Greetings all,

This week we mostly took a break from 20,000 Leagues Under the Sea as students finished their rough drafts of their Song of Roland essays. In the syllabus I handed out at Orientation, I mentioned that we would be seeing two movies this year that fit with the themes of our particular unit. Both Old Man and the Sea and The Song of Roland have similar characters and ask some of the same questions. Both Roland and Santiago

• See their life almost wholly through their job/vocation (knight and fisherman)
• Dedicate themselves to their task with great courage, risking their life for their “calling.”
• Avoid “thinking too much”–analysis leads to paralysis for both men. For both men, the truth of their lives comes in their actions.
• Achieve greatness, but they could also both be accused of having too narrow a focus. They have to sacrifice a great deal to become who they are.

Our movie for this unit is Jiro Dreams of Sushi, a documentary about the man many believe to be the greatest sushi chef in the world. His restaurant is small, nestled in the midst of a metro train stop. But foreign dignataries have come to dine at his establishment, and there is a now such a long wait list for diners that one must call long in advance to get a seat.

The movie has a great to reccomend it. It immerses one into the world of sushi and the personality of Jiro. While obviously no documentary can explore every area of anyone’s life, one gets the sense that the film captures the essence of Jiro the man. One can admire a great deal about Jiro:

• He has worked with sushi since he was a little boy. He has no real formal training and everything he knows he gleaned from his own experience.
• He could have easily grown rich through various means involving franchising, promotionals, etc. but he keeps a low profile. Sure, he is reasonably well off as an individual, but one immediately senses that it is not money, but the craft that drives him.
• He has a wholehearted dedication to perfection in his craft. Only a small percentage of what he and his staff make actually gets served.
• Critics say the key to his success is the simplicity and purity of his dedication. He serves sushi, and only sushi. There is no music, fancy lights, or even conversation in his restaurant. Nothing is there to distract from the food.

Jiro is probably more evocative of Santiago instead of Roland, but as you can see, he shares similarities with both of them. Both Hemingway and the author of The Song of Roland have a great fondness for their main characters. But their admiration for Santiago and Roland, respectively, is not uncritical. Great literature knows how to ask questions of itself. Jiro Dreams of Sushi also has great admiration for its subject. But it would not be such an influential documentary film if the movie only involved hero worship.

A closer viewing of the film reveals the costs of Jiro’s life and achievements. Like Santiago, he seems a bit of a loner. The movie shows him visiting with friends and family, but this seems added on merely as an attempt to show him as “well rounded.” Jiro does not get that gleam in his eye from visiting family. Like Roland, his dedication to his own sense of calling leaves little room for other voices. As one restaurant critic says, no truly great chef is interested in collaboration. One senses that perhaps he should have retired some time ago and let his son take over, but this seems an impossibility for him.

My hope is that the students will notice some of these shadows around Jiro’s bright sun, and that this might help him understand what we have read so far this year.