from the bottom up, or the top down. Why did the latter approach dominate for so long, and why then have we just recently abandoned it?

Our beliefs about history should not boil down to who has power. We often assume that only the winners write history. But Thucydides, an Athenian, wrote the best account of the war that Athens lost. Polybius and Josephus wrote intelligently about Rome even though both represented those conquered by Rome. And sometimes the ‘winners’ can write with more understanding than the losers. For example, I find Livy’s take on Hannibal a bit more sympathetic and persuasive than Polybius’. The record shows that history can be about much more than the power and manipulation of the privileged elite.

So too, we need a different explanation other than power and manipulation to explain why history often gets written from the “top down” and not the “bottom up.”

Let’s take the very phrase, “Bottoms Up!” as a starter. Legend has it that it originates with the tricks played on Englishmen to get them to join the navy, involving a coin at the bottom of the glass. But most every story of the phrase involves more than moderate drinking. Whatever story we pick, the basic symbolic meaning seems clear. Heavy drinking makes things “topsy-turvy.” It can put your bottom on top in a metaphoric and literal sense. This is why it is right and proper for us to look askance at someone who starts to drink early in the day. When we awake, things are new again, we return to our center, recharged from rest. We might drink in the evening as our body begins to wear down and fray at the edges. That is, as our physical state morphs into something more “fringe-like,” we can mirror with our alcohol consumption.

Whether or not this makes absolute physical sense, it makes complete metaphorical sense. Civilizations have followed this pattern for millennia. When you drink alcohol early in the morning, you act against this pattern, this way of mirroring reality. “To everything there is a season,”–a time exists for right order and for messing with that order, but nary the two should mix.

So too in creation we see that the “seeds” of things, the encapsulating ideas, come from “above.” Seeds fall literally from above and contain the whole of the oak. They germinate what lies below. If someone has an idea it comes from the intellect, which lies on the top of your body. It flows downward into the rest of the body and gets incarnated, taking up residence in the heart, the mediator of heaven (intellect) and earth (the belly, etc.).

Sacred history shows forth this same pattern. The books of Samuel, Kings, and Chronicles show that Israel’s fortunes rested on its kings and priests–as they went, so did Israel. The sins of the fathers get passed down generations, as attested by Deuteronomy, and almost any sociological study.

To write history from the “top-down,” then, need not be a form of hero-worship, placating those in power, an exercise in sycophancy, or a form of oppression. Many of these “top down” accounts were in fact critical of those they chronicled. In its simplest form this method merely seeks to mirror reality itself. The recent trend among historians to view the world differently may indicate a general flattening of our worldview, a sub-conscious rebellion against hierarchy and Natural Law.

But while this might be true in certain cricumstances, it may go too far as a general statement.

A famous ancient Persian proverb states, that one should debate important matters twice: once while sober, once while drunk. If we take this symbolically as well as literally we see that approaching questions from unusual places and angles certainly has its place. King David himself played the fool (1 Sm. 21), there is Amos the prophet (not from the priestly tribe), John the Baptist, and so on. And we have the words of Christ that, “the last shall be first, and the first shall be last.”

So, even if one might argue that ‘top-down” historical approaches should take priority, certainly we should have histories like those of Ginzburg that take a different approach, for they too reflect something true about the nature of reality. My objection to Night Battles lies not, then, in the subject matter, but in his unspoken assumption that Earth must be at war with Heaven. We should rather look forward to their union.

Dave

*I wonder what “power” Ginzburg believes the church had. It could not really stop these events from occurring, for example.

**We should also note that, while the church certainly was a powerful organization at this time, it was also in one sense the most democratic institution. A commoner could theoretically distinguish themselves in piety, learning, etc. and rise to positions of “power” within the church. Many of the priests who questioned the bendetti may have grown up peasants themselves.

Also of note is that for many (though to be fair, not all) of the people questioned, the church imposed very moderate forms of penance, indicating that they had some hesitancy as to what they were dealing with, and sympathy for those they interviewed. The priests were hunting witches, but it does not seem like they engaged in a witch-hunt.

A Religious War that was about . . . Religion

Most modern westerners have a hard time with the notion of a religious war.  After 9/11 many commentators scrambled to find other alternatives to the notion that the conflict had religious differences at its core.  We talked about the relative poverty of the Mideast as the cause, though many leaders of terror groups come from wealthy backgrounds.  We argued that they simply fail to understand us, even though many terrorists lived (and currently live) in western countries and got fully exposed to our culture and way of life.

Quite simply, it may be the case that most of us in the west can no longer understand faith as a motive for much of anything, seeing no purpose for religion aside from something purely private and “spiritual.”

Many scholars of the wars that convulsed Europe in the wake of the Reformation take the same approach.  Whatever the religious differences between the sides, many point to rising tides of nationalism, economic concerns, class strife, and so on, to explain the crises. While all these issues have their place, they are almost always not the cause, but the fruit of underlying religious differences.

For example, let us take the rise of nationalist feeling in late 15th and early 16th centuries.  Such ideas arose no doubt as an outgrowth of the revival of classical culture.  Classical culture meant a revival of the city-state ethos, which worked directly against the medieval notion of Christendom.  Certainly, the weakness of church leadership in the 15th century did little to stem this tide.  But nationalism came from a revival of classical culture, a new life for an old religion buried 12 centuries prior.

Mack Holt’s The French Wars of Religion, 1562-1629 impressed me immediately by his simple declaration that yes, the French wars of religion really were about religion.  If we only realized that sanity comes at such a simple price.

From John Wycliffe on down, reformers often focused their attacks on the Mass and the doctrine of the real presence of Christ in the eucharistic feast.  The same happened in France, with the first major Protestant salvo coming with with the “Affair of the Placards” in 1534.  Various pamphlets distributed throughout Paris read thusly:

By this mass the poor people are like ewes or miserable sheep, kept and maintained by these priests, then eaten, gnawed, and devoured.  Is there anyone who would not say and think that this is larceny and debauchery?  

By this mass they have seized, destroyed, and swallowed up everything.  They have disinherited kings, princes, nobles, merchants, and everything else alive.  Because of this, the priests live without any duty to anyone or anything, even the need to study.  What more do you want?  Do not be amazed then, that they defend it with such force.

They kill, burn, and destroy all who oppose them.  For now, all they have left is force.  Truth is lacking in them, but it menaces them, follows them, and chases them, and in the end, truth will find them out.  By it they shall be destroyed, Amen. Amen.  Amen.

For many Protestants, issues such as the eucharist began and ended in the theologically intellectual realm.  Strongly influenced by Renaissance humanists, they believed that truth came via textual analysis and debate.  Their arguments centered on interpretation of Scripture.  Holt gives a clear yet subtle analysis with this incident.  He points out that for Catholics the issue went far beyond abstract theological interpretation.  Obviously they had a theological position.  But for Frenchmen at least at this time, the celebration of the mass formed crucial social bonds between its participants.  The Church placed strong emphasis on not communing unless one had peace with your neighbors.  So in the end, attacking the mass meant attacking the linchpin of social cohesion in France.  It was the mass, and not any particular laws, political, or social organization that made France “France.”  To change the theology of the mass would be akin to dramatically altering our Constitution.

Critics of religious wars today might often wonder why they couldn’t all just get along.  Holt again parries and shows us the coronation oath all French kings took, which reads:

I shall protect the canonical privilege, due law, and justice, and I shall exercise defense of each bishop and of each church committed unto him, as much as I am able, with God’s help, just as a king properly ought to do in his kingdom.

To this Christian populace entrusted and subject to me, I promise in the name of Christ:

First, that by our authority the whole Christian populace shall preserve at all times true peace for the  Church of God.

Also, that in good faith to all men I shall be diligent to expel from my land all heretics designated by the Church

I affirm by oath all this said above.

Faced with the “Affair of the Placards,” any French king could either abjure his oath or try and fulfill it.  We can legitimately question some of the approaches used, but should not fault the French king for trying.  He had no other choice, at least initially.

Things got out of hand quickly.  The untimely death of certain French kings left a power vacuum filled at different times with different factions.  Huguenots often converted from the merchant class.  They had money and lived in towns that could easily be fortified against attackers.  It would have taken a dynamic king with a budget in the black to defeat them if it came to fighting.  France had neither.  Eventually, commoners took up the cause themselves, and then things got really ugly, even allowing for the possibility of exaggeration in some accounts.

Catholics and Protestants both committed atrocities for various reasons.  Catholics seem to have perpetrated more than their fair share of terrible deeds.  Holt shows us, however, how the issues that divided them went far below the skin.  Each side fought for a certain theology, and in so doing, fought for different versions of the meaning and purpose of France.

I find understanding the differences between the Protestant and Catholic versions of France tricky, but my best guess would be

  • Catholic France had an agricultural bent, while Protestantism favored merchants.
  • Protestants defined community via intellectual and doctrinal agreement.  Catholics found community in common visible practices and common observance of the liturgical calendar.
  • Protestants stressed the written word, Catholics looked to a more embodied “word” in their mass, liturgy, architecture, sacraments, and so on.

Whatever the overlap between Catholics and Protestants, these religious differences would produce different cultures.  We can imagine a Huguenot triumph perhaps resembling the Dutch Republic, where Protestants triumphed with a similar theology as the Huguenots–though Huguenots never had the numbers to actually take over France as they did the Netherlands.

For various reasons the monarchy never could root out Protestants.  An uneasy peace developed which allowed for toleration and Protestants to have a firm minority presence in France.  Some might say this proves that France could still be France with the two faiths co-existing.

Maybe.  But France could no longer have the same basis of political and social order if the celebration of the mass no longer held the country together.  The role of the king would have to change, his person would inevitably become less sacred, his job more administrative.  In time the brilliant but enigmatic Richelieu stated that, “People are immortal, and so must live by the law of God.  States are mortal, and thus are subject to the law of what works.”  Possibly the emphasis on the text for Huguenots led to a decidedly different, more disembodied intellectual climate, and perhaps this helped lead to the universal dream of a rational Enlightenment.

“A house divided against itself cannot stand.”  In the event that you find your house divided, you will therefore need to find a new place to live.  In our own Civil War, one side triumphed decisively enough to force their opponents to live with them.  In this case, the minority never succumbed to the majority, and so it seems that they both had to find a different house to live in.

Holt’s book reminded me of the quote from Adam Wayne, a character in G.K. Chesterton’s The Napoleon of Notting Hill.  Wayne commented that,

There were never any just wars but the religious wars.  There were never any humane wars, but the religious wars.  For these men fought for something they claimed at least, to be the happiness of a man, the virtue  of a man.  A Crusader at least thought that Islam hurt the soul of every man, king, or tinker that it could capture.

Beauty in the Eyes of the Beholders

When a crazy theory comes around, some reject it out of hand, or desperately hope that it is not true. I understand this–I myself very much hope, for example that intelligent alien life does not exist–and theories that they do in fact exist are not wildly crazy. Their presence would destabilize our view of the cosmos and our place in it far too much. When it comes to history, some reject any different theory as inherently destabilizing. Some adopt the Bill Hader approach, and seem to only want to make others squirm. For me–new theories generally appeal because I find them fun. In a world where every traditional narrative now has a target on its back, even flat-earth theories have made a comeback. Alas, it seems quite certain that we inhabit a spherical world, but wouldn’t it be fun if it was indeed flat? What a hilarious and tremendous flip of the script that would be.*

In 1946, at the tail end of the crisis that in hindsight dramatically weakened western civilization, William Ivins wrote Art and Geometry: A Study in Space Intuitions. This admittedly boring title concealed a powerful punch in the form of a sustained attack on the veneration of Greek sculpture so prevalent in the west at that time, or at least prevalent until 1914. Ivins admits the foolish impossibility of judging some art as superior to other art, but then proceeds to do just that (this was the right call–obviously we have the faculty to judge such things–we do it all the time–but should do so carefully). Greek sculpture, in fact, had little real vitality, little real understanding of geometry and its relationship to the body. Here we have what seems like a crazy idea, and what’s more, Ivins enjoys himself, writing with confidence and panache.

As his book involves geometry along with sculpture, one of his main criticisms involves the Greek’s apparent lack of spatial relatedness, of their inability to put their figures in relation to other people or things. He writes:

I have happened on no evidence to show that any Greek ever sat down and drew a view, or a group of figures, or a congeries of objects, such as his tables and chairs, as they appeared relatively to each other in their shapes and sizes, and positions from a single point of view.

And,

The celebrated battle friezes from the temple at Bassae or Phigaleia . . . were removed and sold before any record was made of their respective positions. They were taken to London, where for 100 years intelligent men of all nations labored to discover the order in which they had been originally set up. . . . Then at last, a brilliant young American solved the problem . . . Reasoning that the slabs must have been held to the wall by dowels, he went to the still standing temple and compared the dowel holes in the slabs to that of the temple walls. He solved the problem, in the most literal sense of the word, without ever having to look at the faces of the sculptures themselves [which gave no clue to the solution].

Ivins also lays into the Greeks for their persistent abstraction and the resulting aloofness of nearly all their subjects.

The extremely small number of Greek portrait heads is significant. . . . They are what we call “idealized” or “ennobled” portraits, i.e., abstractions with only the faintest personal character and psychological value–really no more than “composite group photographs.”

Compare any Greek figure to the quietly seated Pythagoras of the Cathedral at Chartes. He is only making an erasure in his manuscript, but his personality and the intentness and tensions of his mind and body probably cannot be equaled in all of Greek sculpture. It is as perfect a demonstration of the nonsense of the Aristotelian definition of fine art as an be imagined.

To illustrate his point, first the Pythagoras from Chartes**

And Greek sculpture

He continues his argument by linking the limitations of Greek art to their geometric theory. Whatever the greatness of Euclid and his successors, they had significant limitations. Ivins writes,

Basically the Greeks thought about their geometry in terms of an unexpressed chalk line or yard stick which they held in their two hands. . . . The way Euclid proved his basic theorem (I.4) that two triangles, having two sides and the angle between them equal, are equal to each other–was by picking one triangle up and superimposing it upon the other. . . . Euclid’s geometry was based on the tactile-muscular intuitions . . . neither Euclid or his successors had any notion of infinity.

And,

The story of Peithon and Serenus, two geometers of the 4th century AD, affords a striking example of how the Greeks missed out. [It goes] as follows:

“In the propositions (29-33) from this point to the end of the book Serenus deals with what is really an optical problem. Peithon, not being satisfied with Euclid’s treatment of parallels, thought to define them by means of an illustration, observing that parallels are such lines as are shown on a wall or roof by the shadow of a pillar with light behind it. This definition was generally ridiculed; and his friend Serenus seeks to rehabilitate Peithon by showing his statement as mathematically sound. He proves with regard to the cylinder that if any number of rays outside the cylinder are drawn touching it on all sides, all the rays pass through the parallelogram–Prop. 29–and if they are produced farther to meet any other plane parallel to that of the parallelogram the point in which they meet will lie on two parallel lines. He adds that the lines will not seem parallel.

Ivins then charts the problems with not challenging assumptions, and so on, until the era of the Renaissance. The Renaissance obviously borrowed from the classical world and the classical ideal of beauty and proportion. But in Ivins’ judgment improvements in geometric theory beginning in the early 15th century greatly improved the art of the time. This book stretched my very weak mathematical knowledge throughout, especially so as geometric theory got more complex. For Ivins, the key leap came from the renowned Alberti:

It has been said that Alberti’s greatest discovery was that the picture plane was a section of the cone of vision, but really it was something in addition to that. Up to his time the problem had been thought of as a simple two-term beholder-object relation that was really insoluble. His great contribution, though doubtless he was not aware of it, was that in fact he discarded the simple two term relation and discovered other relations sufficient to permit a solution–in other words he discovered that form and position were functions of each other, and thus were relative and not absolute . . .

Alberti’s Linear Perspective Model

Advances in geometric theory set the stage for a dramatic shift in art, with several Renaissance painters making full use of perspective.

Ivins comments,

Looked at in retrospect it seems almost incredible that the Greeks should not have discovered these things, which today seem intuitive in their simplicity and obviousness. The probable reason for this failure is that they were so obsessed by measuring and working out the relations between measurments in each of the separate conics that they were never able to see the descriptive qualities that ran through a whole series of conics.

I confess that I could not understand much of what Ivins said related to geometry, but I found his applications of geometry to art clear, and made obvious by any number of examples.

Ivins continues in his conclusion,

There is much talk of how much we owe the ancient Greek ideas, but most of this talk seems to be based on some vestigial legend of a “Golden Age,” which in this case extended for several hundred years, in a definite historical time with its origin in a definite historical place [i.e. Athens]. In general people who talk this way show little acquaintance to what we owe other peoples, and to what we owe ourselves.

Indeed the end of W.W. II ended in many respects the dream of a unified and confident western culture. Ivins’ reevaluation of the greek inheritance in geometry presaged an entire rethinking of western civilization itself. Seventy-odd years after Ivins, the west has yet to fully deal with its identity crisis.

I admire Ivins for his pluck, and I agree that there is something “off” about Greek art. Their sculptures invariably do reveal a problematic detachment, and possibly, even a kind of brutality in their subjects. But a common theme running through many of a scientific bent is that pauses in scientific knowledge, or moments when the world seems “stuck” in a particular mode of thinking, can invariably get reduced to some cruel twist of fate, or some power structure holding things back, or some basic lack of imagination due to a historical accident, or some other such “linear” explanation solved by restarting the stuck timeline.

In this area I depart with Ivins. If an idea persists, I say we should look for the reason for its persistence. We should assume that people are smart, and not hoodwinked or trapped for centuries on end.^ Judging the superiority of one kind of art over another quickly gets problematic. Still, I believe that the persistence of certain styles/ideas is evidence not of some trick of fate or conspiracy, but instead points to the idea having legs–it must have a point of connection with reality that people intuitively recognize.

Whatever we might think of the classical style, it dominated the ancient Mediterranean world for 800 years, give or take. I agree with Ivins that its revival ca. 1700-1900 AD was problematic and unfortunate in certain ways. But still–we should not attribute the dominance of this style merely to the power of the Greeks and Romans, and its revival merely to the power of England and France. They, and those around them, must have found something intuitively “right” about the classical approach.

In certain ways the Renaissance artists had more skill and worked with more developed geometric ideas. We can commend them for this. But . . . the Renaissance artistic style lasted perhaps 100 years at most, and failed to spread much beyond southern Europe. If we use the criteria of “long-term reception by ‘the people'” then we have to conclude that using advanced ideas of perspective did not make for “better” art. Ivins may overrate the place of perspective in important cultural creations.

There exists another example of an artistic style that consciously abandons certain principles of perspective that has lasted longer than the classical model–around 1500+ years–and still continues today, that being . . . Christian iconography.

We cannot attribute the persistence of this style to power (sometimes the Church had “power” and sometimes not), nor the limitations of geometric knowledge (the style began before Alberti and others revolutionized geometry, but continued long after). Though different cultures developed their own iconographic style, and though certain changes have taken place within iconography over time, no one has ever fully integrated perspective into icons. At times icons seem to deliberately reject perspective.

I am no student of iconography and will say little about the theology behind these choices, except that the power of art may reside in its ability not to accurately reflect the world as we see it, but to show us the spiritual tension we feel between we what we see, and what we “know.” We feel, not in our gut, but in our bones, that we live between two worlds, between the physical and the spiritual, between heaven and earth. Nearly all of human history testifies to our desire to somehow unite these two elements of our knowledge and experience. History shows us that most of the time we fail badly in our attempts.

Icons reveal part of the reason why we misfire so often. Our nearly exclusive focus on how people and objects relate to one another in space has made us look only at linear explanations for reality that cannot satisfy. Certainly advances in geometric knowledge did not cause this problem, but our exclusive focus on this aspect of reality (the linear/spatial) has brought about a new view of reality. Our perception is warped. We also need a way to see how we relate to each other in time, as well as space, and this, icons seek to display.

I love Ivins’ panache and willingness to go a little crazy. But maybe the truth doesn’t always extend forward, maybe sometimes it bends back around in a circle.

Dave

*Yes, some crazy ideas are really crazy . . . but perhaps there is a part of you that would want to have a conversation with this guy . . . ?

**His choice of Pythagoras to make his point is interesting–obviously this sculpture would have been regarded as a minor part of the whole edifice–and yet still something definite of his personality shines through.

^Though Ivins rightly points out the west’s immoderate attachment to the Greeks (something not really present, btw, during the Middle Ages), especially in the Victorian era, he failed to reckon what might happen when we gave up the idea of any kind of cultural center at all.