Historians tend towards the romantic, which means they can develop an undue fascination with decay. The best historians add to this a grand sweeping view of all things and thus see (with good reason) the vicissitudes of time and the sin to which all men are drawn. Historians hopefully are not cranks or kill-joys–rather they at least believe themselves saying, “I’ve seen this movie before . . . . ”

Exceptions exist of course, but Polybius, while writing of the glorious successes of the Republic saw the wheel of time moving that same Republic inexorably towards decline. Oswald Spengler also shared the basic assumption that civilizations, like every living thing, had its inevitable death built into their DNA. Plato too saw forms of government moving in a definite cycle, and Machiavelli–though departing from Plato as much as he could philosophically–shared this basic assumption. He hoped that practical wisdom could elongate the good parts of the cycle and shorten the bad ones, but sought nothing beyond that. Toynbee, being more influenced by Christianity than any of the aforementioned greats, saw more hope but still admitted that every civilization he studied had declined and disappeared.

All of these historians (others could be mentioned, such as Thucydides, and though Herodotus may have been the most hopeful, he did not write about the Peloponnesian War) dealt with civilizational decline but not with the concept of time itself. Some might say that historians should not bother about “Time” and let it stand as the purview of either science or theology. Well, history involves a degree of science, and no one can write about mankind without at least subconsciously thinking about God.

Enter Olivier Clement, and his dense, difficult, but still fascinating Transfiguring Time: Understanding Time in Light of the Orthodox Tradition. I cannot claim to have understood him thoroughly, but I hope to have gleaned the most important aspects of his work.

History shows us that civilizations had two main ways of conceiving of time, either as cyclical or linear. The cyclical view dominated most pre-Christian civilizations. Clement writes that

For primitive society, authentic time is the dawning moment of creation. At that moment . . . heaven was still very close to earth. . . . This first blessedness disappeared as a result of a fall, a cataclysm that separated heaven and earth . . . Thereafter he was isolated from the divine and from the cosmos.

The whole effort of fallen man was therefore to seek an end of this fallen state in order once again to be in paradise.

One sees this in the mythologies of most civilizations I am aware of. For the Greeks, Egyptians, Meso-Americans, etc. history begins with the gods ruling on earth in some capacity, a golden age of harmony and justice.

As the gods fled, all people had left to them was mimicry. By participating in the “cycles” initiated by the gods they could perhaps glean something. So we marry because heaven and earth were once married. We farm because of the motif of life from death, death from life we see played out in agriculture. Night becomes day, and day becomes night. Clement writes,

One important symbol (and ritual), the dance, sums up this conception of time. According to a very ancient tantric expression, the cosmos is the “game of god,” the divine dance. Primitive cyclical time is nothing less than the rhythm of this dance, ever tighter cycle in which the dancer is drawn in and assimilated.

Clement acknowledges that much truth exists in this conception of time, but emphasizes that it is fruitless in the end and thus, hopeless, a “hellish” repetition.* “Time is always experienced as degradation” as we move further out from the original marriage of heaven and earth. As we move further out, our connection lessens, hence the origin of ecstatic religious manifestations as an attempt to escape the cycle of reality and return to innocence. The Dionysian cult, for example, was universally acknowledged as “new” by the Greeks in the 5th century. Toynbee mentions that in the aftermath of Hannibal’s invasion, the more disciplined Romans found themselves “plagued” with an onslaught of much more emotional religious expressions. The old gods could no longer meet the new needs

This severing of man from meaning makes time itself meaningless. Eventually not even the regularity of the cycles can entice. One sees this clearly in the Viking epic Egil’s Saga. The prose sparkles, and the poetry is even better. But in the end we have feast, feud, violence, victory–rinse and repeat. So too in other cultures. Clement cites the famous story of Narada from the Sayings of Sri Ramikrishna which illustrate this well:

Narada, the model of piety, gained the favor of Vishnu by his fervent devotion and asceticism.  Narada demanded of Vishnu that he reveal to him the secret of his “maya.” Vishnu replied with an ambiguous smile, “Will you go over yonder to fetch me a little water?”  “Certainly, master,” he replied, and began to walk to a distant village. Vishnu waited in the cool shade of a rock for him to return.

Narada knocked at the first door he came to, eager to complete the errand.  A very beautiful young woman opened the door and the saintly man experienced something entirely new in his life.  He was spellbound by her eyes, which resembled those of Vishnu. He stood transfixed, forgetting why he had come. The young woman welcomed him in a friendly and straightforward way.  Her voice was like that of a gold cord passed around the neck of a stranger. 

He entered the house as if in a dream.  The occupants of the house greeted him respectfully.  He was greeted with honor, treated as a long lost friend.  After some time he asked the father of the house for permission to marry his daughter who greeted him at the door.  This is what everyone had been waiting for. He became a member of the household, sharing its burdens and joys.  

Twelve years passed.  He had three children and when his father-in-law died he became head of the family.  In the 12th year the rainy season was especially violent. The rivers swelled and floods came down from the mountains and the village was swamped with water.  During the night the waters swept away houses and cattle. Everyone fled.  

Holding his wife with one hand and two of his children with the other, with the third perched on his shoulders, Narada left with great haste.  He staggered along, battered by torrents of water. Suddenly he stumbled, and the child on his shoulders fell and plunged into the flood. With a cry of despair Narada let go of his two other children and flailed away to try and reach the littlest one, but he was too late.  At this moment, the raging water swept away his wife and two other children.  

He lost his own footing, and the flood took him away, dashing his head against a rock.  He lost consciousness. We he awoke he could see only a vast plain of muddy water, and he wept for his loss.  He heard a familiar voice, “My child, where is the water you said you would fetch me. I have been waiting for almost ½ an hour.”  

Narada turned and saw only desert scorched by the mid-day sun.  Vishnu sat beside him and smiled with cruel tenderness, “Do you now understand the secret of my maya?”

Commenting on this story, Clement cites two Hindu scholars, who write that,

The nature of each existing thing is its own instantaneity, created from an incalculable number of destructions of stasis.

and

Because the transformation from existence non-existence is instantaneous, there is no movement.

Thus, for Hindus as well as Greeks, eternity is seen in opposition to time, with immobility being the means of entering into eternity, which is again, in opposition to all that is transitory on earth.**

Viewed against other pre-Christian societies, Israel of the Old Testament looks quite different in their view of time and space. Some comment on the “crudeness” of the anthropomorphic language in the Old Testament about God, but this language, “demonstrates that eternity is oriented towards time, and that eternity marches with time towards encounter and fulfillment.” Clement uses the word “courtship” to describe this relationship, which I find most apt. One might then say that the Old Testament culminates in the Virgin Mary bearing the union of Heaven and Earth in the person of Christ. Time takes on a linear dimension and events take on definite meaning. True–time is part of creation and thus partakes of the curse of the fall–it marches us towards death and non-being. Existence gets mechanized. But this also means time will be redeemed, and this process of redemption begins not at the future “Day of the Lord,” but in the Incarnation itself, and in the everyday “now.”

The Christian worldview has elements of the cyclical time of many pre-Christian civilizations. Many medieval calendars, for example were often expressed in a circular, not linear, manner.

The Church is both eschatological and paradisal–a paradise regained–though importantly, a paradise regained that will be greater than that which was lost. Levitical liturgical life prescribed yearly festivals that mirrored the seasons of the year. In some ways, the world is a “game of God,” as St. Maximos the Confessor states.^ The liturgy recapitulates not our vain longings for a return as in pagan cultures, but the real interaction of time and eternity at the heart of existence.

In the Old Testament, time had meaning in part because it moved to a definite fulfillment with the coming of the Messiah. With the Messiah rejected, the Jewish people lost their connection with the eternal purpose of time. Now time as a straight line simply ends in death, and proclaims the reign of death just as strongly as the vain repetitive cycles of the most ancient cultures.

If I understood Clement rightly, he argues that the Christian sense of time preserves the best of both Jewish and pagan time–the cyclical and the linear–while introducing an entirely new element. The liturgical cycles give us continual entrance into a defined pattern life as we move in a distinctly forward direction towards the Day of the Lord. But these cycles don’t just recall the past or proclaim the future, but bring about an intersection of eternal and temporal. Liturgical prayers often speak of the “today” of the historical event celebrated. And if time is part of creation, then the “line” of history too will be redeemed and circumscribed by eternity.

As to the implications on blog about history and culture, well, here I have less confidence than in my attempts to understand Clement. But if I may venture forth . . . it does seem that an undue amount of political commentators have fallen prey to the romantic idea of cyclical and irretrievable decay. Right after Trump was elected, for example, a new edition of Plutarch’s lives detailing the end of the Roman Republic got published. Some now on the right feel a leftist totalitarianism on the rise. But Clement would tell us that is at precisely these times that we must remember: time no longer bears us unceasingly towards decay. If we so choose, we can live in a world infused with the paradise of eternity.

Dave

*Clement mentions that many ancient societies buried their dead in the fetal position as an indication that the cycle of life/death was to repeat ad infinitum. Many Native American tribes did this, as did the Egyptians, apparently. As far as I know, Christians have never buried their dead in a like position, testifying to a different theology of time and redemption.

Cremation practiced at times by the Greeks and others also testifies in some ways to the futility of the cycle–we began as nothing and return to nothing.

**Clement notes some similarity between this concept of “immobility” and Orthodox ascesis. Many monastic fathers speak of “stillness of heart” and “remaining in your cell.” Again, Clement acknowledges the complexity of the topic and the need to emphasize that sometimes the differences are not of “kind” but of degree & orientation.

^The idea being not something arbitrary but something playful and in flux, compared to the stability of the heavenly realms.

In western Canadian native culture, they tell a story about the South Wind and a skate. The South Wind’s volatility caused many problems for the people, making it impossible for them to fish and gather shellfish on the shore. They decide to fight the winds to make them behave. Some people and fish embark on an expedition to tame the wind, and have success. The South Wind agrees only to blow from time to time at certain periods, so that people can get on with their lives.

In his Myth and Meaning: Cracking the Code of Culture Claude Levi-Strauss sees more here than a nice story. He focused on the presence of the skate, which like a flounder, presents itself as a “normal” fish but is actually quite thin. When lying on the bottom, the skate presents an easy target, but a simple twist of its body will suddenly make it a much more difficult target. The skate, then, presents a kind of binary, a yes/no option to the world. He writes,

If the South Wind blows every day of the year, then life is impossible for mankind. But if it blows only one day out of two–‘yes’ one day and ‘no’ the other–then a compromise becomes possible between the needs of mankind and the conditions of the natural world. Levi-Strauss comments,

Thus, from a logical point of view, there is an affinity between an animal like the skate and the kind of problem the myth is trying to solve. The story is not true from a strictly scientific point of view be we can only understand this property of the myth at a time when computers have come to exist and provided us with an understanding of binary operations which had already been put to use in a very different way with concrete objects or beings by mythical thought. So there is no divorce between mythology and science.

As moderns we love to parse and divide, and so many theories exist about the functions of myths (I am guessing that ancient/traditional society have no such theories). Bronislaw Malinowski championed the “Functionalist” school–myths describe how we make life work regarding our basic human needs and drives. Claude Levy-Bruhl took an entirely different approach, arguing that the key difference between “primitive” and modern people came down to “emotional” and “mystic” representations from the former vs. scientific for the latter.

Strauss had a different approach, one I think closer to the truth. Traditional or “primitive” man had the ability to think in a disinterested, scientific way, but went about it differently than moderns. Strauss argued that we need to see more science in the past, and more myth in the present. True, the “scientific mind,” as described by Descartes, seeks “to divide the difficulty into as many parts as necessary in order to solve it.” But in the end, we must find coherence in order to manifest the order of the cosmos. As Strauss argued, if humanity the world over seeks order and meaning, it must be because order and meaning exist in the world.

The link between scientific and mythological thinking shows up sometimes in suprising places.

In his The Occult Sciences in the Renaissance Wayne Shumaker gives an interesting perspective on the Renaissance–one not in keeping with our natural expectations. He agrees with historian Paul Kocher–both note that the best attacks on Astrology during the Renaissance–Elizabethan era came almost entirely from ecclesiastics, including Pope Sixtus V, Pope Urban VIII, William Fulke, John Calvin, William Perkins, John Chamber, and George Carleton. Kocher continues,

And who, on the other side, spoke up for astrology? To the bewilderment of the modern analyst, chiefly the foremost scientific men of the age . . . an almost solid front of physicians, astronomers, and other natural philosophers, renowned for their achievements.

Kocher, Science and Religion in the Elizabethan Era, p. 267

Our typical assumptions about the Renaissance need reviewed, and Shumaker writes with great clarity and precision to facilitate this.

The argument for astrology in the Renaissance came from medieval roots, to be sure. To understand the medieval approach we have to reorient our assumptions about the nature of space, the relationship between the physical and the spiritual, and the concept of identity.

Space

• Moderns see emptiness, a void, with objects moving that only occasionally and remotely have an interactive relationship based on mass.
• Ancient and medieval people saw a universe crammed with life, be it the gods, angels, intelligences, etc. All these beings have a continuous relationship with one another.

Physical and the Spiritual

• Moderns tend to separate the two. We have symbols, but what is really real is matter, what we see, observe, measure, etc. Spiritual realities exist, perhaps, but the two worlds do not mix
• Ancients and medievals saw the two as constantly intermingling and influencing one another. This has ultimate expression in the mass, where heaven and earth meet in the transformation of the eucharistic elements into the Body and Blood of Christ, and the ripple effects flow from that.

Moderns acknowledge that physical things like weather impact our moods and can alter events. Ancients and medievals extended that sphere of influence into the heavens. Many in the Renaissance took in one step further. Shumaker writes that,

the Renaissance defense of astrology rested very heavily on the alleged power of “rays” to exert influence by means of light and heat. The rays of the sun operate upon us sensibly, and those of the moon, which was known to influence the tides, could be concentrated sufficiently by a concave mirror to produce warmth. Is it credible that rays from other cosmic bodies can affect us?

Identity

• Moderns focus a great deal on the idea of the “true self,”* which must be liberated from the constraints of every influence to act freely and shine brightly. We eschew accepting that outside entities or forces should have any role in forming our concept of the self.
• Ancient-medieval people readily understood that family, place, the gods/God all formed core aspects of our identity that no one really questioned or fought back against.

Astrology (as distinct from astronomy) must at first glance seem very distant from the modern mindset. And yet, modern science and astrology had a partnership for a time. They went their separate ways as a couple might divorce, not because they had a natural enmity. We can begin to understand this connection if we look at one of the horoscopes prepared for King Henry VIII of England, which relied on very precise observations. Its original rendering looked like this:

Which in modern observational terms would translate to something like this:

One translation of the horoscope reads,

This horoscope, in which there could be no greater good or any greater evil–because Venus is in the 9th house with Aldebaran and the Tail an in sextile with Mercury–shows a change in the laws which will not be revoked but will remain settled. Also the moon, in the 7th house and in quartile with the sun, while Saturn is in trine aspect with Venus, places as has been described, and Mars is in trine with the lord of the 7th house, Jupiter, announces divorce and much trouble with wives, to the point that one will be capitally punished. Saturn is in opposition with Mercury, since Mercury . . .

Some excerpts from the horoscope of Cicero, the famous Roman, composed in 1547:

The ornament of eloquence and mouth of the Romans has in his horoscope (i.e., the first house) the heart of a Lion, and with it, the sun, the Tail (the descending node of the moon), Mercury, Venus, and Mars: by these his fluency and high authority were determined. Almost the same things are reported of Petrarch . . .

And again, a horoscope of Emperor Charles V:

Charles V, born February 25, at 4:34 am . . . A peculiarity is the noting of stellar magnitudes within named constellations. In Book I of the Supplementum Almanach, Cardan discussed the names and powers of some 46 stars. Here he finds significance in their magnitudes . . . . Jupiter is with the third star in the water of Aquarius, a star of the fourth magnitude, and the nature of Saturn, with very little of that of Jupiter. . . . The sun is with a star in the back of Perseus, of the 2nd magnitude, and of the nature of Mars and Mercury . . .

We see in these examples language of precise measurements of time and space, with very little overt religious language or mysticism. The key to proper astrology involved knowing the precise date and time of birth, and coordinating that with known star charts and planetary movements. Observation, notation, comparison to other known data–all of this fits snugly within a scientific frame. As Shumaker notes, “We can set aside our doubts and accept [Renaissance] astrology as meeting all the requirements of a true science.”

Renaissance astrologists shared certain characteristics with their medieval forebears. Michael Ward’s Planet Narnia ingeniously attempts to demonstrate that each of the Narnia books has as its subtext the influence of a particular planet in the medieval cosmos. Lewis, as a Medieval-Renaissance scholar, certainly knew much about how medievals thought, thought part of Ward’s argument involves accepting that Lewis employed a certain strategy.

But whether Lewis attempted this with full intentionality or not I think beside the point. The Narnian stories show forth the medieval attitude to the cosmos, and the contrast shows how Renaissance astrology represented a decisive shift. Ward’s insights show us the Moon’s presence in The Silver Chair, or Saturn’s presence in The Last Battle, but one can read the story, understand and enjoy it without awareness of this fact. For the medievals, the planets had a role to play in events, based on some of the principles explained above, but the influence was subtle, “atmospheric,” with human agency, choice, and responsibility holding center stage.

Astrology met the characteristics of a “true science,” but that adds nothing to the truth claims of astrology. In fact, we can say that such claims are false not only because of the various attacks against it rooted in proper theological thinking, but because astrology as a science involves the same kind of precision completely removed from human experience that we see in conspiracy theories. In the documentary Room 237, director Rodney Ascher explores the variety of conspiracy theories associated with Stanley Kubrick’s movie The Shining, a horror movie based on a book by Stephen King. The movie seems like a departure from the grand projects Kubrick usually attempted (such as 2001, and Barry Lyndon made before, and Full Metal Jacket made after), that a variety of people assume that Kubrick must have put a deeper, more mysterious meaning into The Shining.

A variety of people come forward in the film to propose that The Shining is actually about

• American imperialism, especially related to the subjugation of Native Americans
• How Kubrick helped NASA fake the moon landings
• The Nazi Holocaust and the need to let go of grief

As Chuck Klosterman pointed out in a review, the movie exercises a spell of sorts–one can get drawn into the world of the various theorists interviewed. The main problem with all of these theories, however, is that they rely on a method of watching the movie completely inaccessible to anyone when the film was released, including Kubrick himself. The “proof” offered by the various theorists relies on stopping and enlarging certain precise frames of the movie, or running the film backwards and forwards simultaneously, or digital reproductions. Indeed, such theories likely never would have materialized had DVD’s never been invented. Sure, we can analyze movies and look for subtexts, but we will not find their meaning by breaking it down into its smallest component parts.

The scientific Renaissance astrologists relied on the same technique as the conspiracy theorists. If one looks very precisely at a few certain facts, i.e., the fact that ‘X’ was “born at 4:34 AM and not 5:12 AM, then we note that the position of ‘Y’ and ‘Z’ star had a position relative to ‘A’ planet” and so on, and. so on. They forget that none of these methods of measurement or observation were accessible for the vast majority of human history, or relevant to anyone who gives birth to and raises a child.

Science relies on deconstruction, certainly a useful and important skill. I am no more “anti-science” than any of the ancient critics of astrology. But we come to Meaning through Love, which involves “symboling” things together. Myth can nest Science within it, in the best sense of the meaning of “myth.” When science goes too far it resembles “myth” in the worst sense of the meaning of the word. Descartes had it wrong–dividing the difficulty into many parts will often pull us farther away from the solutions we seek.

Dave

*Note the theologically liberal search for the “historical” Jesus that can somehow be sifted from the gospel texts.

I have written before surrounding the confusion in medieval studies. Some Christians see too much tolerance of Roman or other cultural practices. Other historians, often heavily influenced by the Enlightenment, see narrowness and bigotry. We think in binaries, and want one side or the other to be the truth. But in another way of thinking, both or neither could be correct. And finally, maybe one side is right or wrong, and both and neither sides are correct . . . all at once?

I thought of these questions reading excerpts from The Heliand, which means “Savior” in the old Saxon tongue. The book paraphrases the four gospels, or perhaps reformulates Tatian’s existing paraphrase of the four gospels. Much debate exists as to the author’s identity and background, but it seems obvious that he wrote this work as an aspect of missionary efforts to the Saxon people. The work likely predates Beowulf, or perhaps existed contemporaneously with it.

Anglo-Saxon society at that time highly valued

• Heroic deeds and striving, action over contemplation
• Loyalty
• Rank and the proper posture towards rank

In his retelling the author makes some interesting changes of emphasis and detail, both in what he adds and detracts. A few examples readily show this.

There were many whose hearts told them that they should begin to tell the secret runes, the word of God, the famous feats that the powerful Christ accomplished in words and in deeds among men.  There were many of the wise who wanted to praise the teaching of Christ, the Holy Word of God, and wanted to write a bright-shining book with their own hands.   . . . Among all these, however, there were only four who had the power of God and help from heaven, the Holy Spirit, the strength from Christ to do it.  No one else among the heroic sons of men was to attempt it, since these four had been picked by the power of God.  They lifted up their voices to chant God’s spell.  Nothing can ever glorify our ruler, our dear Chieftain, so well!

In this prologue excerpt, the author recasts the gospel in epic language and themes. Some specifics stand out here. The “secret runes” catches our eye–the Saxons loved puzzles, riddles, and the mysteries of runes. The author uses this motif to position the gospel as a kind of mystery unraveled, in language that would make a lot of sense to them.

The Saxons also oved gold, shiny things, etc.–gold made up much of their conception of the good life. Calling the gospel book “bright-shining” calls this to mind.

At that time the Christian God granted to the Roman people the greatest kingdom.  He strengthened the heart of their army so that they conquered every nation.  Those helmet lovers from hill-fort Rome had won an empire.  In Jerusalem, Herod was chosen king over the Jewish people.  Caesar placed him there–it was only thanks to Caesar, that the descendants of Israel, those fighting men renowned for their toughness, had to obey him.  

. . . There came a decree from Fort Rome, from the great Octavian who had power over the world, governing the people and commanders from every land.  It said that anyone living outside their territory must return–all warrior heroes should go back to their assemblies, to the clan of which he was a member, to the hill-fort that was his home.

The good Joseph went also with his household, just as God, ruling rightly, willed it.  Bethlehem was the assembly-place for both of them, for Joseph the hero and for Mary the good, the holy girl.  This was the place where in olden days that great and noble King David stood for as long as he reigned, enthroned on High, the Earl of the Hebrews.  Joseph and Mary both belonged to this lineage.  They were of good family line, of David’s own clan.

The text takes pains to emphasize that the Jews were “renowned for their toughness”–the Saxons admired fighting men. Joseph also gets portrayed as a hero–though he has no military accomplishments we know of. The author does not invent any, of course, and one certainly could call Joseph a hero of the faith. Finally, the humility of Joseph, Mary, and their situation do not get the same treatment as the nobility of their lineage, the connections to David, again of importance to the Saxon audience.

I have heard it told that the shining workings of fate and the power of God told Mary that on this journey a son would be born to her, the strongest child, the most powerful of kings, the Great One came to mankind–just as foretold by many visions in days before.

Wise men had said that the Protector would come in a humble way, by His own power, to visit this kingdom of earth.  His mother, that most beautiful woman, wrapped Him in clothes and precious jewels, and then with her two hands that child, in a fodder-crib, even though he was the Chieftain of men and had the power of God.  There His mother sat watching over him.  And there was no doubt in the mind of that holy maid.

The text adds the element of “jewels” in Christ’s birth, knowing of the love the Saxons had for such things and their cultural associations with royalty. The text also omits the “no room at the inn,” part of the story. The translator of the text, Father G. Ronald Murphy, speculated in a footnote that the lack of hospitality for anyone, let alone royalty, would have dumbfounded the Anglo-Saxons. With this detail included, Murphy speculated, the Saxons might think the story a fable and doubt its authenticity.

. . . What had happened became known to many over this wide world.  The guards heard it.  As horse-servants, they were outside, they were men on sentry duty, watching the horses and the beasts of the field. They saw the darkness split in two in the sky, and the light of God came shining through the clouds.  Those men felt fear in their hearts. 

Here those that see the star in the sky are not shepherds, but stable hands, groomers of horses. Murphy notes that the Saxons would have known about sheep and shepherds, so the alteration needs another explanation besides cultural ignorance. He surmises that Saxon nobility had no interaction with shepherds, and so would not have trusted them. But stable hands took care of valuable horses, and were trusted members of households. Thus, the witness of such men would have credibility in their eyes.

Thus I have heard it told that John praised his Lord Christ’s teaching to every good man of the people, telling them that they could win the greatest of good things, blessed eternal life, the kingdom of heaven.  The Good Chieftain Himself went out into the wild country.  The Chieftain of earls was there a long time.  He had no companions, and this was as He chose it to be.

He wanted to let powerful creatures test Him, even Satan, who is always doing evil.  He understood Satan’s feelings and angry ill-will, and how he misled the couple, Adam and Eve, with lies into disloyalty, so that the souls of men should go to Hel after their departure. 

. . . The Guardian of the Land, the Chieftain, fasted for forty days, eating no meat.  For that entire time, the evil creatures did not approach Him, the evil-minded nidhudig, nor speak to Him face to face.

Again the author makes some interesting choices. We note that the author has to explain why Christ went out by himself–a king without companions for an Anglo-Saxon makes no sense–unless it involves some heroic striving. Here the text indicates that Christ chose this for Himself lest there be no confusion. The “nidhudig” in Saxon mythology was a demonic snake that fed on the souls of the unrighteous, always doing battle with the eagle that perched upon the tree of life. Here the author makes a connection–the enemy of Christ is the same enemy you have always known. Of course the story continues, and the author continued to make adjustments in content and tone throughout.*

As Charles Taylor noted in his A Secular Age, a distinctive feature of the modern world involves the homogenization of space and time. Most see all time as the same, all space as the same. Thus, we impose meaning on time and place, and not vice-versa. But for pre-moderns and traditional thinkers, certain spaces and times had special qualities because of what happened there, or an act of God, the gods, and so forth. They also saw the world laid out in a structured, hierarchical way, with each part of the world having a different meaning inherent in it. I have called this structure (borrowing directly from Jonathan Pageau–and his insights about church design are also reflected below) the Core, the Fringe, and Chaos, and discussed this in a different post. Here I hope to elaborate on this structure and connect it to St. Maximus the Confessor’s thoughts on the connections between God, the Church, and the World.

In his Ecclesiastical Mystagogy. St. Maximos writes,

It is in this way that the holy Church of God will be shown to be working for us the same effects as God, in the same way as the image reflects its archetype. For numerous and of almost infinite number are the men, women, and children who are distinct from one another and vastly different by birth and appearance, by nationality and language, by customs and age, by opinions and skills, by manners and habits, by pursuits and studies, and still again by reputation, fortune, characteristics, and connections: All are born into the Church and through it are reborn and recreated in the Spirit. To all in equal measure it gives and bestows one divine form and designation, to be Christ’s and to carry his name. In accordance with faith it gives to all a single, simple, whole, and indivisible condition which does not allow us to bring to mind the existence of the myriads of differences among them, even if they do exist, through the universal relationship and union of all things with it. It is through it that absolutely no one at all is in himself separated from the community since everyone converges with all the rest and joins together with them by the one, simple, and indivisible grace and power of faith. For all, it is said, had but one heart and one mind. Thus to be and to appear as one body formed of different members is really worthy of Christ himself, our true head, in whom says the divine Apostle, there is neither male nor female, neither Jew nor Greek, neither circumcision nor uncircumcision, neither foreigner nor Scythian, neither slave nor freeman, but Christ is everything in all of you. It is he who encloses in himself all beings by the unique, simple, and infinitely wise power of his goodness. As the centre of straight lines that radiate from him he does not allow by his unique, simple, and single cause and power that the principles of beings become disjoined at the periphery but rather he circumscribes their extension in a circle and brings back to himself the distinctive elements of beings which he himself brought into existence. The purpose of this is so that the creations and products of the one God be in no way strangers and enemies to one another by having no reason or centre for which they might show each other any friendly or peaceful sentiment or identity, and not run the risk of having their being separated from God to dissolve into nonbeing.

On a second level of contemplation he used to speak of God’s holy Church as a figure and image of the entire world composed of visible and invisible essences because like it, it contains both unity and diversity.

For while it is one house in its construction it admits of a certain diversity in the disposition of its plan by being divided into an area exclusively assigned to priests and ministers, which we call a sanctuary, and one accessible to all the faithful, which we call a nave. Still, it is one in its basic reality without being divided into its parts by reason of the differences between them, but rather by their relationship to the unity it frees these parts from the difference arising from their names. İt shows to each other that they are both the same thing, and reveals that one is to the other in turn what each one is for itself. Thus, the nave is the sanctuary in potency by being consecrated by the relationship of the sacrament toward its end, and in turn the sanctuary is the nave in act by possessing the principle of its own sacrament, which remains one and the same in its two parts. In this way the entire world of beings produced by God in creation is divided into a spiritual world filled with intelligible and incorporeal essences and into this sensible and bodily world which is ingeniously woven together of many forms and natures. This is like another sort of Church not of human construction which is wisely revealed in this church which is humanly made, and it has for its sanctuary the higher world assigned to the powers above, and for its nave the lower world which is reserved to those who share the life of sense.

Moreover, he used to say that God’s holy church in itself is a symbol of the sensible world as such, since it possesses the divine sanctuary as heaven and the beauty of the nave as earth. Likewise the world is a church since it possesses heaven corresponding to a sanctuary, and for a nave it has the adornment of the earth.

And again from another point of view he used to say that holy Church is like a man because for the soul it has the sanctuary, for mind it has the divine altar, and for body it has the nave. It is thus the image and likeness of man who is created in the image and likeness of God. By means of the nave, representing the body, it proposes moral wisdom, while by means of the sanctuary, representing the soul, it spiritually interprets natural contemplation, and by means of the mind of the divine altar it manifests mystical theology. Conversely, man is a mystical church, because through the nave which is his body he brightens by virtue the ascetic force of the soul by the observance of the commandments in moral wisdom. 

St. Maximos pulls this from the structure of creation revealed in the Scriptures. We can see the concept of the “fringe” in the seventh day of creation, and in leaving the fields with the edges unharvested. We can see the core & fringe motif in how the Israelites marched through the desert, with the tabernacle at the core/center with the priests, with Joseph’s tribe towards the center leading west, Judah close to the center facing east (from which direction the Savior comes), with Benjamin, the last born on the edge, but near his “brother” tribes, and so on.**

I tremble to interpret St. Maximos, but we can break down his thoughts in the following way:

• God’s creation exhibits unity and distinction, just as God Himself, who is 1 God in 3 Persons
• The distinctions in God have a reflection in the Church, which has its, Spirit, Soul, and Body.
• The design of mankind also exhibits this three-fold distinction.

The Spirit, Soul, and Body have a unity, but are not strictly equal. And, they have different functions.

Medievals understood this and reflected it in the design of their churches. Winchester Cathedral has the tripartite structure with the altar/sanctuary as the innermost region of the heart, the choir as the soul, and the nave as the body. The “core,” that is, the altar, resides in the eastern wing of the cathedral, from whence Christ shall come again (Is. 41, Rev. 7, etc.).

I have heard different explanations for the exact meaning of gargoyles, but everyone agrees and everywhere attests that they belong on the outside of churches, the exterior, representing the dangerous fringe of the world, or possibly the demonic chaos that lies beyond the pale. Whichever interpretation we prefer, the church models the structure of our lives and creation itself.^

We can consider missionary work in the light of the structure Scripture, the Church, and St. Maximos has laid out for us.

The fringe, or edge of our beings, just as the edge of societies, involves transitions from one world to another. A fluidity exists here not present at the core of societies.^^ When we make these transitions, for example, to another culture, we usually ease into them. We buy a phrase book, we get maps, maybe a tour guide–we look for ways to make the entry as seamless as possible. When we experience wrenching or abrupt transitions, such as throwing off the covers on a cold winter morning, we usually react poorly.

Navigating religious change has many more pitfalls than getting out of bed in the morning (some might disagree), and traditionally missionaries look for whatever they see within the culture that they can use to grease the skids towards Christianity. But one cannot use anything and everything in a society–some things need left behind. Conversely, one need not start with the Core messages and doctrines of faith per se. One might want to arrive there by a circuitous route. The key in choosing what to omit or emphasize should have the goal of leading one from the Fringe to the Core. If the emphasis one gives obscures or changes the Core, you have likely put a stumbling block in their path, and will have problems later on. Navigating this requires a great deal of wisdom, something that my very few and brief forays into different cultural environments shows that I lack.

From this vantage point we can think about the omissions and emphases of the author. Regardless of where one stands with The Heliand, clearly the author understands Saxon culture and has an appreciation for it. We should not doubt his intentions, but the results . . . we can evaluate them based on how well these transitional spaces (of which The Heliand is a part) help prepare us for the “core.” When the Saxons heard the Gospel read and preached in Church, would they see it as a fulfillment of what they heard, or something alien, a bait and switch of sorts that might inspire confusion and even anger? We know that the Saxons converted to Christianity over a 50 year period, give or take, in the 6th and 7th centuries AD, though we cannot know the role this text played. Perhaps we can suggest, along with Thomas Aquinas that, “Grace does not destroy nature, but perfects it.”

Dave

 

*Perhaps the most famous incident of re-packaging the message in the text is Peter’s cutting off the ear of Malchus when Christ is arrested. The Heliand includes this episode, but it plays up the valiant, courageous nature of Peter protecting his King, as any vassal should. The text has Christ heal Malchus’ ear, but Christ’s “put your sword away” line is not included.

**Placing Benjamin farthest to the west, traditionally viewed as a direction oriented towards death and chaos, may also have something to do with the Benjamites being left-handed–confronting the strange with the strange, perhaps. Joseph, as the “good” son who save Israel, gets a double blessing on his two sons. But Christ comes from Judah, so Judah takes the lead in the eastern wing of the cross.

^Pope Francis’ failed to understand this key difference at his Amazonian Synod in 2019. Is there a place for finding some common ground between the pagan world and Christianity? Apologists at least since Justin Martyr in the 2nd century AD have thought so. Paul quoted from pagan authors in his sermon in Athens. But . . . neither of them would ever have thought of placing something that resides on the transitional fringe right on the altar–at the core.

^^This is why rivers are often boundaries between one place and another, and why saints associated with rivers, such as St. Christopher, have a fluidity to them.

On the Symbolic World website Cormac Jones recently published an article of immense depth on the concept of the “Chiasmus,” the cross or “Chi” literary structure found in many older texts. The concept gets its name from the Greek letter “Chi” which is written in the form of an “X.” Jones makes many startling observations about the biblical texts, noting that chiastic structure runs rampant throughout the Bible. He gives numerous examples, among them, this one from Matthew 7:4-5

Or here in Matthew 13

As Jones points out, the word “parable” has geometric implications–the parabolic arc bends up or down and then returns on its former path, so it makes sense that a parable would do likewise. We must not assume it mere coincidence that Jesus’ used the parable as His primary method of teaching. As St. Nikolai Velimirović noted,

The whole world is one long parable, made up of innumerable parables. This world and all that is in it is as ephemeral as a tale that is told. But the spiritual kernel that is hidden within the layers of every parable is enduring and does not decay. Those who nourish only their eyes and ears by these parables remain spiritually hungry, for the spirit is nourished by the kernel of these parables, and they are not capable of penetrating to this kernel. An unspiritual, sensual man feeds on the green leaves of many parables, and remains always hungry and restless from this hunger. A spiritual man seeks the kernel of these manifold parables and, feeding on it, becomes satisfied and filled with peace. All things that exist are parables, for they are all, like green leaves or layers, wrapped round the hidden kernel. All that happens is the stuff of parable, for it is the clothing for the spiritual content, kernel, and nourishment.

Placed in this world, man is as though encompassed by a sea of God’s wisdom expressed in parables. But he who looks on this wisdom only with his eyes sees nothing but the vesture in which this wisdom is clothed; he looks, and sees the vesture of nature, but does not see its spirit and kernel; he listens, and hears nature, but he hears only empty voices, not understanding their meaning. The eye is not given to see nature’s kernel, nor the ear given to hear its meaning. Spirit finds spirit; meaning looks to meaning; understanding meets understanding; love senses love.

All spiritual truth is from the other world — the spiritual, heavenly world — and it can be perceived and grasped only with spiritual sight, hearing, and understanding. But these spiritual truths are set forth in this world under the form of things and incidents. Many have lost the sight, hearing, and understanding of spiritual truths. Many only see the form, and only listen to the outward voice, and understand only the outward content, form, and nature of things and incidents. This is bodily sight, bodily hearing, and bodily understanding. The Lord Jesus knew men’s blindness and therefore, as a most wise Teacher, led men from bodily subjects to spiritual, and from physical facts to spiritual. He therefore spoke to them in parables — in a form that was able to be grasped by their sight, hearing, and understanding.

Jones continues to point out the chiastic structure not just of certain biblical passages, but whole books of the Bible (you can find such outlines and commentary on his website), and why the chiastic structure is ideally five-fold, rooted in St. Maximus’ concept of being, well-being, and eternal being:

. . . that there are three modes, inasmuch as the total principle of the whole coming into being of rational substances is seen to have mode of being, of well-being, and eternal-being; and that of being is first given to beings by essence; that of well-being is granted to them second, by their power to choose, inasmuch as they are self-moved; and that of eternal-being is lavished on them third, by grace. And the first contains potential, the second activity, and the third, rest from activity

St. Maximus the Confessor, Ambigum 65

He gives a quick outline of this as

He then goes on to argue that chiasm ideally functions in a five fold manner, writing,

So when the B in the A-B-A’ itself expands to a-b-a’ you end up with something fivefold, something expressible as A-B-C-B’-A’. You could acknowledge this basic form as the result of the threefold chiastic minimum combined with the most basic fractal understanding, or you could see in the expansion from three to five the wedding between man and God — between God’s agency and man’s agency. That’s the cosmic story. It can be expressed in simplest terms thus:

More specifically:

Which also has expression as a parabola [i.e., a “parable,”] or cosmic mountain:

I will spare the reader an entire recapitulation of his excellent article, but it is this space in the middle, the center of the ‘X,’ that allows the “division” between the A and B elements of chiasms to have resolution.

Coincidentally, the number 5 has a long history of importance within the Christian tradition. This may have its origin in the symbolic role of the hand itself as what orients, directs, and confers power and blessing. The Church developed this further with the five wounds of Christ, the five joys of Mary, and other emblems around the number five.

Sympathy stands as one mark of the best historians, and that quality shines out in Ernst Kantorowicz’s classic The King’s Two Bodies, which examines medieval political theology. He begins his study by looking at Edmund Plowden’s Reports, which date from the 16th century. The issue involved whether or not King Edward VI could dispense with property he held privately, though he was legally underage to do so? Plowden writes,

By the Common Law no Act which the King does as King shall be defeated by his Nonage [i.e., being underage].  For the King has in him two Bodies, a body natural and a Body politic.  His Body natural, if it be considered in itself, is a Body mortal, subject to all infirmities that come by Nature or Accident . . . . But his Body politic is a Body that cannot be seen or handled, consisting of Policy and Government, and constituted for the direction of the People and the management of the Public weal.  This body is utterly void of infancy, and of old age, and other natural defects which the Body natural is subject to.  For this cause, what the king does in his Body politic cannot be frustrated by any disability in his natural Body.

Therefore, when the two Bodies are become as one Body, to which no Body is equal, this double Body, whereof the Body politic is greater, cannot hold in jointure with any single one.

Yet, despite the unity of the two Bodies, his capacity to take in the Body natural is not confounded by the Body politic, but remains still.

Notwithstanding that these two Bodies are at one Time conjoined together, yet the Capacity of of the one does not confound the other, but they remain distinct Capacities.

Ergo, the Body natural and the Body politic are not distinct, but united as one Body.

Another earlier commentator known only as the “Norman Anonymous” wrote in a similar vein,

We thus have to recognize in the king a twin person, one descended from nature, the other from grace . .  One through which, through nature, he shares with other men: another through which . . . he excels all others.  Concerning one, he was by nature, an individual man: concerning his other personality, he was, by grace, a Christus.  

To the modern eye, raised on Occam’s Razor, this sounds at best convoluted, and perhaps even ridiculous–“byzantine” in its overwrought complexity. But Kantorowicz rightly points out that, while medievals viewed there theories as complex, they had an internal logic to them. Medievals took seriously the strange mystical nature of leadership, and applied their theology directly to difficulty political questions. Some may note the connection above with Trinitarian and Christological doctrines developed in the early church. Christianity is neither monistic or polytheistic–we have one God in three Persons. But more particularly, the theory of two bodies for the king has roots in the Council of Chalcedon (AD 451), which affirmed that:

We, then, following the holy Fathers, all with one consent, teach people to confess one and the same Son, our Lord Jesus Christ, the same perfect in Godhead and also perfect in manhood; truly God and truly man, of a reasonable [rational] soul and body; consubstantial [co-essential] with the Father according to the Godhead, and consubstantial with us according to the Manhood; in all things like unto us, without sin; begotten before all ages of the Father according to the Godhead, and in these latter days, for us and for our salvation, born of the Virgin Mary, the Mother of God, according to the Manhood; one and the same Christ, Son, Lord, only begotten, to be acknowledged in two natures, inconfusedly, unchangeably, indivisibly, inseparably; (ἐν δύο φύσεσιν ἀσυγχύτως, ἀτρέπτως, ἀδιαιρέτως, ἀχωρίστως – in duabus naturis inconfuse, immutabiliter, indivise, inseparabiliter) the distinction of natures being by no means taken away by the union, but rather the property of each nature being preserved, and concurring in one Person (prosopon) and one Subsistence (hypostasis), not parted or divided into two persons, but one and the same Son, and only begotten God (μονογενῆ Θεόν), the Word, the Lord Jesus Christ; as the prophets from the beginning [have declared] concerning Him, and the Lord Jesus Christ Himself has taught us, and the Creed of the holy Fathers has handed down to us.

In other words, Christ is one person, with two natures, and these two natures exist in concert with each other. The king reigns as an icon of Christ, and this means that he must show forth not just his power but his humility as well. Kantorowicz points out that for the first several centuries, Christian kingship had strong liturgical connections, especially related to Christ’s offering of Himself not just on the cross but continually in the eucharist, as Gregory of Bergamo explained,

One is the body which is the sacrament, another the body of which it is the sacrament . . . . One body of Christ which is he himself, and another body of which he is the head.

Kantorowicz asserts that problems with monarchy in the 17th century developed perhaps only when western civilization abandoned this theological tension. He quotes from the Puritans who remarked regarding Charles I along the lines of, “We fight the king to save the King,” as indicative of straying near the Monophysite heresy. Monophysites denied the Chalcedonian symbol, arguing that Christ essentially had only one divine nature, reducing his humanity to an outer shell. With this theological shift de-emphasizing Christ’s incarnation, the use of Christ as a model for kingship went out of fashion. Instead, Kantorowicz argues, God, or perhaps God the Father, became the image of earthly kingship. With the liturgical connection of descent, sacrifice, ascent then lost, the legal powers of kingship increased, and kingship became more absolute. This so-called growth of the power of the king actually foreshadowed its demise. Monarchy grew severed from its proper source, and came ripe for a fall.

The King’s Two Bodies has a great deal of thought provoking detail, tracing the development of the “two bodies” idea thoroughly. I thought Kantorowicz missed something in his analysis, however, something akin to the missing center of the chiasm when it has only an oppositional structure. Something must hold it together beyond merely the distinction between the two bodies, just as Christ is one person with two natures. Kantorowicz describes some of the historical mechanics of monarchy admirably but misses some of the real point of the main question: Why has monarchy been the historical, traditional “go-to” form of government?

This question Jean Hani gets at more directly in Sacred Royalty: From the Pharaoh to the Most Christian King. Hani understands that the modern man has no real understanding of monarchy. Some might even favor monarchy, but see it only as a convenient way to concentrate power, such as Adolphe Thiers, who commented in 1871 that, “the monarchy is at root a republic, a republic with a hereditary president.” Others perhaps might wish to say more, and allow that kingship has roots in nature, or in fatherhood. The philosophy Denis Diderot notes, however, that “nature gives no one the right to rule others,” and that the power of paternity recedes as the children grow up. Diderot’s implication, of course, was that France, and the world, had reached such an age.

Hani concedes that any genuine idea of monarchy must have roots beyond efficiency, practicality, and hereditary. It must be, “a paternity raised to the second power, sacred by nature, but whose sacredness is conferred by means of rites”–that is, by what is above.

Any full unpacking of Hani’s work exceeds my capacity here. What I found most illuminating, however, is that Hani discovers the secret to kingship through the mystery of chiasm, though he never sought to attempt any such thing (as far as I know).

First, Hani notes that mankind, in Jewish, Christian, Chinese, and other religious traditions, occupies a central place in the cosmos, one that lies at the midpoint between heaven and earth. “True Man,” he states, “is a synthesis of the Universe,” an idea echoed in St. Maximos, among others. As one Chinese sage put it,

The square pertains to Earth, and the circle pertains to Heaven.  Heaven is a circle, and Earth is a square.

Zhou Bi Suan

As the Taoist Change-Tzu stated,

The emperor concentrates on non-action, which is the Way of Heaven . . . . The ancient rulers abstained from acting on their own, allowing Heaven to govern through them . . . . At the summit of the Universe, the Principle unites Heaven and Earth, which transmits its influence to all beings, and which, entering the world of men, becomes good government.

But this “heaven” must touch earth to receive body and enactment in the world. Hani includes several pictures of the layout of ancient cities which symbolically represent this in their circular design, first with ancient Mansura:

and with the Viking fortress of Trelleborg:

and Firuzabad:

and Darabgerd:

This “squaring the circle” motif (with the earth upon which the city rests being the “square”) brings Heaven to Earth, in a sense. Even the Assyrians, depicting something as prosaic as a military camp, understood this.

What surrounded the king had this same pattern, such as the chariots of China and yes, also Assyria (not noted as a civilization that always appreciated the finer things):

The key element here is the square bottom and circular top–Earth connecting with Heaven:

For China, at least, Hani shows how this all comes together even in their language, writing,

But the most profound symbolism of the imperial residence was the central edifice, the Ming-tang, or “Temple of Light . . .   this building had a square base and a round roof; the same structure governed the chariot of the emperor . . . . Thus, dress, chariot, and palace, by their fundamental structure, analogous to the character “wang,” expressed the nature of the sovereign as incarnating the function of “True Man,” or “Transcendent Man,” fixed in the “Invariable Middle” (symbolized by the central cross of the character “wang”) and ultimately identified with the Axis of the World.

Here is the Chinese character for “king.”*

This brings us back to the five-fold chiasm.

Cormac Jones writes,

Have you ever considered it odd that Man, . . . is not given his own day on which to be made? He rather shares the sixth day with all the beasts of the field and creeping things of the earth. . . . what this grouping seems to suggest is that–not only are humans of like essence with the animals according to their bodies, symmetrical to the [angels] according to their spirits–but also the featured creation of the sixth day is specifically the five senses, which men and animals share alike. First you have all material creation made in a symbolic five days, then you have the five senses which circumscribe them by their powers of perception made on the sixth day.

And St. Maximos writes,

Manifold is the relation between intellects and what they perceive and between the senses and what they experience. . . . So it is in two parts divided between these things, and it draws these things through their own parts into itself in unity.

Here we have our window through which to understand kingship, at least in the ancient and medieval world. We as humans must square the circle in some place, and since, (as St. Maximos and others have stated) man is a macrocosmos, it must come to a point not in some place, but first in the Man by nature, and then in a man through grace. Other cultures intuited many important aspects of this truth, as we see above. Christianity’s crucial, seminal contribution is to put this power of Heaven and Earth on a cross, to fix our five fold nature into both sorrow and joy. It is one of the paradoxes of the Faith that the way Up involves going down.

Dave

*The Chinese Lo Shu number square, rooted in the origin myth of 9 rivers, 9 mountains, and the 9 provinces of China looks like

and not coincidentally, has the number 5 in the middle as the midpoint of 9, as what holds together the four cardinal directions. This surely has something to do with the designation of China as the “Middle Kingdom.”